
Came across their flyer for the show tomorrow thought it was cool...
In 2005 Okkervil River released their fourth full length album, Black Sheep Boy, and finally garnered the sort of critical praise and success they had worked hard for half a decade to achieve. People across the board were struck by the depth and the darkness of Will Sheff's lyrics and the band's capable musicianship. It even had Lou Reed declaring the band one of his new favorites. So after two years of relentless touring and the release of an EP accompaniment the band has finally finished up their follow-up with an overwhelming amount of anticipation looking them right in the face.
At 7pm I'll be heading down to the seaport for the the first time this summer to take in the sights and sounds of Sam Champion and Ra Ra Riot. Obviously tonight will be a truly emotional night being the first show since the death of Ra Ra Riot's drummer John Pike. The band, with the blessing of John's family, have decided to soldier on as a band rather than folding under the face of a tragedy. Show your support for the band by being in attendance tonight and having a great time listening to the tunes of the band.
After Ra Ra Riot get done at the seaport I'll be heading to The Cake Shop to catch Daylight's for the Birds, a damn fine indie pop band that deserves you and your attention. Go by and catch them right after the you finish rocking out at the seaport. (I don't see the time or the price listed so I'll try to get this all for you.)
Saturday night my friends and I will gather to celebrate the engagement of our friends Liz and Sal. So while we are dressed to the nines and enjoying an open bar here's a few things I'd be doing if I weren't at this party.
Ahhh what's better than spending a beautiful Sunday afternoon at the pool? Of course I'm not talking about an ordinary swimming pool here, I'm talking about the always fun and entertaining Pool Parties at McCarren Park Pool. Beginning at 2pm you can hang with all the cool kids of Williamsburg while basking in the sun, playing dodge ball, sipping some beer, riding down the slip n' slide, or rocking out to some of the best music around. Today we get the double treat of checking out the very fine Illinois and the absolutely amazing live show of Man Man. If you have yet to catch Man Man live, well I don't really know what's wrong with you, but you need to make up for that today!!!
I love bands full of young, energetic, and exuberant people. When a band of teenagers gets together and start making music its a beautiful thing, they haven't yet been corrupted by all the ills of society but they have a good idea of what they are in for. The Overtones are exactly this sort of band, they are young (all around 18 or so), talented (though still learning), and have an idea of the world without being completely jaded by it, plus I think they started a band just to get laid which is really the main reason behind all rock n' roll bands no matter what "artist" types say.
Listening to the new album from The Sharp Things, A Moveable Feast, is like throwing a curveball to your ears after about a dozen 100-mph fastballs. The album is unlike anything that has come across my ears all year, and its because of this fact that I highly recommend the album.


Annie Clark is quite the presence in the world of indie music. Having been a member of The Polyphonic Spree and a part of Sufjan Stevens' touring band her pedigree is second to none. Now Annie has finally gotten around to making an album of her own under the moniker St. Vincent.
The weekend kicks off with the first night of The Undisputed Heavyweights residency shows at Joe's Pub. Tonight's show is an excellent double bill featuring Ingrid Michaelson (heavily featured on Grey's Anatomy last season) and of course the Heavyweights themselves. Unfortunately this show is sold out so you're going to have to settle for one of the other two equally fantastic shows.
This afternoon JellyNYC kicks off its summer pool parties at McCarren Park with Superchunk and Oakley Hall. The show gets started at 2pm and as you all know following last year these events are the single best way to spend a Sunday in New York. As always its free, but you can RSVP on Going.com to ensure your entry into the pool.
Late last week The New Years Eve asked to be my friend on the old myspace and I was drawn to their song style and songwriting skills from the get go. The Philadelphia based four piece have a striped down sound that I seem to fall for at every turn of the page, and it helps that behind the stripped down music are some heartfelt lyrics that hold your attention along with the simple strumming and subtle rhythms.
The material was mostly culled from one of the year's finest albums, Person Pitch, and the minimalist set-up allowed people to focus on the music. With his fingers turning knobs and pushing buttons, Panda Bear commanded attention as the harmonies blared synthetically along with his own charming voice. Behind Noah the screen blended images and moving shapes to create a psychadellic feel to the performance, that was enhanced by the trance like state of the Bowery audience. People stood and occassionally swayed as the music enveloped their bodies.
Going into this show I wasn't quite sure what to expect, but having seen it was an amazing experience. For a single person to go out on stage and perform like that is remarkable, and most of his tunes come off better live than on record which I was awed by. If you get a chance to catch Panda Bear make sure you do.
I'm always a bit surprised when I go to a show for one band and wind up enjoying the other bands on the bill. I don't know why I find myself surprised by this, I'm there for a band I like so chances are they are playing with similar bands. Anyway, such was the case on Thursday night when I went to Union Hall to catch A Sunny Day In Glasgow and wound up seeing three excellent bands.
A Sunny Day in Glasgow took the stage following that set, and with a member missing and some sound problems things got off to a rocky start. Over the course of the first two songs the sound guy continuously asked the guitarist to turn his amp down, when really he should have just cranked up the mics. The band somehow overcame the early troubles and managed to wow me with a fantastic set of tunes. I'd love to see the band as a whole the next time I catch them, but this was a fine show to see for the first time out.
When I was first exposed to Art Brut at some point in 2005 I thought it was just going to one of those bands that are a phase in your life, the type of band that you fall in love with for a few months, listen to their record endlessly, and then move on. The more I listened to Bang Bang Rock and Roll the more I liked about it, and then I saw the band live and I was sold. Since then I've seen the band about 8 times and listened to the album way more than I would ever care to admit, all while patiently waiting for this day to come - the day when a new album would arrive.





The other day Chris mentioned that the opening bands for our shows together and his solo ones keep trying to out do the other bands on the bill. It looks like that may just happen again on Friday night with the raucous Cinema, Cinema kicking off Knockout Round 5. The Brooklyn based band is a terror live from what I've heard, slamming through sets and really letting themselves go within the music. In order to get a feel for the band for Friday night I've been listening to some of their stuff lately and I am loving what I am hearing.
While I'm DJing the latest round of the Knockout shows on Friday, Pop Tart's faves Beat Radio will be headling a show out in Long Island City at The Creek and the Cave. Featuring performances by Great Lakes Myth Society, Chris Bathgate, and I Am A Bolt of Lightning, this show would certainly be on my list of things to do if not for afforementioned gig.
By the end of 2007 we may look back on this year as the year that indie kids learned how to dance. Well, maybe we won't actually learn to dance, but we are certainly getting enough chances to show what we can do on a dance floor thanks to a shit load of brilliant indie dance albums. With releases from Justice, Simian Mobile Disco, LCD Soundsystem, Battles, and countless others DJ's at the local rock club have no shortage of brand new discs to keep kids dancing between bands and well into the late night. This week we get yet another example of what the indie aesthetic can do with synths, a drum machine, and live drums in the form of Datarock's eponymous release.


Our gracious hosts welcome us to their completely free show, completely loaded on free PBR!!!
A mellowed and tamer partial version of O'Death wows us with their tunes.
Cesar and Sammy rocking out!
The Gaskets sans a Gasket get a little help from their friends.
A sweaty, jam packed stage!


In a week when we had leaks from The White Stripes and Queens of the Stone Age and UNKLE and The Beastie Boys, I am quite surprised to find myself writing about a completely different band with a completely different sound. But its because of that sound that I am writing about them. Unlike the bands mentioned above, who mostly stayed true to their sound without pushing the envelope, Simian Mobile Disco is exploring some new terrain while building on old familiar landscapes crafting an interesting, and thrilling album.
For some reason The Silent League disappeared after the release of their debut album, The Orchestra, Sadly, Has Refused, despite tons of amazing press reviews and chance to tour with bands like Interpol, Sufjan Stevens, Bloc Party, and more. It was strange and it was sad, but most of the members found places with other bands, touring or recording, to fill up their free time while they decided what they wanted to do.
Almost seven months ago the rest of the world got their first taste of The Long Blondes. Their debut album, Someone to Drive You Home, was met with huge amounts of critical praise and fans of female driven, indie rock lapped it up. The only problem was that the album wasn't being released to fans of that type of sound here in the States. Fans here were forced to long for the album online or in import bins. Finally, after a long long wait, the band has released the album here and its sure to make the same type of splash here that it made in other parts of the world.
Saturday night was one of those nights that I will remember for as long as I live. For the first time since my small birthday bash on Staten Island last year I threw a show by myself, but this was no ordinary show. No folks, this show was to celebrate the birth of my wonderful girlfriend Rachael. It was because of this that I fretted for weeks over bands, locations, set times, DJ's, special guests, and all those other little details you forget when putting together a show.
The Antlers played their first show with a full band right after Pelle left the stage, picking up the pace for a night that was becoming more memorable with each step it took. I've said it before, but Peter's voice does something to my insides. I've heard people comparing it to Jeff Buckley's and I have to say the comparison is pretty dead on. With each not that comes out of his warbling voice I fall deeper and deeper into a trance, till I reach the point where all I want to hear is another song from The Antlers. As a full band they shined even brighter than the couple of times I've caught Peter doing his solo thing. Each member of the band complements the music, enhancing it and pushing it to another level. Their 30 minute set was absolutely breath taking from start to finish.
Wakey! Wakey! had the unfortunate task of following up The Antlers brilliance, but did so with remarkable dexterity. He too was showing off a fuller band, with himself, a bassist, and a drummer. The resulting show was moving, as Mike sings with a ferocity that is rarely matched. The band plowed through their set, breaking for brief moments to wish Rachael a happy birthday and to chat for second or two with the crowd.
The evening finished with Jukebox the Ghost, an up and coming band form DC that is poised to make some noise the rest of this year. Those guys use a mixture of They Might Be Giants and Ben Folds to positively wow audiences and tonight was no different. The trio were on top of their game, playing the tunes off their new EP and even getting a big jam band together to play The Beatles version of "Happy Birthday".
All my work and effort really paid off thanks to some terrific performances, an amazing crowd, and some wonderful people that helped out a ton in getting the night together. I would be a real ass if I didn't thank some of the people that had a hand in getting the show together, so in no particular order I'd like to thank all the bands for tremendous performances, Nora for being a terrific DJ, Dana for being so amazing in planning the whole event, Seth for getting Jukebox and Tally Hall to come play, Tally Hall for showing up and playing out of the blue, Mike for being an awesome bartender all night long, Clyde for offering up Pelle's services, and to everyone that made it out to The Delancey last night. We'll have to do this again real soon!!!

I caught the Jukebox bug bad a few months ago and I have not let go of it since. I caught the band at a performance hosted by none other than the birthday girl herself. I was wowed by how fun the music and the lyrics of the songs were and I listened to their three song demo on repeat for weeks after. As soon as I got my hands on their full EP I made them my band of the week, and now I'm very excited to have them back headlining my show for Rachael. This is a fine band that's going to make a big splash soon, trust me on that. Come see them now, before they blow up and start selling out much larger venues!!! Here's one of their finest tunes from the new EP, and the interview answers from their pianist Ben Thornewill.
Tuesday night I got word that the new album from Architecture in Helsinki was made available to those with an internet connection. Shortly after getting that word I was listening to the music for the first time and I was a bit confused by what I was hearing. Places Like This is full of some of the oddest combinations of music I have ever heard. Electronic sounds dot the already warped landscape of music and the vocals on it are as quirky as any I've heard before this. Before long though I was hearing the album through new ears, finding all the sounds I listened to on the first listen to be less odd and more flowing and necessary to the individual songs.Copyright © 2009 Pop Tarts Suck Toasted
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