This Week's Tour News

Who: El Perro Del Mar + Lykke Li
When: May 7th + May 8th
Where: Joe's Pub + Bowery Ballroom
More Dates
Listen: El Perro Del Mar - "God Knows (You Gotta Give to Get)"
Lykke Li - "I'm Good. I'm Gone"
Thoughts: I have become truly obsessed with Lykke Li's song "I'm Good. I'm Gone", plus last year at about this time I was obsessed with El Perro Del Mar. So now you're telling me that you're putting two obsessions of mine on the same stage and you expect me not to be there! Yeah right. So you in the front.


Who: Frog Eyes
When: March 12th
Where: Mercury Lounge
More Dates
Listen: Frog Eyes - "Stockades"
Thoughts: I don't know whether or not Spencer is gonna be along for this tour, but regardless of that Frog Eyes is always a joy to see and I'm sure it will be no different this time around. If Spencer is with the band make sure he stays away from Katz' before the show, or you might wind up with a sickly Spencer Krug which no one wants to see.


Who: The Dodos
When: April 6th
Where: Mercury Lounge
More Dates
Listen: The Dodos - "Nerds"
Thoughts: Yeah okay I'm going to break down this weekend and listen to The Dodos, please get off my back. If I like them then in all likely hood I will be at this show. If I don't like them, well then I'm coming after all you folks the recommended them with a venegance. Yeah you heard me, vengeance bitches. Oh, and if I do happen to enjoy the music then I might send out a big thanks to all the people that referred me to them.


Who: Devotchka
When: May 20th
Where: Terminal 5
More Dates
Listen: Devotchka - "Undone"
Thoughts: I have heard from friends and foes alike that Devotchka puts on one heckuva live show, and though I have not witnessed it I highly doubt that they are wrong. I mean seriously, listen to this music and tell me how it wouldn't translate live and I'll call you a liar. To your face. Anyway, the whole Terminal 5 thing is slightly off-putting, but I'm sure they have to be working out the kinks by now, right?


Who: Ray Davies
When: April 8th
Where: Beacon Theater
More Dates
Listen: Ray Davies - "Vietnam Cowboys"
Thoughts: I don't know whether or not we should be angry with Ray Davies. I mean sure the man is partially responsible for some truly amazing songs, but he's also the sole reason why we won't be able to see The Kinks this summer. Instead of reuniting with his brother and former bandmates, Ray has decided to keep on touring solo and I think that's a little bit selfish. Of course, there's always the possibility that the rest of The Kinks can't play anymore and the reunion tour would have been a horrible idea, but I prefer to think the best when bands I like get back together. Oh well, maybe next year.


Who: Foals
When: April 24th
Where: Bowery Ballroom
More Dates
Listen: Foals - "Balloons"
Thoughts: I really can't believe I haven't seen this band since CMJ. They were fantastic then and each time they return they play bigger and better venues! This time around they're hitting Bowery and I think you and I would be crazy to miss this show. Plus, the album is freakin' awesome and perhaps you can buy a copy at the show. You know kill two birds with one stone. Sounds like a plan, see you there!
So These New Puritans have been getting all the buzz lately, only problem is they only had that short little EP to whet our appetites with. Well, not anymore now that Beat Pyramid has hit the webs! This infectious dance punk music is all the rage right now and this British boys are doing it just about as well as anyone else out there. Listen to the tunes below, see for yourself, but trust me when I say you will be hearing their name a lot for the time being.

As fas as the actual music goes it's solid, though not quite spectacular. I happen to think we're a bit inundated by the whole dance-punk bit, but hey that could just be my opinion. As a band they make the music as catchy as humanly possible, and this album will stick in your ears like peanut butter to your teeth. Plus, it gets us dancing and having fun and that's what this whole music thing is all about anyway. Right?
These New Puritans - "Swords of Truth"
These New Puritans - "Navigate-Colours"

Catching Valet open for Atlas Sound on Saturday night, I was pretty impressed by the minimalist composition of her music. With just simple bits, short guitar drones, and a bit of noise Valet's sound fully envelopes its listener, and the album is further proof of that. Lots of droning, long songs, and sparse vocals fill the record with an enchanting sound, something that could really move you or if it's not your style it could definitely put you to sleep.

Considering it is kind of my style, I've found myself listening to Naked Acid and drifting off into other worlds. It's calming to the psyche and to the body at the same time, but still maintains its own personality at the same time. I'm really digging it so far and hope some of you do as well.
Valet - "Kehaar"
Valet - "Fire"

I have only managed to listen to the new Guillemots album, Red one time, but I thought I would share with you guys my initial thoughts. I think it's a solid, though not spectacular record. The music comes off as fairly straight forward indie rock and that's fine, if you aren't looking for anything more then that. I am though, I'm looking for something that will drive me, something that would make me want to form my own band, something inspiring, and Red doesn't seem to be that album. Of course I realize this is a lot of pressure to put on any band, but their debut certainly had some of the feeling I was looking for and I was hoping they would expand upon that here. Unfortunately it looks as though they took the safe way out and just trod out a near photo copy of what they've already done. I'll give it a couple more listens just to give it a chance and maybe something different will pop out at me.
Guillemots - "Get Over It"
Guillemots - "Last Kiss"

Well I have been informed that this album is actually a fake, which is pretty good news where I stand because I was getting really worried by it.


Friday February 29th:
St Vincent + Basia Bulat @ Bowery Ballroom [tix][mp3][mp3] (Recommended)
Oneida @ Knitting Factory [tix][mp3]
High Places + Soft Circle @ Market Hotel [info][mp3]
Bowerbirds + Phosphorescent @ Mercury Lounge [tix][mp3][mp3]
Dean & Britta @ Music Hall of Williamsburg [tix][mp3]
Headlights @ Union Hall [tix][mp3]

Saturday March 1st:
Dean & Britta @ Bowery Ballroom [tix][mp3]
Times New Viking + Matthew Friedberger @ Don Pedor's [info][mp3][mp3]
Eamon Hamilton + Titus Andronicus @ Galapagos [tix][mp3] (Recommended)
Genghis Tron, Aa, + Shooting Spires @ Market Hotel [info][mp3] [mp3][mp3]
Born Ruffians + Cadence Weapon @ Union Hall [tix][mp3][mp3]
Roky Erickson @ Webster Hall [tix][mp3]

Sunday March 2nd:
Illinois + Meowskers @ Bowery Ballroom [tix][mp3][mp3]
Roky Erickson @ Maxwell's [tix][mp3]
Born Ruffians + Cadence Weapon @ Mercury Lounge [tix][mp3][mp3] (Recommended)

Thursday's Tracks

The Good:
LCD Soundsystem - "Big Ideas"; We here at Pop Tarts Suck Toasted have more or less reached the point where anything James Murphy puts out is pretty much as good as gold. I mean sure we'll be ready to call him out if he releases something truly questionable, but "Big Ideas" certainly isn't questionable and may in fact be as good as anything on Sound of Silver. Yeah it's that good, and it's for a movie. Maybe James can get himself an Oscar for this.

Megafun - "Beloved Binge"; It took me a minute of two, but I am now completely sold on Megafun. The band features the kind of bluegrass, country sound that could be right out of O Brother, Where Art Thou, but it truly rocks too. It seems that this sound is only starting to bubble to the levels other indie sub-genres have reached, but with the awesome sounds Megafun are pushing through it's only a matter of time before it really blows the fuck up!

Cool Kids - "Action Figures"; I am really excited for the Cool Kids album, and this new track only helps to stoke my excitement. Everything these guys have done so far has been fantastic and this is no exception.

R.E.M. - "Airliner"; This is the B-side for the single of "Supernatural Superserious", and it's a pretty cool instrumental track. It kind of blends the aesthetics of surf rock with something a bit nosier, making it seem like a darkened version of the normally peppy and sunny surf genre. It's a fun 2-minutes though and a stellar B-side.

Fes Taylor (feat. Inspectah Deck & Mr. President) - "Staten Island"; It took me a minute to start feeling this, but come on it was only a matter of time before I was jamming to a song about my home borough. The track is pretty deep, with solid verses and a simple calm beat throughout. Inspectah Deck really steps up on this too, which is always good to hear.

Wiz Khalifa - "Say Yeah" (via Brooklyn Vegan); Okay I probably hate the song "Better Off Alone" more then any person alive. Yes, I'll admit that it's addictive but living on Staten Island that song is kind of like a theme song to every person that lives there. I'm sure you've seen True Life: I'm a Staten Island Girl. Anyway, that almost turned me off this track, but somehow I can look past it and just get down to this, which is good 'cause it's awesome.

Creature - "Brigette Bardot"; Creature is a dance-punk band that is about to blow up. No really, Google it and other people will tell you it's the truth. This song is just the beginning they will be your new favorite band by the end of the year. Trust me.

Tim Fite - "Big Mistake"; Tim Fite has always existed in a realm somewhere between hip-hop and country, often travel back and forth between the genres, and on this track he begins to meld the two with a bit of folk thrown in for good measure. It's a very good song, with fantastic lyrics (as always). Nice sample of his upcoming Anti- debut.

The Bad:
Snoop Dogg (feat. Too Short) - "Life of Tha Party"; Wow Snoop, this is not good. Not good at all. Really man, what were you thinking? Remember back in the old days how you used to keep it real and get the party going at the same time? What happened to that version of Snoop? Now it's like you just take whatever beat you can get throw some inane verses on it and hope it sells. It don't work that way though.

The Ugly:
Girls Like Cigarettes - "Combustible You"; Holy shit, this is one of the biggest pieces of shit I've heard in a long time. It's like they are trying to be about half a million shitty bands and then have even worse lyrics and singing. Ugh. This is such crap.

Video of the Week:

Boris - "Statement"; It was kind of a slow week for videos so I'm giving the nod to Brois this week even though the video isn't that great. It's good enough and it sure beats seeing "He's Fucking Ben Affleck" again.
Listening to the Brooklyn based New York Times, one can't help but thinking of the multitude of bands that they sort of resemble. Bands like the Yeah Yeah Yeahs or Sleater-Kinney immediately spring to mind thanks to the female vocals, but just comparing any band to another band is selling them short. The Brooklyn quartet is certainly an original entity, even though they wear their influences on their sleeves.

By blending elements of New Wave, Post-Punk, Pop, and other musical genres, New York Times are creating sounds that are immediately appealing to any music lover's ears. It's accesible music that's just the right amount of interesting and catchy together. Lead singer Rebecca Roulette has the kind of voice that sounds like its yearning to get out the emotions she's feeling. It's powerful and raw, yet somehow remains tender and very feminine. That's completmented well by the rest of the band with pounding rhythms and blistering guitar riffs that push the music to new heights.

I've been listening to their self-titled, debut EP for a couple of days now and I am very impressed by everything I'm hearing. The music is tight, and it's instantly recognizable but still new. Good stuff.
New York Times - "Burn"
New York Times - "Gotta Know You"
New York Times - "Terminal Five"
New York Times on Myspace
Upcoming Shows:
March 7th @ The Tank
April 19th @ Fontana's


Thursday's Short Links:
- Pitchfork has Goldfrapp on their Guest List.
- Stereogum tells High Places to quit their jobs then interviews them.
- My Old Kentucky Blog interviews Tickley Feather.
- Gothamist interviews Kaki King.
- CMJ reviews The Acorn's live show and believes bloggers should be creaming themselves over it. I agree.

Pop Report

Movies:
Gone Baby Gone; I was extremely leery of watching Gone Baby Gone. Just seeing the name Ben Affleck is enough to keep me away from most movies thanks to his most recent terrible roles, but even more terrifying is that this time around it doesn't say "Starring Ben Affleck" but "Directed by Ben Affleck". It gave me chills just thinking about it, but luckily my girlfriend talked me into watching the film and I was positively blown away by it. Not that it was the greatest thriller of all time or anything, but the acting by Casey Affleck, Morgan Freeman, Ed Harris, and the Academy Award nominated Amy Ryan were spectacular. Aside from the sheer power of the acting, the writing was excellent throughout the movie providing just enough twists and turns to keep you on your toes, and the directing was improbably immaculate. Save for the abundance of super thick Boston accents there wasn't really a thing I could complain about with this movie. I'd highly suggest checking it out even if you too suffer from Affleckaphobia.

Ratatouille; For months I have heard nothing but streams of praise being heaped on Disney's latest cash cow Ratatouille, but when I finally sat down to watch it this week I had a very difficult time immersing myself in the movie. The animation is spectacular and there are some very funny moments, but overall I think there was a lot left to be desired from the movie, especially when you consider the hype behind it. I mean do we really care enough about cooking for it to hold our interest for nearly two hours? Personally I could care less about cooking, and I think the writing could have been a bit more manicured to include some more adult-themed humor. Yes I know it's a kid's film, but Disney, and Pixar in particular, have always found a way to keep their adult audience just as interested as the kids they are watching with. This all said, the whole final review really struck a chord with me and kind of goes against this whole review of the movie. Hmmm, that's kind of funny.

On Tap this Week: Darjeeling Limited (DVD), Be Kind, Rewind (theater), The Other Boleyn Girl (theater/maybe)




Television:
Degrassi; Silly me. All this time I've been complaining that there's no good TV on and Degrassi was still there like an old friend waiting for me to remember to give them a call once in a while. The new season of the beloved teen drama has started and on last week's episode Spinner is battling his cancer therapy by smoking weed! Oh my, what a terrible thing! Well, the big thing is that Spinner decided to take a break from school and finish his treatment and stop smoking the grass on the side. Kind of a boring episode, but next week's looks like a really keeper as Marco has a friend who is a prostitute! Oh yeah, it goes there. For real.

Torchwood; A couple of weeks ago my Dad introduced me to the British sci-fi series Torchwood and I have been hooked since realizing that each episode of season 2 is on DVR the week it's aired! This week's episode was a little bit weak, but it was fun because Gwen's fiance finally learns what she does and there's also the bit of the huge alien being used for an endless supply of meat. Eventually the bad guys lose, don't they always, but we learn that Gwen really is in love with her bumbling boyfriend and that perhaps the inevitable return to Captain Jack's arms won't actually happen. I still need to go back and watch season 1 of this series, but for now I'm more then happy to be watching the new episodes.

Anything else you guys are watching these days?




Sports:
The Rangers made a couple of questionable moves at the trade deadline yesterday picking up defenseman Christian Backman from the St. Louise Blue for a draft pick and by sending Al Montoya and Marcel Hossa to Phoenix for Fredrik Sjostrom, David LeNeveu, and Josh Gratton. Sjostrom and Backman will probably be the only players with an immediate impact though as the other two are basically prospects, but solid prospects. I don't know about these trades though, but the Rangers certainly didn't give up much beyond All Montoya who was destined to be behind Ludnqvist for a while anyway.

The big move of the day (in my mind only) was the Islanders sending problem child Chris Simon to the Minnesota Wild, which will certainly quiet the revived rivalry the Rangers and Islanders have been experiencing the last few years. Simon was the kind of player you loved to hate and he was perfect at riling up the Garden faithful.

It seems most of the deadline deals benefit the West as they took parts they needed from wekaer Eastern Conference teams in there bids to make runs for the Cup.

On Tuesday the Yankees kick off their spring training schedule against the Phillies, not that it's that big a deal but it means that we are inching cloer to the start of the regular season! I'm very excited for this season, even though my expectations have been tempered a bit by the youth movement the Yanks are going for. Don't get me wrong, I'm excited about all the young guys filling the rotation, I'm just giving them a little while to develop before I demanding championships from them. Oh and Opening Day is four weeks from Monday!!! Mark it on the calendar!!!


Politics:
So this picture seems to be brewing quite the controversy in the battle for the Democratic nomination, which is probably good for Hillary Clinton considering she now trails in Texas and is about to lose her bid to become the first woman President. But really folks, even if the slander was true and Barack were a Muslim would that have any true impact on his ability to perform as President of the United States? Not at all, can we just move on and look at the candidates based on their abilities rather then all the stupid mudslinging campaigns that go on during these campaigns? It would be so much better that way, trust me. Oh and next Tuesday, March 4th is the big day, basically make or break for Hillary and I highly doubt she's going to be coming out of there with a win of any sort! Go Obama!!!

Also, it appears that Mayor Bloomberg is being courted by both Sen. John McCain and Sen. Barack Obama to run as their Vice President. Hmmm...it's interesting but I honestly don't know who it would benefit more and I kind of think it may hurt Obama's campaign. What do you guys think? I mean I'm all for Bloomberg's style of leadership and think he would be an excellent Vice President but does he work with either of these candidates? Does he just serve as an independent check to the liberal or conservative sides of either candidate? Seems a bit odd to me, and I still think Obama should try to enlist Gov. Richardson as his veep candidate.


Miscellaneous:
- Win a Darjeeling Limited prize pack from CMJ.com
- The Tripwire is giving away tickets to each of A Nuclear Free City's shows leading up to their SXSW dates. So go over there and enter already.



Hump Day Music Links:
- Daytrotter has a new studio session with the Dodos. I really haven't check out this band at all yet, allowing the buzz to filter back and forth between my ears without hearing a lick of music from them. Perhaps now would be the right time to listen.
- My Old Kentucky Blog has reposted, and added to, their original post on all the covers of Leonard Cohen's "Hallelujah". How many of these have appeared on TV shows and movies?
- Vegan has all the details you need to know about the All Points West fest, including the $258 charge for all three days. Looking at the lineup for day three I wonder how much it will be for just the Radiohead days.
- Slate wrote a pretty kick-ass, though completel disappointing article about the disappearance of Jeff Mangum. It's only disappointing because it doesn't give us his address or phone number so that we can beg him to return to us. Yeah I know it's selfish, but I would love to see Neutral Milk Hotel live before I die.
- Geez I guess I went to London in the wrong year. All I got was Prince! (via NME)
- Muzzle of Bees interviews Hood Internet.
- NPR will be broadcasting the Wilco show at the 9:30 Club tonight!!!


Tracks Being Deleted this Week:
Chris Walla - "Sing Again"
Chris Walla - "A Bird is a Song"
The Giraffes - "Haunted Heaven"
Bob Mould - "Can't Fight It"
Ladybug Transistor - "Always on the Telephone"
The Shins - "Australia"
PJ Harvey - "When Under Ether"
Avril Lavigne - "Girlfriend"
Arcade Fire - "Intervention"
Bright Eyes - "Four Winds"
Kevin Drew - "Back Out on the..."
Okkervil River - "Our Life Is Not A Movie Or Maybe"
Radiohead - "Weird Fishes/Arpeggi"
Datarock - "Computer Camp Love"
Saturday night I was watching Atlas Sound and I saw the unmistakable four bar sign that denotes Black Flag on Adam Forkner's guitar. Just seeing the symbol made me yearn to hear some Damaged and I've been listening to the classic punk album a lot this week. It's amazing that 27 years after it's release the album still hits home with a lot of aging punks, and serves as a prime example of what was meant by the term punk. Obviously I didn't get to hear the album when it was first released, I was barely a year old for pete's sake, but it doesn't change the fact that it eventually became a landmark album in my life.

Growing up as a teenager in the late 90's I was a punk rocker, I've announced it many times and have shared the highlights and the lowlights of my pop-punk days, but because of the influence of these bands I sought out the bands that influenced them and paved the way for this type of music. Of course one of those bands would be Black Flag, their influence is unquestioned, and the loyalty of their fans is infamous, and so it should go unsaid that I soon found myself listening to Damaged on a regular basis. The music was perfect for any teenager, regardless of whether you grew up in the age of Reganomics or in the time of Clinton, hell the time still doesn't affect this record as the teens listening to it today still feel the pangs of being alienated from their peers or hated on by the adults in their community. We still drink, we can still poke fun at the laziness of watching TV, and we're still pretty pissed off that we aren't treated in the exact manner we feel we deserve. And as a teenager this message and these feelings were twice as strong!

It's not just the message that separates Black Flag from their punk peers, but the way in which they delivered their music. After recording two EP's with various lead singers, Black Flag added Henry Rollins to the fray and their music experienced an undeniable lift thanks to Rollins' infuriated singing. He was pissed, the music was pissed, and they wanted to make sure the world knew they weren't going to take it anymore. Throughout the 15 songs on Damaged this idea permeates every note and every yell, screaming to be noticed and acknowledged for once. It's powerful from the get go, and no one can deny it's ability to rile up the masses.

The only downfall of Damaged is that it is the high-water mark of Black Flag's career. As much as they tried to recapture all the energy and anger found on Damaged they just couldn't match the insanity that their first LP contained. Other then that though this was a landmark album and one that is constantly cited as an influence on other musicians, and more then that it was withstood the test of time to remain as pertinent today as it was the day it was released.
Black Flag - "Rise Above"
Black Flag - "Gimmie Gimmie Gimmie"

Buzzworthy??? Or Not???

Who: Snake & Jet's Amazing Bullit Band
Location: Copenhage, Denmark
Thoughts: Listening to Snake & Jet's Amazing Bullit Band is like being transported to a different time, a time where people were still playing with rock n' roll and learning what it could do. It's a powerful transportation one that gives us the feeling of discovery all while having some fun doing it! What more can you ask from a band then to rock out and entertain us? Not much, and that's exactly what Snake & Jet are giving us with their brand of old school rock music. There's a heavy reliance on keyboard and guitars here, but it flat out rocks so forget for a moment that it may not be entirely hip, that it doesn't have dance worthy synths running through it and realize that it's more important to rock! Very cool music, from a very cool band that I'm looking forward to hearing a lot more from.
Verdict: Absolutely Buzzworthy!!!
Listen: Snake & Jet's Amazing Bullit Band - "X-Ray"
Snake & Jet's Amazing Bullit Band - "Ten Cities Beyond"
Snake & Jet's Amazing Bullit Band - "Wicky"



Tuesday's Rain, Rain Go Away Links:
- hewgill.com has a shit load of music to get you folks ready for SXSW!!!
- Prefix wants you to win tickets to see White Williams in New York next week!
- Pitchfork interviews The Tough Alliance!
- The WFMU marathon has begun, please donate if you can!
- Vegan is speculating that the Knitting Factory will be moving to a new location on East 14th Street.
With the actual Presidential election being narrowed down to a three horse race (sorry, Nader you don't count), it seems that we are getting closer and closer to a more straight forward ho-hum race between a Democrat and a Republican. Yeah, it's business as usual in the politics sphere of the world, but here in the music realm we don't limit your choices to just two parties! No, we let you select any of ten different bands to win The Collegiate Nationals Music Championship!

The competition which was open to all college bands has been narrowed down to a final 10 and I'll be throwing my support behind the only band I actually know in the group, our local guys in A Brief Smile! The five members of the band all attend NYU and rock out on a weekly basis somewhere in New York City. Their last two albums were fantastic and now they have the chance to win this competition and broaden their appeal to the masses.

Of course I won't tell you to just blindly vote for A Brief Smile, check out the other artists and you'll realize that the New Yorkers are just ahead of the pack which should force you to vote for them. If you're not convinced already, here are a few tunes that should do all the convincing for you! Now go do your civic duty and vote!!!
VOTE HERE!!!
A Brief Smile - "Big Sky"
A Brief Smile - "Vicious"
A Brief Smile - "This Machine"
Full album stream for Now We All Have Horns
I had a world of difficulty selecting this week's recommended release. I listened to a lot of the stuff coming out today and just wasn't sold on any of it. Beach House is the same boring pop as the previous album, Earth attempts to drone on a little too long, Ghostland Observatory is nothing but an over-hyped band, but I finally came to this wonderful compilation featuring a slew of high profile acts and smaller less recognizable names and realized that this was what I was looking for. Living Bridge is a compilation that serves as an introduction to Nicolas Vernhes new Rare Book Room label. For years Vernhes has brought indie bands into his studio and recorded their sounds and now he is branching out and forming his own label to showcase these artists, and if this initial compilation is any indication, Rare Book Room will soon be a vital imprint in the indie sphere.

With artists as diverse as Avey Tare, Black Dice, Silver Jews, Blood on the Wall, and a whole let of the smaller, but no less talented, names, Living Bridge would be forgiven if it sounded like a best of compilation; but, somehow Vernhes has composed this collection to sound as if it is one cohesive album. Sure, there are points where it's a little less cohesive but for the most part all the parts found on the album feel like they belong together. The sheer diversity of the artists on Living Bridge should be enough to entice music listeners to it, but when you finally get to the 25-track, 2-CD set, you'll see that the quality is as magnificent as the roster of talents.

The album kicks off with "I'm Your Eagle Kisser", a tune from Animal Collective's Avey Tare and a seemingly perfect way to jump start a nascent label. With Tare we are reminded that sometimes less is truly more, as his minimalist style permeates every facet of Living Bridge. It's also nice just to hear what Avey Tare can do on his own, just like it was mesmerizing to hear Panda Bear do his thing apart from the Collective. But, of course this is just one example of the fine music on this comp. There are fantastic entries from bands like Fischerspooner, Deerhunter, Enon, Blood on the Wall, and a slew of other awesome bands, and they all manage to complement one another in a very cool way.

As far as compilations go, Living Bridge never fails to drive it's point home. This is a compilation that is showcasing Vernhes abilities as a producer, and it gives a fantastic starting point to his label. Before long Rare Book Room will be a fairly large name and we'll all be able to look back to this point and realize that it was absolutely inevitable that they would reach that point.
Blood on the Wall - "Lightning Song"
Silver Jews - "Self Ignition"
Deerhunter - "After Class"
Palms - "Der Koenig"



Also Released Today:

Monday's Leaky Faucet

Who: New Bloods
Title: The Secret Life
Release Date: April 8th
Label: Kill Rock Stars
Thoughts: Who could possibly have foreseen that a trio of women, featuring violin, bass, and drums, would coagulate to form a sick ass, sort of punk (for lack of a better term) band? Not this guy for one, but goddamn, listening to the new New Bloods album is like a revelation of sorts. It's a bit on the slower side to be considered punk, but the odd sounds of bass and violin and drum and vocals is totally against the grain, and if you throw in the fact that it's three gay girls, two of whom are black, well you're staring to get an image as to why they would be considered punk, or pioneers, or whatever you will. The music shreds and the whole background is truly inspiring. I'm gonna have more on these girls as soon as possible, but for now check out these tunes and make sure you pick this one up when it's released.
Listen: New Bloods - "Doubles"
New Bloods - "Day After Day"
Pre-order

Who: The Presidents of the United States of America
Title: These Are the Good Times People
Release Date: March 11th
Label: Fugitive Recordings
Thoughts: Well, here's another comeback no one expected as The Presidents of the United States of America have returned with a brand new album following an extended period of absence. The band sounds exactly like they did on their last album, but chances are you didn't here that one either. Well they sound like they did on the one album from them that you may own (or you may have sold it back to a record store), just not nearly as catchy or endearing. The material here is a bit darker then their "Lump" days, but it sounds just like mediocre 90's alterna-rock so at least you know what you're getting yourself into by listening to the record, which I probably won't be doing again after this listen.
Listen:The Presidents of the United States of America - "Mixed Up S.O.B."
The Presidents of the United States of America - "More Bad Times"

Who: White Hinterland
Title: Phylactery Factory
Release Date: March 4th
Label: Dead Oceans
Thoughts: Casey Dienel has finally forsaken performing under her name in lieu of performing as White Hinterland. Apparently the change is to help "market" her better, but who really knows. The name is about the only thing that changes though, as Dienel's talents are still very much on display on the White Hinterland's debut Phylactery Factory. Her voice, her skills on piano, and her songwriting are all in tact, but who would have thought a name change would alter any of that? Of course, with a name change will come some changes and that comes in the form of a more dominant role from a band. A complete rhythm section perfectly complements her style, backing her piano parts with just the right hints of beats. It keeps the music steadier and certainly doesn't do anything but accentuate her already pristine abilities. I'm really enjoying the album so far, and I think most of you will as well.
Listen: White Hinterland - "Napolean at Waterloo"
White Hinterland - "Calliope"
Pre-order


Monday's Very Late Linkages:
- Stereogum hit two out of the park today with premieres of new tracks from The Hold Steady and LCD Soundsystem. I'm sure I'll have my thoughts on these tracks on Thursday.
- The Music Slut interviews Spanish Prisoners fresh off their supporting gig with Daniel Johnston.
- Mental Floss has a mixtape with the best tracks from NBA basketball players.
- You Ain't No Picasso asks The Dodos about their first times.
- Sasquatch! revealed a rather impressive lineup today.
Last time Atlas Sound was in New York it was just Bradford Cox, debuting his solo material by himself at Fader's CMJ lounge. I wasn't in attendance that day (I think I was seeing Black Kids at that time) and I heard some truly mixed opinions about his performance, but that wouldn't deter me from developing my own opinions and at least trying out his live show. Since that date, I have fallen head over heels in love with the Atlas Sound debut - Let the Blind Lead Those That Can See But Cannot Feel - which only heightened my excitment for Saturday's show.

With White Rainbow and Valet in tow, the incestuous Atlas Sound tour hit Mercury Lounge on Saturday night. I call it incestuous because the members of the other two bands make up Bradford's backing band with his Atlas Sound project. Having the three bands on one set cuts down on the amount of equipment used and the amount of set-up time, though it's not quite at zero yet and there were some decent gaps between bands on Saturday night. It didn't help that the trio of bands had had van troubles the night before leading to a slightly crank Bradford Cox and a fairly late show, but once all the troubles were looked past it was time to take a look and listen to the music we had all come to see.

Honey Owens' latest project Valet was first to hit the stage. Joined by Bradford on drums and Brian Foote on synths, Honey is a compelling live force. Her guitaring is minimalistic, with lots of distortion added on-top of her quiet playing, it becomes a very cerebral experience. The music is hushed, making the chatter of certain rude patrons all the more noticeable, and certainly detracting from the overall experience of the performance. It wasn't until I moved up front to right in front of the speakers that the music began to envelope me. It's built with such feeling and hums that it's not something you tap your toe to or sing-a-long with, instead you allow it to enter your physical being and melt along with every note. Honey's own voice provides a lot of the melting as she gently coos out words along with all the subtle noise being inflicted upon your ears. It's subtle and otherwordly, but definitely powerful despite its subtleties.
Next up was White Rainbow, and let me tell you that the Mercury Lounge crowd did not get the White Rainbow performance at all. Surprising considering their normally ahead of the curve tests, and the interesting sounds Adam Forkner creates while on stage. I'm not sure exactly how Forkner creates his live sound, but basically he plays a few notes on an instrument, whether it be drums, guitar, or synths, and has it looped back through the PA, joining the other notes from the other instruments into a world of designed sound. It seems completely impromptu, and that the sound of tonight's show would be completely different from the one last night. All are cool aspects on their own, but when you witness it first person you get an unrestricted look at how fantastic Forkner's ear for sound is. Listening to the creation unfold from next to one of the monitors was especially interesting, because I was hearing the notes he was playing and hearing as well as the overall package feeding from the PA. The two were often very different, which was a bit tough at times, but really allowed me to watch this artist paint in his own medium. It's a wild experience to put it simply.
It had already been an interesting night musically, but what the crowd really wanted was to witness the spectacle of Bradford Cox on stage. Of course his legend always preceeds him, and this may just be to the detriment of the music. People are always looking for the sideshow with any Bradford project, but tonight their would be none and finally we would be able to focus on the music without any distractions. Bradford, Honey Owens, Adam Forkner, Brian Foote, and drummer Stephanie Macksey took the stage, and Bradford apologized for being "cranky, and not wearing a dress". It was okay with me as the five-piece set out on a musical journey.

Tearing through songs from the Atlas Sound debut, as well as some of the internet only tracks, the band floored the house with their incredible sound patterns. The sound was rich and creamy, shrouded in waves of noise, but still immersed with enough melody to be considered catchy. It was immediately accessible and personal. Like the album, which is steeped with personal, introspective lyrics and melodies, the live show can be a very individual feeling. Despite being surrounded by people, you alone are able to interpret the sounds and music flying through you as you will. It all comes together live, much better then I ever imagined it would, and it came out as almost pure rock music. Bradford of course has the spotligh on his large, lanky frame for most of the show, but to keep your eyes only on him would be a huge disppointment. As good as Bradford is, Honey, Forkner, Foote, and Macksey are all dominating musicians. Forkner destroys guitar parts (even with his back-up guitar as an audience member re-strung the B-string on his normal guitar). Honey Ownes plays a steady bass, while Macksey taps out gentle rhythms. It's an impressive collection of artists working as one to create something way more expansive then the album ever is.

I was thoroughly impressed with the Atlas Sound show on Saturday night. It left me wanting more and we did get a two song encore, but it still wasn't enough to quench my needs. I've spent a lot of time with the album, but for the first time I truly understood everything about Atlas Sound, and why Bradford has created something so different from his other projects. It's for the purpose of art and thought, and expressing himself in another manner. Like all of us we can't be explained in just one way, and so Bradford needs the differences to truly understand himself. It was an awe inspiring show and one I will not forget anytime soon.
Your new album, Some Racing, Some Stopping, hit shelves on Tuesday (February 19th). Q:Are you guys totally amped to see how people will react to the new material?
A:Very! We finished recording it in September so it will be great to finally get it out.

Q:Considering the differences between this and Kill Them with Kindness, how do you think your older fans will react to the new sounds?
A:I don't really know. This new record is a bit less bombastic. It's a more intimate affair. The main difference is in the production. We did the whole thing at home so it's definitely cozy. We're still all about harmonies, textures and strong melodies. We'll see what happens.

Q:What drove you guys to go in a different musical direction on the new album?
A:Part of it was having more confidence in our song writing. After touring for so long it was easier to let our guards down a bit. We felt as though building layers for the sake of musical density wasn't so much of an issue because the songs stood up just fine without 50 keyboard and guitar overdubs. This time we focused more on vocal layers and simpler structures.

Q:And now listening to the two albums back-to-back do you guys prefer one to the other, or is it the case of the newest is always the freshest in your mind and therefore the best?
A:For now, at least, the newer, fresher record is winning but we all still like 'kill them with kindness'. We were just more focused in getting a sound that we liked and felt comfortable with this time. Last time we just went into a studio, banged it out and lived with the sounds that the engineer set up. We spent a lot of time and energy getting sounds that we loved.

Q:There's a lot more instruments then I can remember you guys using prior to this album, did you handle that yourselves or did you have more musicians come in to record with you? How are you going to handle the additional instruments on the road?
A:We had a couple of friends play strings and horns. Other than that we just picked up instruments and tried to squeeze some cool sounds out of them. Erin picked up a Flute and could magically play it, no problem. That was a bit weird. As far as the road goes we just officially became a 5 piece. Nick has been touring with us for the
last couple of years and John Owen from Shipwreck just joined up. We have more harmonies, guitar, percussion, glockenspiel, keys, accordion, a myriad of musical wonderment. More of everything.

Q:How is the tour going so far? Any interesting stories to share yet? Any dirt you wanna dish on your tour mates the Evangelicals?
A:So far so good. It's only the first week so who knows what will happen before it's over but it's been an adventure. We had our shoes licked by a 'pee drinker' (apparently) in Athens, GA., went to a make out party and wiped out on half pipes in Lexington, KY., stayed in a beautiful historic hotel in Nashville (courtesy of internet manipulation). It's been really fun. We are all getting over the flu so it's only up from here.

Q:What are you guys listening to between stops on the tour so far?
A:Lot's and lot's. The new Caribou record is great, the new Bon Iver is great too. Hmmm...The Snake, The Cross, The Crown's last record has the best song ever written about touring and living selfishly as a musician. LCD Soundsystem, a lot of NPR, the new Megafun record came out the same day as ours and it's great too. We listen to Nick a lot because he has a lot of fun jokes that only he gets. We laugh because we're nice. And because we love him.

Q:As an experienced touring band is there anything you would never ever forget to bring on a tour? What are you most regretting leaving behind this time around?
A:I forgot my song notebook and I feel like sticking a plastic knife in my eyeball because of it. Fuck! Other than that I would never ever leave without a pillow. Ever. And a towel. And a tooth brush. iPod. Books, you need to be able to get away sometimes. Cross word puzzles. Vitamins.

Q:How's the music scene in Champaign, IL? Does it compare to Chicago, or is it a completely different being?
A:I don't know if it compares to Chicago because Champaign has about 100,000 people compared to 6 million. There are certainly less bands. They are also really separate entities. It's a college town so there is a fairly regular influx of new people and ideas.

Q:Any good bands coming out of there, other then you guys of course?
A:There are some really great bands from Champaign. Shipwreck, Tractor Kings, Beauty Shop. The Living Blue just relocated to Chicago. It's a great little town. Common Loon. New Ruins is really good and their guitar player Elzie did the artwork for our record.

Q:Any bands from somewhere else you'd like my readers to know about?
A:Our bass player/joke teller Nick plays in Decibully who from Milwaukee and are also on Polyvinyl. They are amazing. Gentleman Auction House from St. Louis are great. There is so much great music that is bubbling in the underground that it's almost
impossible to name a few. Maserati from Athens, GA. Via Audio from New York City. Call Me Lightning from Milwaukee and all the bands from our van selection. And of course the Evangelicals from Oklahoma. They are ferocious. Not fierce, ferocious. Some of our favorite touring partners are Page France and The Cotton Jones Basket Ride from Baltimore, MD.

As you guys probably know, your album leaked a while ago now. What was your reaction to it leaking?
We're fucking infuriated!! I'm working with Lars Ulrich to get justice. Just kidding. I don't mind at all, people listening to our music is a good thing.

How do you handle being a band in this scary, digital age of music? Is there anything that you guys hate about the digital age of music? Love?
We don't worry about it. We are music fans and getting our hands on music however we can is the point. Listening and enjoying is what it's all about. Fretting about turning profits on record sales is distracting and destructive to creativity. We trust our guys at Polyvinyl to do what they do. It's a different industry then it used to be but we all grew up in the information age and can roll with the punch.

After this tour is done what do you guys have planned for the near future?
We are going through canada this summer and stopping by the Sled Island Festival. We're also going back to Europe after that. It will probably be a long year on the road and that's fine with us.

Headlights perform at Union Hall on Friday, February 29th
Some Racing, Some Stopping available on Polyvinyl NOW!!!
Headlights - "Cherry Tulips"
Headlights - "Catch Them All"
Headlights - "School Boys"
Monday: Super Furry Animals + Times New Viking @ Bowery Ballroom 7:30pm $18
It's tough to find a single show with two better performers then this, so why bother trying? Shell out the $18, pretend it's not Monday, and get out to see two fantastic bands! It'll do you a world of good.
Super Furry Animals - "Carbon Dating"
Times New Viking - "Another Day"

Tuesday: The Teeth + The Lisps @ Mercury Lounge 7:30pm $10
The Lisps are heading out on the road for a five week tour and this is their "Good-bye for now show" so I'd suggest heading out to it and bidding them adieu till they get back. I've heard good things about The Teeth but have not yet had the chance to take in their sounds.
The Teeth - "Ball of the Dead Rat"
The Lisps - "Heaven"

Wednesday: Phosphorescent + Bowerbirds + The Acorn @ Union Hall 8pm $10
I've already been lucky enough to catch an excellent set from Phosphorescent and I'd love to do it again, but adding to the draw of this show are two bands that I'm really interested in seeing in Bowerbirds and The Acorn. Both bands have solid recorded stuff and I'd really like to see how it translates to the stage.
Phosphorescent - "A Picture of Our Torn Up Praise"
Bowerbirds - "My Oldest Memory"
The Acorn - "Antenna"

Thursday: Apes & Androids @ Hiro Ballroom 10:30pm FREE(w/RSVP)
I know for most people Thursday is the new Friday, but the late start on this show may keep me away from the party like atmosphere Apes & Androids are sure to bring. On top of the always awesome Apes & Androids there are a slew of DJ's so I'm thinking this party might be going on to the wee hours of the morning. If I do head out I think I'll be taking Friday off!
Apes & Androids - "Hot Kathy"

Friday: St. Vincent + Foreign Born + Basia Bulat @ Bowery Ballroom 9pm $15
This is a pretty sweet lineup from top to bottom. Basia Bulat has been having a huge amount of success recently with her fantastic debut Oh, My Darling, Foreign Born has been impressive, and of course St. Vincent is just the shit. Definitely wouldn't miss this one.
St. Vincent - "Human Racing"
Foreign Born - "It Grew On You"Basia Bulat - "Snakes and Ladders"

Saturday: Times New Viking + Matthew Friedberger @ Don Pedro's 8pm $10
This is a celebration of the paperback release for Perfect from Now On a fantastic book about one fan's obsession with Guided By Voices. With them not around anymore folks are going to have to latch on to something new and why not Times New Viking? They're young, they rock, and everyone seems to love 'em. Get here early tonight 'cause this show is gonna be packed.
Times New Viking - "Mean God"
Matthew Friedberger - "The Pennsylvania Rock Oil Co. Resignation Letter"

Sunday: Born Ruffians + Cadence Weapon @ Mercury Lounge 7:30pm $10
Two solid bands with loads of blog hype behind them are hitting Mercury Lounge for a Sunday night party. Sounds good, if only today weren't the Staten Island St. Patrick's Day Parade! Those not making the trek to Staten Island should be advised to attend this show!
Born Ruffians - "Foxes Mate for Life"
Cadence Weapon - "In Search of the Youth Crew"

Pop Tarts' Oscar Previews

Tomorrow night is the annual airing of the Academy Awards! Another three to four hours lost to a completely inane spectacle of famous people doing little of anything! In that same amount of time you could watch two of the films nominated this year and get way more satisfaction. That said, the awards do validate the people who displayed their wonderous art form on the screen for the past year and this year's class of nominees is one of the strongest in recent memory. Of course it's all driven by the movies and I actually saw a decent amount of the nominees this year! So here's my predicitons of who should win and who will win, feel free to drop yours in the comments!

Best Writing Adapted Screenplay:
Christopher Hampton Atonement
Sarah Polley Away from Her
Ronald Harwood The Diving Bell and Butterfly
Joel and Ethan Cohen No Country for Old Men
Paul Thomas Anderson There Will Be Blood
My Pick: Joel and Ethan Cohen No Country for Old Men; I'm really finding it difficult to decide between No Country and There Will Be Blood in a lot of categories so I'm going with their strengths, at least in my mind, and I happen to thins the screenplay for No Country is slightly better. There's more moving parts to write for and the separates it in my mind.
And the Oscar goes to...: Joel and Ethan Cohen No Country for Old Men; yeah I think it's gonna win too.
The Beatles - "Paperback Writer"

Best Writing Original Screenplay:
Diablo Cody Juno
Nancy Oliver Lars and the Real Girl
Tony Gilroy Michael Clayton
Brad Bird Ratatouille
Tamara Jenkins The Savages
My Pick: Diablo Cody Juno; I loved Lars and the Real Girl but I'm gonna have to with the darling of the indie world Juno. Yeah I loved it as much as all of you (except Tim) did.
And the Oscar goes to...: Tony Gilroy Michael Clayton; it's a serious film, and the Academy likes serious films.

Best Music Song:
Glen Hansard and Marketa Irglova "Falling Slowly" from Once
Jamal Joseph, Charles Mack, Tevin Thomas "Raise It Up" from August Rush
Alan Menkin "Happy Working Song" from Enchanted
Alan Menkin "So Close" from Enchanted
Alan Menkin "That's How You Know" from Enchanted
My Pick: Glen Hansard and Market Irglova - "Falling Slowly"; why the Academy had to nominate three songs from a shitty Disney film I will never understand but this tune is tops this year without a doubt, even if they had included tunes form Juno.
And the Oscar goes to...: Alan Menkin - "So Close"; they didn't nominate three of 'em for no reason.

Best Music Score:
Dario Marianelli Atonement
Alberto Iglesias The Kite Runner
James Newton Howard Michael Clayton
Michael Giacchino Ratatouille
Marco Beltrami 3:10 to Yuma
My Pick: Jonny Greenwood There Will Be Blood; it is an absolute travesty that he's not nominated for what is the most pertinent film score in years. I understand that it's not entirely original, but let's face it it's original enough and better then anything else out there. Shame on you Academy!
And the Oscar goes to...: Who cares, it's not Johnny Greenwood. Okay I'll pick, let's see...eenie, meenie, minnie, James Newton Howard because he's been nominated seven times without winning once. Sound good? Okay, good.
Jonny Greenwood - "There Will Be Blood"

Best Documentary Feature:
No End In Sight
Operation Homecoming: Writing the Wartime Experience
Sicko
Taxi to the Darkside
War/Dance
My Pick: I didn't see all the films but I'm gonna have to go with Michael Moore's Sicko. Seems like the safe bet.
And the Oscar goes to...: Sicko? The only non-war related film in the field? Hmmm I dunno, but I think the name behind it helps a lot.
Panda Bear - "Take Pills"

Best Actor in a Leading Role:
George Clooney Michael Clayton
Daniel Day-Lewis There Will Be Blood
Johnny Depp Sweeney Todd
Tommy Lee Jones The Valley of Elijah
Vigo Mortensen Eastern Promises
My Pick: Daniel Day-Lewis; This is one of my weaker categories haven only seen one of the films nominated here, but I'm pretty damn sure I saw the best acting performance in the last 20-years and maybe even longer then that from Daniel Day-Lewis. "I've forsaken my boyyyyyy!!!"
And the Oscar goes to...: Daniel Day-Lewis; I'm pretty sure it's been engraved for months!
Jonny Greenwood - "Prospectors Arrive"

Best Actor in a Supporting Role:
Casey Affleck The Assassination of Jesse James by the Coward Robert Ford
Javier Bardem No Country for Old Men
Philip Seymour Hoffman Charlie Wilson's War
Hal Holbrook Into the Wild
Tom Wilkinson Michael Clayton
My Pick: Javier Bardem; seriously, is this even going to be a competition?
And the Oscar goes to...: Javier Bardem; Beware of Philip Seymour Hoffman though. The man is sneaky and villinous, just not nearly as vicious as Bardem.
Talking Heads - "Psycho Killer"

Best Actress in a Leading Role:
Cate Blanchett Elizabeth: The Golden Age
Julie Christie Away From Her
Marion Cotillard La Vie En Rose
Laura Linney The Savages
Ellen Page Juno
My Pick: Ellen Page Juno; Personally I thought she was fantastic throughout the movie, but I know some people (Tim) didn't like the movie that much. Still in a normally weak year (at least I think it's weak) I think the young starlett has a fighting shot at the award.
And the Oscar goes to...: Cate Blanchett; I have a feeling the Academy is going to go the historic route giving this to Cate and...
Ellen Page & Michael Cera - "Anyone Else But You"

Best Actress in a Supporting Role:
Cate Blanchett I'm Not There
Ruby Dee American Gangster
Saoirse Ronan Atonement
Amy Ryan Gone Baby Gone
Tilda Swinton Michael Clayton
My Pick: Cate Blanchett; certainly deserves the award here.
And the Oscar goes to...: Cate Blanchett; History is made as Cate sweeps the Actress categories!
Jeff Tweedy - "Simple Twist of Fate"

Best Animated Feature Film:
Persepolis
Ratatouille
Surf's Up
My Pick: Ratatouille; this might be one of the best animated films of all-time, and definitely the best this year.
And the Oscar goes to...: Ratatouille; My guess is that this finished in sixth on the Best Picture ballot and just missed out on that one, but it should certainly get the statue for Animation. Any other year Persepolis would definitely stand a strong chance.
Bright Eyes - "Cartoon Blues"

Best Directing:
Julian Schnabel The Diving Bell and Butterfly
Jason Reitman Juno
Tony Gilroy Michael Clayton
Joel and Ethan Cohen No Country for Old Men
Paul Thomas Anderson There Will Be Blood
My Pick: Paul Thomas Anderson There Will Be Blood; my brother thinks Julian Schnabel as a solid chance at the upset, Rachael thinks the Cohen's will win everything, I'd rather see Paul Thomas Anderson win for because his movie is awesome.
And the Oscar goes to...: Joel and Ethan Cohen No Country for Old Men; their prior nominations give them the slight advantage here. I think.
The Wombats - "Kill the Director"

Best Picture:
Atonement
Juno
Michael Clayton
No Country for Old Men
There Will Be Blood
My Pick: There Will Be Blood; I am so torn between this and No Country for Old Men that I really don't know what to choose. I am giving There Will Be Blood my imaginary vote though and I'm sticking by it.
And the Oscar goes to...: There Will Be Blood; closest vote in Oscar history? It could be, but I think this is ever so slightly ahead of No Country. Both are very deserving of the award though.
Rilo Kiley - "Close Call"

This Week's Tour News

Who: Islands
When: May 24th
Where: Webster Hall
More Dates
Listen: Islands - "The Arm"
Thoughts: For some strange and odd reason I have yet to see Islands. I know, it's depressing just thinking about it and it's worse to believe that the first time I see them will be at Webster Hall! Ugh!!! But it's definitely time I finally go and catch their live action and so I may just have to break down and do it here.

Who: Kate Nash
When: April 23rd
Where: Webster Hall
More Dates
Listen: Kate Nash - "Seven Nation Army" (White Stripes Cover)
Thoughts: I've seen Nash twice in the last few months so I'm probably gonna pass on seeing her this time around. If you haven't caught her yet I'd suggest doing so, her live performance is solid and she seems to get more comfortable with each passing performance.

Who: Sunset Rubdown
When: March 27th
Where: Brooklyn Masonic Temple
More Dates
Listen: Sunset Rubdown - "Setting vs. Rising"
Thoughts: It's been a while since I've seen Sunset Rubdown or any other of the Wolf Parade side projects so I'm pretty excited to get a shot at seeing them here and in this setting. This should be a very cool show, but will sell out and quickly. You have been warned!!!

Who: Pattern Is Movement
When: April 24th
Where: Southpaw
More Dates
Listen: Pattern Is Movement - "Right Away"
Thoughts: I caught this dynamic duo last week at Union Hall and they once again blew me away! If odd time signatures and operatic vocals are your thing definitely check it out, and if you don't believe that those two things can go together give this a whirl and let it blow your freakin' mind!

Who: Spoon + The Walkmen + White Rabbits
When: Spoon = April 9th, The Walkmen + White Rabbits = March 4th
Where: Spoon = Terminal 5, The Walkmen + White Rabbits = Webster Hall
More Dates
Listen: Spoon - "The Ghost of You Lingers"
The Walkmen - "Subterranean Homesick Blues"
White Rabbits - "While We Go Dancing"
Thoughts: Oh man, New York is not getting this three-headed monster of a bill!!! Instead we'll get them as separate entities, booooooo! I'll be seeing Boris and Growing the night of The Walkmen/White Rabbits show and I think it's going to take a bill of all three bands to get me up to Terminal 5 for the Spoon show.

Who: Tilly and the Wall
When: March 21st
Where: Knitting Factory
More Dates
Listen: Tilly and the Wall - "Bad Education"
Thoughts: Man I remember buying their album a long long time ago, listening to it a couple of times, and I assume I still have it.

Who: No Age
When: May 6th
Where: Bowery Ballroom
More Dates
Listen: No Age - "I Wanna Sleep"
Thoughts: They rocked opening for Liars, they'll rock on their own!

Who: The Swell Season
When: May 19th
Where: Radio City Music Hall
More Dates
Listen: The Swell Season - "Say It Now"
Thoughts: I loved Once so I would definitely be down to see The Swell Season live, but I haven't seen the prices of this which could be enough to scare me away.

Who: Mum
When: April 22nd + April 23rd
Where: Gramercy Theater + Brooklyn Masonic Temple
More Dates
Listen: Mum - "Dancing Behind My Eyelids"
Thoughts: That's cool.

Who: Handsome Furs
When: April 5th
Where: Santa's Party Room
More Dates
Listen: Handsome Furs - "What We Had"
Thoughts: Yes please!

Who: M83
When: June 3rd + June 4th
Where: Music Hall of Williamsburg + Bowery Ballroom
More Dates
Listen: M83 - "I Guess I'm Floating"
Thoughts: Hmmm....I'm not sure, definitely a possibility.
For years Clinic has made a living by being slightly different then the rest of the pack. Whether it's the use of surgical masks or costumes on stage, or the use of keyboards and off-scale chord progressions, they have made it their business to be a slightly different, off-kilter band. On their new album, Do It!, the band makes slight shifts that push them back towards the pack a bit, moving them nearer to the pop then they have ever been before. But don't fear the change! It works taking their quirks and oddities and adding a little more melody to the sound.

There is still a lot of the old Clinic in the sound on the album, strange instruments appear out of nowhere, Ade Blackburn's acidic vocals are still a key to the music, and the band still won't give us a straight forward song structure. These quirks combined with the slight shift towards a more pop sound give Do It! a psychadelic feel, with lots of trippy sounds pouring from the speakers.

Do It! is a more complete album then anything Clinic have released before this. It's no longer just about songs or being different, it's about putting together an idea and working it through for the duration of the album.
Clinic - "The Witch"
Clinic - "High Coin"
Clinic - "Free Not Free"

While Devotchka have been on an extended hiatus, the band has had a lot of people join the fray with sounds that are overly similar to theirs. Bands like Beirut and Gogol Bordello have taken the Eastern European sounds and run with them, and where does that leave poor old Devotchka? Well, I suppose it would leave them as the paving stones that opened the doors for rocking with the gypsies. On their first album in four years, Devotchka immediately recapture the form that made them into favorites in the indie scene.

Once again we are treated to a cacophany of instruments all piled one on top of the other and built together in pop orchestrations that are impeccable. The music on A Mad & Faithful Telling is exactly what we would expect from the name Devotchka echoing the Eastern European sound combined with pop and rock sensibilities. Of course all this is tied together with Nick Urata's spectacular voice. Apparently the four years off have been of benefit to Nick, because he comes back stronger then ever on this album singing in his wonderfully powerful croon with remarkable results.

I've only had a few listens of the record so far, so my thoughts aren't entirely formed, but each time the album finishes I want to hit play again immediately so it obviously holds some sort of power over my ears. I think fans of the new wave of wordly pop bands will immediately fall for this if they've never been exposed to Devothcka before and the faithful will of course come crawling back for another serving as good as this.
Devotchka - "Along the Way"
Devotchka - "Undone"
Devotchka - "Transliterator"

Let us consider the potential flaws of The Mae Shi's HLLLYH. First, and most importantly the album is a bit of a concept album with religious undertones permeating each and every track. Secondly it has a track, "Kingdom Come", which is literally an 11-minute techno collection of the other tracks on the album stuck directly in the middle of the album! Then to top it all off the band use slightly more then the acceptable number of video game like samples to get their music to you. And normally these three parts working at once could kill an album dead in its shoes, especially for a listener like myself. Yet somehow The Mae Shi do all of these things on HLLLYH and still walk away with one hell of a record.

HLLLYH powers through all it's noticable flaws with a slew of wonderful vocal harmonies, ridiculous Casio beats, and a few riffs that are irresistable. Plus, it has some gems serving as songs. Songs like "Run To You Grave" and "The Melody" absolutely kick ass, and they kick ass with all of the problems that were listed above. I don't know how they pull it off but they do and I've been absolutely hooked to this album for more then a week now. I've even listened to "Kingdom Come", the 11-minute long monstrosity each time I've put on the album. That's how into this I've become.

I don't know if it's going to be the thing for everyone to jam to, but I'm certainly digging it a lot and I suggest you at least give it a shot 'cause maybe you'll be able to get past the flaws to and fall in love with this awesome band.
The Mae Shi - "Boys in the Attic"
The Mae Shi - "Party Politics"
The Mae Shi - "Run To Your Grave"


Friday February 22nd:
Beat the Devil @ Seaport 6:30pm [FREE][mp3]
Black Mountain + Bon Iver @ Bowery Ballroom [tix][mp3][mp3]
The National + My Brightest Diamond @ BAM [SOLD OUT][mp3][mp3]
Taken By Trees @ Hiro Ballroom [tix][mp3]
Genghis Tron + The Austerity Program @ Knitting Factory [tix][mp3][mp3]
Goes Cube @ Magnetic Field [info][mp3]
Man In Gray @ Mercury Lounge [tix][mp3]
Blood on the Wall + ca-USE co-MOTION @ Music Hall of Williamsburg [tix][mp3][mp3]
The Magnetic Fields @ Town Hall [SOLD OUT][mp3]

Saturday February 23rd:
Cassettes Won't Listen @ 205 Club [info][mp3]
The National + My Brightest Diamond [SOLD OUT][mp3]
Flying @ Cake Shop [info][mp3]
Black Mountain + Bon Iver @ Glasslands [info][mp3][mp3]
Atlas Sound + White Rainbow @ Mercury Lounge [tix][mp3][mp3]
Ola Podrida @ Pete's Candy Store [FREE][mp3]
The Magnetic Fields @ Town Hall [SOLD OUT][mp3]
A Sunny Day In Glasgow @ Union Hall [tix][mp3]
These United States @ Union Pool [info][mp3]

Sunday February 24th:
Super Furry Animals + Times New Viking @ Bowery Ballroom [tix][mp3][mp3]
Wye Oak @ Cake Shop [info][mp3]
Headlights + Evangelicals @ Mercury Lounge [info][mp3][mp3]
Atlas Sound + Valet @ Music Hall of Williamsburg [tix][mp3][mp3]
The Magnetic Fields @ Town Hall [tix][mp3]

Thursday's Tracks

The Good:
The Boy Least Likely To - "A Balloon On A String" (You can stream it on their myspace, sorry); Ahhhh the joyous sounds of The Boy Least Likely To! It always warms my heart a bit to hear their vocal harmonies and cutesy music coming through to my ears, and hearing this tune amps me up for their new album!!!

Taken By Trees - "Sweet Child O' Mine"; Having listened to this cover of Guns 'n' Roses about half a dozen times between yesterday and today I am struggling to remember how the original version goes. No really, the sweet way Victoria lulls us into this song with her soft voice and lush piano are irresistable, and if you didn't know any better you might think this was a terrific new song! However, most people do know better and I can tell you that this sounds nothing like the original version, or at least what I remember of it.

Benni Hemm Hemm + Jens Lekman - "Aldrei"; I've never really spent much time with Benni Hemm Hemm, but once I saw the name Jens Lekman next to it I knew I had to hear this. It's all in a foreign language, but it still sound damn good.

Men - "Make It Reverse" + "Shake Off"; Men is two members of Le Tigre reunited and making even more wonderful electronic music for the benefit of us all. These are their first two released tracks and I'm really liking what I'm hearing. Should be a sweet release!

The Dodos - "Fools"; So I've finally gotten around to listening to The Dodos and I have to admit to liking what I've heard so far. I really thought all the buzz surrounding them would force me to put this in the bad section, but the band reallly takes off with this single.

The Bad:
Grand Archives - "Torn Blue Foam Couch" ; So apparently the other guy (Mat Brooke) from Band of Horses has a new band called Grand Archives and they released an album on Tuesday. Unfortunately it is just as boring as anything Band of Horses has ever released, and maybe more so.

The Ugly:
Paula Abdul - "Dance Like There's No Tomorrow"; It's a good thing Paula has that American Idol gig to fall back on, because this music is awful! Not that Paula Abdul was ever mistaken for a good musician or anything.

Video of the Week:

Kanye West - "Flashing Lights"; Yeah I think it should be easily stated that this is the video of the week. Eeerie, dark, twisted, it's a sick video, the type of thing we used look for on MTV but these days we'll settle for YouTube's and whatnot's. It's a sick video though and the song is pretty sweet as well.
Do not fuck with Be Your Own Pet! That is a warning and a promise all in one as this band will literally and figuritively kick your ass! You wouldn't automatically think that when looking at them. Four skinny teenagers, playing some ragged punk rock music, but when they get the opporunity, believe me, they will pounce like Wolverine bezerker style!
Last night the fearsome, foursome from Tennessee completely took over the Mercury Lounge, making an early show seem like an all-nighter and fucked a fan and a few fans ear drums while doing so. But, before Be Your Own Pet rocked the hell out Radio America showed a little something I like to call potential with a rollicking set of their own.
The four dudes from LIC are four dudes I had never before heard of, but from the second the literally jumped on-stage and began playing I knew they would be the type of rock I was into. With just their drummer kicking off the set with a furious beat the other three members leapt onto the stage from various points of the audience, grabbed their instruments, and launched into their set. It was a great starting point and the band really didn't let down from there (though there was a minor technical problem between two songs, the lead guitarist kept things going with a bit of a nosiy, buzzed out guitar solo!). The music was fresh and rocking but hard to pin down. At various times I heard elements of punk, ska, post-punk, grunge, and a shit load more in their sound. It almost sounded like some demented version of Weezer, one that basks in the spotlight instead of wilting in it. It was a damn good set though, which is a damn good thing, because I was bit worried that they wouldn't be able to fully warm us up for Be Your Own Pet. Boy, was I wrong.
But of course opening courses are openers for a reason and Be Your Own Pet was obviously the main course on this night. With their hands blackened with marker X's and their breath completely clear of alcohol, the band managed to somehow come through and put on a truly impressive show. For nearly 40-minutes the four piece from Nashville treated us to a slew of tunes off their upcoming LP Get Awkward. The pace was furious with nary a break between songs, though apparently it wasn't fast enough for Jemina Pearl who kept chiding her band members to keep up with her.
Songs like "Becky", "Blow Yr Mind", and "Food Fight" proved that this band won't be going through a sophomore slump of any kind, and the sheer enthusiasm they played with makes them a shoo-in for some seriously kick ass shows wherever they are! At one point Jemina challenged anyone in the audience to a fight (obviously needing a rush fro somewhere since they weren't allowed to drink in the club) some big oaf responded and got his ass kicked by the band for attempting to smooch the pixie-ish lead singer. Other then that though, it was smooth sailing for this nascent band and it certainly sent the message that rock music is alive and well and will be for quite some time!!!
The only true downer was that due to the fact that it was an early show there was no encore. The band finished and the crowd stayed still applauding and yelling for more, but the drummer started breaking down his kit and obviously we all knew there would be no more fun tonight. Shame too, 'cause the way they were rocking I could have gone all night!

Setlist: Blackhole/We Will Vacation/Heartthrob/What's Your Damage/Bummer Time/Becky/Blow Yr Mind/Twisted Nerve/The Kelly Affair/Spill/Fuuuuuun/Food Fight/Bicycle, Bicycle, You Are My Bicycle/Super Soaked

Links & Stuff:
More Photos Here
Abbey's Coverage Here, w/Videos! (quote of the night: "With a tube of mascara these guys would be on the cover of Alternative Press!", Abbey talking about Radio America)
1938 Music covered it too
...some tunes for those that weren't there:
Radio America - "It's Time You Paid for Your Crimes Against Humanity"
Be Your Own Pet - "Becky"
Be Your Own Pet - "Creepy Crawl"
So I believe Cesar of The Lisps has been telling me about Cheese On Bread for a while already, but when Cesar and I are usually together one or the both of us are normally pretty darn drunk so I had never remembered to check them out. Lucky for me (and you) Cheese On Bread were sober and sent me an e-mail with mp3's and everything! And I gotta tell you this is as quirky and as cute and adorable as The Lisps!

With songs about wasting our corn on corn syrup and characters on a board game you can immediately tell that they may be a bit eccentric, but then you start listening to their twee-like sound and you realize these guys may be eccentric, but they know how to write a song. It's music that's fun all over the place! The only downfall of this e-mail from Cheese On Bread is that I want more after listening to the four songs they sent over! (Actually, I just noticed at this moment that you can stream their whole album, The Search for Colonel Mustard on their website! That should kill some time this Thursday morning!)

The band actually has a shit load of songs for you to listen to over on their website, so once you're done with the four below head over there, order a couple of copies of their album, and get hooked! No shows are planned on the moment, but hopefully that will change very, very soon!
Cheese On Bread - "The Search for Colonel Mustard (Part One)"
Cheese On Bread - "Piece of Ass"
Cheese On Bread - "Cornfield, Cornfield"
Cheese On Bread - "Dreamail"


Thursday's Dreaming of a Snow Day Links:
- Pitchfork has Beach House stop by to do their weekly guest list spot. I'm still not sold on Beach House, sorry folks.
- Also at Pitchfork (and everywhere else on the internet today), Radiohead is slated to headline two of the three nights of the initial All Points West Festival. This absolutely assures that I will be in attendance that weekend.
- Brooklyn Vegan is reporting that another New York venue is biting the dust. Brooklyn's Magnetic Field will be shuttering it's doors and not returning as of March 31st. Sad, I hate it when venues close.
- Gothamist has Matt Beringer of The National stop by for a bit of Q+A. I was watching the old Beirut episode of New York Noise this week and two members of The National pop in for like two minutes. They are horrible actors, no offense.
- The AV Club interviews Justin Vernon of Bon Iver who I will be seeing tomorrow night when they open for Black Mountain at a very sold out Bowery Ballroom.
- Also on The AV Club is an interview with the greatest (ok maybe second or third best) music video director of all-time Michel Gondry. Of course they stick mostly to his new movie Be Kind Rewind.

Pop Report

Movies:
- Last night I wasted a total of about four hours of my life watching Revenge of the Nerds Part III and Superman Returns. I've seen both movies before, didn't really like them the first time around, but felt compelled to watch them both again. I really don't understand how my brain works sometimes.
- The other night I was preparing for sleep when a move called The King came onto my television. Now I was pretty much hooked at the words "Paul Dano" and "Gael Garcia Bernal", but man did this turn out to be one twisted, strange movie. Now I'm sure a lot of people haven't seen this one because I hadn't heard a thing about this movie before this, but I'd have to suggest seeing it to pretty much everyone.
- I am super excited about the announcments made yesterday for the new X-Men Origins: Wolverine movie! The announced Ryan Reynolds will be playing Deadpool (awesome character!) and Taylor Kitsch will be playing Gambit!!! Gambit!!! At last! I was so disappointed he wasn't in one of the first three movies, so I'm thrilled he'll finally make his big screen debut here!


Television:
- My major television time is being devoted more and more to movies, re-runs of The Boondocks, and a few episodes of New York Noise here and there. It's pretty sad, but what am I supposed to do? I guess it's time to break down and watch all those episodes of Breaking Bad that are piled up on my DVR.


Sports:
- Spring training is here, la la la....


Politics:
- Obama is killing it right now! The man is in charge of the race dominating at every turn! The leads Hillary once held in Texas and Ohio are all but gone! Can you hear the excitement in my voice? The most glaring proof that Obama is going to be the Democratic candidate though is that Senator John McCain is already taking shots at him in his stump speeches! Awesome stuff!


Other:
- I'm sure you've all seen Lindsay Lohan naked by now, but I thought you may want to see it again. My initial impression of this photo shoot was sheer amazement at the number of freckles Lohan has all over! I mean that could be some sort of record for freckles couldn't it!


Musical Linkings for the Four-Day Week's Hump Day:
- Daytrotter has a set with Casiotone for the Painfully Alone. I'd write a little about it, but my fingers are tired from typing out the band's name.
- Quick Before It Melts has an interview with Leo Maymind of Spanish Prisoners.
- On March 1st, Don Pedro's will play host to the paperback release party for John Sellers' Perfect from Now On. The party will feature performances by Times New Viking and The Fiery Furnaces' Matthew Friedberger, and will also be for an awesome, kick-ass book about one person's adoration of Guided By Voices. (via P-fork)
- The Lisps were named Spin's Artist of the Day, which brings them a long way from their first ever written review right here in these digital pages. Congratulations guys!
- The Headlights (who play Mercury Lounge on Sunday) have a new video out for their wonderful first single "Cherry Tulips". Check it out on The Tripwire.


Tunes that Will Be Deleted this Week:
Sublime - "40 Oz. to Freedom"
Sublime - "Date Rape"
My Morning Jacket - "Wordless Chorus"
Andrew W.K. - "Party Hard"
Taken By Trees - "Tell Me"
Mussels - "Dinner"
It seems to me that their is a gross difference between rappers in this day and age. Very few still make complete albums with more and more artists opting to load it all into one single and hope to cash in on that. It may seem like Outkast could be lumped into that category with their ridiculous history of releasing catchy-as-hell singles, but their albums have always trumped the singles with an ability of cohesion that few rappers truly have. Of course their crowning achievement was 2000's Stankonia an album that mixed every possible genre of music, infused it with hip-hop, and went on to blow people's minds.

In 2000 you couldn't escape Outkast. They were everywhere, with the lead singles off Stankonia filling the airwaves with their desparate beats and filthy lyrics. Songs like "Ms. Jackson" and "So Fresh, So Clean" were on the lips of everyone, regardless of what style of music you normally preferred. But beyond the hit singles from the record, the album served as a true introduction to Southern rap and to "stank". Just think of all the Southern rappers that wouldn't be here today if it weren't for Stankonia, and you'll begin to be able to gauge the importance of this album.

2000 was a strange year for me personally. I was struggling in college was, was engaged to a girl that was away at school, and was quickly learning some of the tougher lessons in life. Sure the Yankees beat the Mets in the World Series, but that was one of the few good things I had to look forward to. I did have my friends though, and I had the partying that we had, and of course this was pretty much our soundtrack back then. The beats and rhythms of the album made sure that it was the soundtrack to practically every party, and as a 20-year old guy you know there was a lot of partying to be had. With all the difficulties of my daily life I used the album and the partying to escape from all that. It might not have been the wisest decision back then, but would you really expect good decisions from a guy like me at an age like that? I wouldn't.

As an album Stankonia has a little bit of something for everyone. With elements of gospel, samba, drum and bass, funk, rock, and of course hip-hop, the album is all over the place but it maintains a sense of order thanks to the overall production style of Outkast and the pace and ferocity of the lyrics within the songs. Of course it created an expectation with Outkast, which they have met remarkably, but looking back at it then it was explosive. I remember the first time I heard "B.O.B.", and how blown away I was with the speed of the entire song, and how even today I can't sing a single verse along with that damn song aside from the chorus. Every song on this album has that explosiveness to it, though I could probably do without all the interludes (not a big fan of interludes).

Interludes aside, this is one of my favorite hip-hop albums of all-time. Some people would argue that some of their albums are slightly better then this one, but I think those people are out of their minds. This album has been a constant play for me for the last seven years and never once have I tired of it. And honestly, is there a better way to judge the greatness of a record then that?
Outkast - "So Fresh, So Clean"
Outkast - "Ms. Jackson"
Outkast - "B.O.B."
Outkast - "Stankonia Stanklove)"

Buzzworthy??? Or Not???

Who: These United States
Location: Washington D.C.
Thoughts: Listening to These United States I can't help but think of the dreaded music terminology Americana. That vile little word used to describe anything with the slightest bit of twang and just the right amount of edge to it. It suit These United States, and not because it would perfectly finish the band's name, but because the sound reflects an extraordinary amount of sounds from American music. There's some folk, some country, and a lot of rock n' roll all present within their sound and its that sound that allows their wonderful lyrics to truly take-off. Perhaps, in rare cases, the word Americana isn't such a bad thing just sort of a place marker that should be used more sparingly then it normally is. For those that are terrified of that word I fully understand you, but I hope you can look past it just this once and give these tunes a a chance.
Verdict: Buzzworthy!
Listen: These United States - "First Sight"
These United States - "Diving Boards Pointed At The Sky"
These United States - "Remember Dear"


Tuesday's the New Monday Links:
- Kanye West is releasing a sneaker with the small boutique company Reebok. The sneakers will be available for $124.95, and they will be stolen from you approximately 2-hours after you buy them. Do people still steal sneakers? (via Prefix)
- Atlas Sound rated as a Recommended Release from me, but it got a little more help by getting the Best New Music tag from Pitchfork. Way to FINALLY jump on the Bradford Cox bandwagon P-fork!
- Brooklyn Vegan has posted an informative documentary about SXSW that was created by Flight of the Conchords.
- For all you music loving hipsters out there, this is pretty much the most frightening story I could possibly imagine. No reall, if I woke up tomorrow blind I'd be cool with that, but if I woke up deaf I'd probably kill myself. (via The Guardian)
- Largehearted Boy joins the parade of bloggers interviewing John Darnielle, although he has Daily Show writer Sam Means do the work for him.
- The AV Club has Ira Elliot of Nada Surf put his iPod on shuffle for us.
- CMJ interviews Port O'Brien.
For the better part of the last year the music world has been treated to practically every musical bit Bradford Cox has had to offer. Whether it's with his main band, Deerhunter, or any of the multitude of side projects he has a hand in, we have probably heard every note that has been recorded and read every lyric that has been penned. Still people are anticipating his debut album, Let the Blind Lead Those That Can See But Can Not Feel with a ridiculous fervor. It's impressive that so many people are amped up considering how inundated we've been by all of his material, but it speaks volumes to how deep and interesting the music he makes is. So I suppose it shouldn't surprise us to find out that Bradford does not disappoint one bit on his Atlas Sound debut.

Let the Blind... is a complete departure from what we have come to expect from Bradford's other projects, namely Deerhunter, who revel in the noise world. Instead of littering his solo album with pieces of his other project Bradford has gone in a completely different direction, preferring to create electronic, atmospheric music that soothes as much as the noise rattles. It's exactly the opposite of what we would have expected, had we not been so greatly prepared by all the collections of songs posted on his blog. That preparation gave us a direct path into readying ourselves for this album, because if we had gone into after Cryptograms or Fluorescent Grey we may have been left a bit confused.

Throughout Let the Blind... Bradford reveals himself, his inner thoughts and fears, to everyone. The personal song writing and the ethereal music work perfectly together, easing the listener through the musicians fragile psyche. With most of the music found on Let the Blind... having been recorded alone on tour buses or in bedrooms its no wonder that the material is thoroughly personal, what is amazing is that we are able to feel the emotions as if they were our own. I don't know if this was Bradford's plan, but it works to create a beautiful piece of music that can be enjoyed by fans of his and more.
Atlas Sound - "On Guard"
Atlas Sound - "Ready, Set, Glow"
Atlas Sound - "Ativan"

Throughout Lateral, Growing take us on a seemingly never ending trip through the rises and falls within the tides of music. Listening to this four song EP is similar to floating along on a wave, you rise you fall, back and forth, never stopping, till you reach the shore. And like the feeling you get from the crests of the wave, you are propelled by the waves of sound being thrown into your ears by Growing. The band has never sounded quite so crisp as they do hear, blending elements of drone and pop together into one incredible package. The music here follows in the footsteps of the greats in the drone genre, painstakingly abiding the standards of the scene, but then adding their own elements on top of it to create something never before heard. The electronics mesh in an absolutely perfect way and any listener should be compelled by the absolute beauty of these sounds. I don't want to say too much as it's only four songs long, but please do not miss out on this release!
Growing - "Lateral"


Also Released Today:
For years John Darnielle has been penning songs that have been either autobiographical or at least somewhat based in the stories of his life. It must become daunting for an artist to continuously have to face the ghosts of his past, but the way Darnielle has used humor to balance all the difficulties must make it a bit simpler. On Heretic Pride, Darnielle goes another step towards easing the ghosts of his past by avoiding it almost completely. Instead of focusing on introspective song writing, Darnielle allows his imagination to wander all over the place leaving us with a slightly less cohesive piece of work, but one that is oddly fulfilling despite that.

With topics ranging from the literary to the romantic and loads of other places, Heretic Pride allows John Darnielle the ability to work in some amazing bits of lyrical word play. Tunes like "Lovecraft in Brooklyn" and "Sept. 15th 1983" take on literary allusions rather then forcing Darnielle to look inside of himself for more introspective lyrics. The shift from the personal to the outside world isn't just evident in the lyrics here but in the entire sound of The Mountain Goats. Darnielle wouldn't eschew his preference of acoustic guitar, but he has incorporated many more elements here then on prior Mountain Goats records. There's backing vocals from St. Vincent, full string sections to accompany Darnielle's subtle strumming, and of course an even greater use of past collaborators Peter Hughes, John Wurster, Franklin Bruno, and Erik Friedlander, all of which add more life to Darnielle's newfound subjects.

Of course the changes may alienate some of the hard-core, old school fans that adore John solo, but are revolted by the idea of The Mountain Goats as an actual band. That's unfortunate because throughout Heretic Pride Darnielle showcases some of his finest lyrics and certainly his best job of musical composition. It's an impressive album, and while I wouldn't go so far as to say it's his best it's certainly up there with the finer points of The Mountain Goats illustrious career.
The Mountain Goats - "Sax Rohmer #1"
The Mountain Goats - "Sept. 15th 1983"

The sound of the indie soundscape is constantly in motion. There are new genres popping up day after day, different sounds permeate things we thought we already knew, and even our older artists are continuously attempting to reinvent themselves. So it's a bit shocking to me that we keep falling for the sound of bands like Headlights, but here we are adoring its lush pop feel and multi-part harmonies as if nothing like it had ever existed before. Now, that's not to say that Headlights sound exactly like everything that's come before it, but it does sound awfully familiar right from the start.

Over the course of the last few years, Headlights have been on a workaholic like pace of touring, breaking briefly between tours just to remind their friends and families what they look like. When the band started recording Some Racing, Some Stopping they decided to take their time with it and flesh it out in the recording studio making it a way more expansive album then anything the band had previously worked on. Throughout the album the band infuses more and more instruments to add extra tones to the music, but never making the songs feel crowded or over burdened. It's an excellent album, filled with some of the best individual songs I've heard so far this year. Tunes like "Cherry Tulips" and "School Boys" are perfect examples of the indie pop sound, of how to use harmonies, and of how to put a smile on a listeners face.

Honestly is there anything more important than to enjoy the music you're listening to? Obviously not, and that's exactly why this is such a terrific album, its hooks dig into you and after only a few listens you'll find yourself singing along to the tunes. It's exactly this type of album that allows us to take a break from all the new things exploding all over the place, to take a breather and gather ourselves while enjoying some excellent music.
Headlights - "School Boys"
Headlights - "Catch Them All"
Headlights - "Cherry Tulips"




Also Released Today:

Monday's Leaky Faucet

Who: She & Him
Title: Volume One
Release Date: March 18th
Label: Merge
Thoughts: It now seems clear that the folks that cast Walk the Line completely blew it by choosing who they did instead of placing M. Ward and Zooey Deschanel in the roles of Johnny and June. With their project, She & Him, Zooey and M. are proving themselves to be the reincarnation of what Johnny Cash and June Carter once were. Their country odes are bitter sweet love tales, led by Zooey's fantastic voice M. Ward's creative, (mostly) acoustic playing. It's a sweet sound for the folks that love that slightly dark country music and it's finally proof that not all actors turned musicians have no talent and are just attempting to cash in on their fame.
Listen: She & Him - "This Is Not A Test"
She & Him - "Take It Back"
She & Him - "Got Me"
Pre-Order from Insound.com

Who: Ecstatic Sunshine
Title: Way
Release Date: "Coming Soon"
Label: Cardboard Records
Thoughts: When people speak of the Baltimore scene normally images of crazy kids and glow in the dark skulls pop into people's minds, not the etheral all instrumental sounds that are found on Ecstatic Sunshine's upcoming release Way. But don't be fooled people, this is very much a part of that same scene, it's an all accepting scene you see and when the sounds are this good few people will argue with it. Through three very long tracks Ecstatic Sunshine emote more sonically then most songwriters ever could with their lyrics. The result is over 30-minutes of blissed out sounds that you aren't able to just listen to, instead you feel the music begin to permeate your very being replacing anything you were feeling with what you feel towards the music. It's very deep, can be very loud, and is ultimately fulfilling to listen to. This is a truly beautiful record.
Listen: Ecstatic Sunshine - "Perrier"

Who: Various Artists
Title: Local Anesthetic
Release Date: February 25th
Label: Smooch
Thoughts: The legend of Local Anesthetic may not be one you're familiar with, but now thanks to this compilation we can get intimately acquainted with the awesome punk rock that was coming from the Denver underground throughout the 80's. With a ridiculous amount of musical styles, of which somehow fit under the punk umbrella, this is a hard hitting, fast paced record with most songs never reaching the two-minute mark. But it's that hard hitting attitude that permeated this scene making it a living, breathing organism all its own. There are some true gems littered throughout this collection of old 7" records including some tunes with the Gluons and special guest Allen Ginsberg. Any fan of any brand of punk should check out this comp ASAP!!!
Listen: Gluons (Feat. Allen Ginsberg) - "Birdbrain"
Frantix - "My Dad's A Fucking Alcoholic"
Your Funeral - "The Abyss"


Monday's Presidential Linkings:
- Pitchfork interviews Autechre.
- Prefix offers up a free Glow in the Dark mixtape.
- KEXP is coming to New York, making the radio safe to listen to again! (via Vegan)
- Sixeyes interviews John Darnielle.
- Daytrotter does Blitzen Trapper, again.
- You Ain't No Picasso asks Holy Fuck about their first times.
- Bradford talks about his first show as Atlas Sound.
Monday: Calvin Johnson @ Lutheran Church of the Messiah 8pm $7
Calvin Johnson is the type of explosive performer that could tear up a room on any given night, but given this is the third night of a holiday weekend I expect everyone will be doubly delirious with all their hard earned rest. What better way to celebrate President's Day then with an awesome ruckus?
Calvin Johnson - "I'm Down"

Tuesday: Foo Fighters + Against Me! @ Madison Square Garden 7pm $30
It's not often that I recommend attending a big ol' mainstream rock show, but this pits two of the finer bands that actual get commerical radio play together on the same stage so I'm making my exception. The Grammy Award winning Foo Fighters have been a constant favorite since they first shocked everyone as the only successful Nirvana spin-off (sorry Krist, you know it's true). Against Me! are still breaking through, but in big waves thanks to their fantastic last album. Should be a cool show and it also has System of a Down's Serj Tankanian doing some solo thing that I've never heard.
Foo Fighters - "The Pretender"
Against Me! - "You Must Be Willing"

Wednesday: Be Your Own Pet + Radio America @ Mercury Lounge 8pm $10
I'm pretty much in awe of Be Your Own Pet's sophomore album Get Awkward. It's been rocking my ears for a couple of days now and I think the only proper way to show the appreciation for it would be rocking out with the band live. I hear they put on a pretty kick ass live show, though I've yet to see it in person.
Be Your Own Pet - "Becky"
Radio America - "It's Time You Paid For Your Crimes Against Humanity"

...also Blood on the Wall @ Other Music 8pm FREE
Chances are Be Your Own Pet won't be on till well after this free in-store is over so we might as well take a chance and catch the much buzzed about Blood on the Wall before heading down Houston.
Blood on the Wall - "Rize"

Thursday: Daniel Johnston + Spanish Prisoners @ Highline Ballroom 7pm $20
I've been looking to see Daniel Johnston and his controversial live show for some time now and it's finally come to pass as I have my tickets in my hand and am all set for this show. Spanish Prisoners have been impressing me lately with how fast they are growing through the ranks of the New York rock scene.
Daniel Johnston - "Walking the Cow"
Spanish Prisoners - "Where God Does His Laundry"

Friday: Black Mountain + Bon Iver @ Bowery Ballroom 8pm $15
Man this week is non-stop rock from the get go and tonight won't slow it down any. The new Black Mountain album is aces as is the latest offering fro Bon Iver and together this is sure to be a fantastic show. Chances are if you're reading this without tickets in your hand you probably won't be able to purchase them from anyone but a scalper. I'd still say it would be worth trying though.
Black Mountain - "Stay Free"
Bon Iver - "Lump Sum"

Saturday: Atlas Sound + White Rainbow + Valet @ Mercury Lounge 8pm $12
There are few figures as polarizing in the indie rock community then Bradford Cox and his side project, Atlas Sound have all the makings of a bona fide star. I missed them during CMJ but won't be making that mistake again. Also, the openers are hand picked by Bradford and each have their own sort of buzz going so you know this show is going to be kicking from the get go.
Atlas Sound - "Winter Vacation"
White Rainbow - "Mystic Prism"
Valet - "Kehaar"

Sunday: Headlights + Evangelicals @ Mercury Lounge 7:30pm $10
As of right now the race for song of the year (yes, I do realize it's only February) is between Lykke Li's "I'm Going. I'm Gone" and Headlights' "Cherry Tulips". I'm leaning towards Headlights and that's why I'm seeing them tonight! Oh yeah the rest of the album is pretty top notch as well!
Headlights - "Cherry Tulips"
Enagelicals - "Paperback Suicide"
Dead Rabbit perform at Snug Harbor on Staten Island. Watch the fancy lights!

Pattern Is Movement @ Union Hall 2/15 (Video)

Pattern Is Movement performs their lead single "Right Away" from their forthcoming album, All Together, as part of Gothamist's Moveable Hype.

Tapes 'n Tapes Release Single, Tour Dates, & Stuffs

So the new Tapes 'n Tapes song is out! I'm only on my second listen, but I'm kind of digging it a lot. The tune maintains a lot of what they started on their first release, while adding some flavor and a bit more passion then the first time out. It's a good starting point and should definitely get some buzz going for the new album, Walk It Off.

Tapes 'n Tapes - "Hang Them All"

The band has also put tickets for their upcoming tour on pre-sale so make sure you head here to pick up your tickets. Here's the dates.
3/12-16 - SXSW - Austin, Texas
4/10 - First Avenue - Minneapolis, Minnesota
4/11 - Metro - Chicago, Illinois
4/12 - The Magic Stick - Detroit, Michigan
4/14 - The Opera House - Toronto, Ontario, Canada
4/15 - Cabaret Music Hall - Montreal, Quebec, Canada
4/16 - Higher Ground Showcase Lounge - So. Burlington, Vermont
4/17 - Paradise Rock Club - Boston, Massachusetts
4/18 - Fillmore New York-Irving Plaza - New York, New York
4/19 - Music Hall of Williamsburg - Brooklyn, New York
4/22 - First Unitarian Church - Philadelphia, Pennsylvania
4/23 - Nightclub 9:30 - Washington, D.C.
4/24 - Local 506 - Chapel Hill, North Carolina
4/25 - The Earl - Atlanta, Georgia
4/26 - Cafe 11 - St. Augustine, Florida
4/28 - The Social - Orlando, Florida
4/29 - Common Grounds - Gainesville, Florida
4/30 - Bottletree - Birmingham, Alabama
5/02 - Antone's - Austin, Texas
5/03 - Hailey's - Denton, Texas
5/06 - Club Congress - Tucson, Arizona
5/07 - The Casbah - San Diego, California
5/08 - Troubadour - West Hollywood, California
5/09 - Troubadour - West Hollywood, California
5/10 - Fillmore - San Francisco, California
5/12 - W.O.W. Hall - Eugene, Oregon
5/13 - Richards on Richards - Vancouver, B.C., Canada
5/14 - The Showbox - Seattle, Washington
5/16 - In The Venue - Salt Lake City, Utah
5/17 - Bluebird Theater - Denver, Colorado
Who: British Sea Power
When: May 10th + May 11th
Where: Bowery Ballroom + Music Hall of Williamsburg
More Dates
Listen: British Sea Power - "Waving Flags"
Thoughts: I didn't realize it till I was scrolling through some really old posts, but I've actually seen British Sea Power, way back when they did those 'Across the Narrows' shows, remember with The Killers and Interpol and Oasis and stuff. Yeah, I don't really remember it either and I'm adoring this record so I'm thinking I might need to be at one of these two shows.

Who: Ladytron + Datarock
When: June 25th
Where: Terminal 5
More Dates
Listen: Ladytron - "Seventeen"
Datarock - "Computer Camp Love"
Thoughts: I really enjoyed last years release from Datarock, and I have but am yet to listen to the new one from Ladytron. Still the thought of these two dancey bands playing to an enormous room that has a short history of sound problems is a little terrifying.

Who: The Lisps
When: February 26th + April 5th
Where: Mercury Lounge + Luna Lounge
More Dates
Listen: The Lisps - "Heaven"
Thoughts: The Lisps kick and end their huge five week tour at two awesome New York venues. It's awesome to see the band playing Mercury. They've put in their dues, working their way up to this level, and now they are finally starting to see the rewards. You better believe I'll be at both shows.

Who: Handsome Furs
When: April 5th
Where: Santa's Party House
More Dates
Listen: Handsome Furs - "Hearts of Iron"
Thoughts: Missed out on them last time they were in New York and would love to see them. After this the only Wolf Parade side project I'd need to see is Sunset Fire.

Who: Kanye West, Lupe Fiasco, N.E.R.D., Rihanna
When: May 13th
Where: Madison Square Garden
More Dates
Listen: Kanye West - "Stronger"
Lupe Fiasco - "Little Weapon"
N.E.R.D. - "Everyone Nose"
Rihanna - "Umbrella"
Thoughts: So I was trying to see when the New York dates would go on sale the other day and I came across these special meet and greet packages so I clicked on them. $375! Are freakin' kidding me Kanye??? Why don't you just kick the kids in the balls when you meet them? That shit is wrong, but I'll still be buying a ticket, a regular ticket, when they go on sale.

Who: Shooting Spires
When: March 1st
Where: Market Hotel
More Dates
Listen: Shooting Spires - "Right"
Thoughts: I think everyone needs a little more Shooting Spires in their life, myself included! You can count on seeing me there!

Who: The Police + Elvis Costello
When: August 4th
Where: Jones Beach
More Dates
Listen: The Police - "Every Breath You Take"
Elvis Costello - "Accidents Will Happen"
Thoughts: I'm not completely sold on this. I skipped out on the first leg of the reunion tour and even though Sting says this is it I kind of don't believe him. The addition of Elvis Costello does make it a little tantalizing though. I'll have to see how much tickets are.

Who: Thao Nguyen
When: March 23rd + March 25th
Where: Music Hall of Williamsburg + Fordham University
More Dates
Listen: Thao Nguyen - "Moped"
Thoughts: I hoenstly have not given enough time to this album to make an informed guess as to whether or not I would like Thao's show.

Added After the Original Post!!!
Who: Black Kids
When: May 13th
Where: Studio B
More Dates
Listen: Black Kids - "I Wanna Be Your Limousine"
Thoughts: I'm still not thoroughtly impressed with the hyped band of 2007. Sure some of their tunes are soulful and rockin' at the same time, but with such a small sample to on and with a reputation as live prima donnas (see: CMJ '07) I don't know if it's worth investing in a ticket for this one. Though at least if I do go I know most of my blogging friends will be in attendance.

Who: No Kids
When: April 9th
Where: Music Hall of Williamsburg
More Dates
Listen: No Kids - "I Love the WeekEnd"Thoughts: I just got the promo CD for the new No Kids release and haven't heard the whole thing just yet, but I do like what I've heard so far. Also, they happen to be opening for Dirty Projectors which more then sweetens the pot.
Is anyone else finding the resurgence of the members of The Mold Peaches a bit odd? I mean first we have Kimya Dawson participate in a soundtrack that absolutely blows the fuck up, and now only a few short months later we are getting an Adam Green solo album! It just seems a little too crazy to be a coincidence, like maybe the two of them plotted this out to blow the world's minds and then disappear for another 4 or 5 years! I sure hope that's not the case, 'cause these two are really bringing their A-games out these days.

Obviously when it comes to these two you should have an idea of what you're getting yourself into. You are more then likely to be hit with a shower of anti-folk, loaded with quirky lyrics about love and the crazy things that happen while in love, or some completely inane lyrics about little or nothing at all. Yet somehow they work so well as a whole and that's exactly what happens on Green's latest solo offering Sixes & Sevens. The album is loaded with the sort of quirky tongue twisters we've come to expect from Green, and has more then it's fair share of musical tastes on it as well. I'd like to compare it to a male version of what Nellie McKay does, but then Nellie McKay is often compared to The Moldy Peaches so it would just start a vicious cirlce. Instead I'll let you know that what Adam Green puts forth on Sixes & Sevens is an album of endearing tunes that should not be missed by anyone.

While I'll be the first to admit that I'm sitting over here waiting for a full on Moldy Peaches reunion, I'll be patient and take what we're getting graciously. Especially when what we're getting is as good as Kimya's additions to the Juno soundtrack and Adam's full solo albums. Keep up the good work guys, and get back together soon!!!
Adam Green - "Festival Song"
Adam Green - "You Get So Lucky"
(Sixes & Sevens is available March 18th, pre-order on Insound.com)

When Be Your Own Pet burst onto the scene with their self-titled debut album, it seemed that all people wanted to talk about was how young the band was. Everything you heard seemed to stem around the fact that people were surprised that young kids could rock so hard, but why should we be surprised about a bunch of teeneagers that channel all their angst and insecurities through a fast-paced brand of garage rock? On their second album, Get Awkward, the band are couple of years older, a couple years wiser, and I don't think anyone will have trouble focusing on their musical abilities rather then their age anymore.

The album is blistering right from the jump off. Fast paced guitars, driving rhythms, and of course Jemina Pearl's Karen O like wail soars through the songs. As whole the band sounds like they each have become more comfortable with each of their instruments producing a cleaner sounding, though not clean album. The song writing has grown up a bit, but their still not afraid to tackle the tough world of the late teenage years. The confidence is evidenced early on by an expansion in the sound of the group, with several songs taking on the sounds of surf rock and the classic 60's girl rock songs as well as their already powerful brand of garage rock. It's the expanded sound that really gives Get Awkward life and allows people to latch on to the songs here.

I've only gone through the album a couple of times but each time I've gone to it I've found myself rocking out harder and harder, and even accidentally bumping someone on the subway when I got a little too into it (my apologies subway rider dude). The songs just rock my ears off and it gets me moving no matter how early in the morning it is. I'm glad to see Be Your Own Pet proving their debut wasn't a fluke and growing their sound proving what a lot of people had hoped for the nascent band when they first burst onto the scene, and that's that these guys have endless potential that they have only begun to tap.
Be Your Own Pet - "Becky"
Be Your Own Pet - "Creepy Crawl"
(Get Awkard drops on March 18th, pre-order on Insound.com)


Friday February 15th:
Dragons of Zynth @ BAM Cafe [FREE][mp3]
Cassettes Won't Listen @ Europa [tix][mp3]
Pissed Jeans @ Silent Barn [info][mp3] (Recommended)
Deer Tick @ Southpaw [info][mp3]
Spanish Prisoners @ The Annex [info][mp3]
Pattern Is Movement + The Forms @ Union Hall [tix][mp3] (Highly Recommended)

Saturday February 16th:
White Rabbits @ BAM Cafe [FREE][mp3] (Highly Recommended)
ca-USE co-MOTION @ Cake Shop [info][mp3]
Hello, Blue Roses @ Glasslands [info][mp3] (Highly Recommended)
Wakey! Wakey! @ Mercury Lounge [tix][mp3] (Highly Recommended)
Dead Rabbit @ Snug Harbor [info] (Recommended)
(Yeah, good luck picking just one folks!)

Sunday February 17th:
The Black Hollies @ Mawell's [tix][mp3]


Links I Missed Yesterday:
- Gothamist interviewed Pattern Is Movement, who play their Moveable Hype show tonight at Union Hall! I'll be there, will you???
- Pitchfork had Bon Iver on their Guest List. Bon Iver opens for Black Mountain next Friday, and I'll be there!!! Will you???
- Also on the Pitchfork front is a story about Sen. John McCain's daughter the music blogger and a quick update of what's up with Islands.

Thursday's Tracks

The Good:
M.I.A. - "Paper Planes (Holy Fuck Remix)" & M.I.A. - "Paper Planes (DFA Remix)"; It's not often that I post remixes on my site, mostly because there's just way too many for me to work my way through. In fact I generally just don't listen to them no matter how good they are, opting to stick with the original song instead. However, if you're going to release a series of remixes and you throw the names "DFA" and "Holy Fuck" on them I'm going to listen, and I'm probably going to listen a lot. Add the fact that this is probably M.I.A.'s best song to date and you've got me hooked. I prefer the Holy Fuck remix slightly, though they are both damn good!

AmpLive (feat. Del the Funky Homosapien)- "Video Tapez"; Sticking to the remix theme with this track which was everywhere on the internets yesterday. Obviously it's a big deal when you get permission from Radiohead to release an album of remixes, but my god it was covered by everyone! Well, after listening to it, it's obvious that it deserves the coverage it was bestowed. This song is hot with enough mixing, beats, and rhyming to keep every body moving even while Thom is crooning in his dreary style.

Sian Alice Group - "Motionless"; This is a lovely tune that takes a simple, minimalist beat and layers on top of it with just the right amount of beauty. It's danceable, but if you dance too hard you might miss out on Sian Ahern's beautiful voice and the lovely use of simple ringing that come on top of the steady beat. It's a very cool song.

Kate Nash - "Seven Nation Army" (White Stripes cover); Ah the lovely Kate Nash, how I adore thee! This is one excellently done cover that follows all the rules of doing a cover. It maintains the quality of the original, allows the performer to retain her own individuality, and makes you wanna listen to it over and over again while singing at the top of your lungs. Nice job Kate!

The Sharp Things - "Through With Love"; Each time I got some special Valentine's Day e-mail from some publicist or band this week I was a little cautious to listen to it. Most of those special holiday tunes suck balls, but every once in a while one comes along that surprises and that is this song. It's expansive, thorough, and conveys the emotions of a very unhappy V-Day.

The Whitsundays - "It Must Be Me"; This starts out a bit slow, but if you hang with it you'll be welcomed to some lush harmonies, and some very good tuneage. I almost turned it off myself, but once it picks up it makes all the waiting worth it.

The Bad:
The Cloud Room - "February 14th" (Huggy Bear cover) & "Memories" (Leonard Cohen cover); Aside from having problems with the website hosting this site, the songs on this Fake 7" are freakin' terrible. The songs are ridiculous, they are loaded with just way too many moving parts clouding up every area of the music. It sounds clustered and muddy and is not something I'd care to listen to again.

Robert Svensson (feat. Adam Olenius) - "1987"; I was really starting to dig this track. The intro had me going and I thought I was in for another Swedish hit, and then Mr. Svensson started singing and I am just not feeling his voice. It's not a terrible voice, if you were in a karaoke bar and really drunk, but it's not a good voice either. The beat is pretty good though.

Mariah Carey - "Touch My Body"; Yo' in case you didn't hear Mariah Carey is making another comeback, though I don't know what she's coming back from. I guess it's another long hiatus, right? Anyway, she is not pulling it off and by the sound of her on this track I think she knows it. And I think the producer knows it too. Hell, I think everyone could figure out that this is just plain and simple lazy R&B!

The Ugly:
Janet Jackson (feat. Ciara) - "Feedback (Remix)"; Okay, WTF Ciara? What are you doing to your career girl? You couldn't just sit back and cash royalty checks from that one song you did that everyone liked? Or maybe record your own shit and make it halfway decent? Instead you're jumping on some terrible Janet comeback shit, that her father would beat the shit out of her for? It's a good thing he's passed away because, man would he be pissed off about the crap his daughter was shilling here. Not that he ever really gave a damn about the girl's careers. Okay that's enough of this, this is straight up garbage! Don't even download it.

Video of the Week:

Flying - "Fear of Flying", animation by Jonathan Kendler; I've been loving the new Flying video and this is a damn cool video.
I don't know what they have in the water in the Carolinas but damn they produce some fine music. Sure, most of the time when we refer to the Carolinas and music together we are talking about the north one, but this time around the focus is solely on South Carolina and their wonderful indie rock band - Run Dan Run. The quartet formed at some point in their college lives with frontman/lead singer/songwriter Dan McCurry recruiting his bandmates for his collection of songs. I'm not sure how their early gigs and nascent stages went, but something tells me they didn't have too much trouble finding a niche down south.

Their debut album, Basic Mechanics hit my mailbox late last week (thanks for sending it Dan!) and has bumped all but a handful of tunes out of my current playlist to allow more time for some Run Dan Run. The tunes coming from Basic Mechanics vary in their styles from your straight forward indie rock to more electronic breeds of the genre, while always keeping enough of the focus on their lovely lyrics. It's a cool sound, one that won't sound unfamiliar to the regular indie rocker, but also sounds new enough to keep our interest.

After a few listens I really latched on to "Multi-Colored Lights". It might be the most basic, straight forward indie tune in the history of man kind but I adore its slow beat and steady strumming and the lyrics are fantastic. There's a few other stand out tracks ("Stop Sign", "Your Name Escapes Me") but it's more of an overall album then a track by track case. I've listened straight through a lot already and I have no doubt most of you will be doing the same as soon as you get your hands on this disc. I'm hoping the band makes a stop in New York in the very near future.
Run Dan Run - "Multi-Colored Lights"
Run Dan Run - "Stop Sign"
Run Dan Run on Myspace

Pop Report

Movies:
- Saturday night, before heading to the awesome Liars show, Rachael and I sat down to some Chinese food and Across the Universe. The movie got a tepid response during its short run in theaters but I still wanted to see what they did with what I thought was a generally good idea. Well it turns out they desecrated some Beatles songs, couldn't put a plot together, and had some of the worst acting in the history of cinema. Last week when I mentioned that I was planning on watching the movie my brother left a comment saying "...is worse then Juno" (he hated Juno because he is a bit of a cynic). I should have listened to him in this case though.
- Last week Freewilliamsburg posted their February movie preview and there appears to be a ton of movies on there that I want to see. There's Charlie Bartlett, Be Kind Rewind, The Counterfeiters, The Other Boyleyn Girl, and Semi-Pro. Seems like this might be a good month for movies afterall.

Television:
- The writer's strike is over!!! Yay, unfortuately no new episodes of Heroes until the fall and it looks like the rest of our regular programming will be slow to get back to production thanks to a looming actors strike. Sweet. Not.
- I've been DVR'ing episodes of The Boondocks again. I know a lot of people hate on this show but I seriously can't get enough of it.
- I spent some time with the Grammy's on Sunday, but didn't fully commit myself to the music industry's "biggest" night. I'm glad Daft Punk were there though, that was solid.

Sports:
- Pitchers and catchers report tomorrow!!! Finally some baseball!!! I've already signed up for one fantasy league but I'm looking for one or two more. Anyone have any open slots???
- Is it just me or do other people get naseauous while reading the sports pages these days?

Wednesday's Hump-Tastic Music Links:
- Pitchfork has a short, but informative interview with Mark Linkous of Sparklehorse.
- Genghis Tron is streaming their new album over at Prefix.
- Ratatat are allowing you to download their new mixtape for freez!
- There's some sort of Radiohead remix album by Amplive here.
- Dan Deacon is also giving away music. SEVEN FREAKIN' ALBUMS worth of it! Click here and download till your server explodes!
- The folks over at Stereogum got a live sneak preview of the new Scarlett Johansson album at Joe's Pub last night. They got some video, but its her talking, not singing. She still looks amazing though.

Last Chance Download: (note: I need to clean up room from my host so I'm going to start deleting some of the mp3's I've posted. If you want them now's your chance to get them, this batch will be deleted on Friday.)
Michael Cera & Ellen Page - "Anyone Else But You" (Moldy Peaches cover)
Cake - "The Distance"
Wakey! Wakey! - "For No One" (Alicia Keys cover)
Los Campesinos! - "Don't Tell Me to Do the Math(s)"
Tim Fite - "45 Remedies"
Health - "Triceratops"
Fuck Buttons - "The Great Escape"
Avril Lavigne - "Girlfriend"
Dan Deacon - "Wham City"
Okkervil River - "Our Life Is Not A Movie Or Maybe"
Datarock - "Computer Camp Love"

In 1986, three white guys from New York broke rap. Sure, they didn't create it and it was certainly becoming popular before the Beastie Boys ever hit the scene, but the sheer success of Licensed to Ill and the spotlight it placed on hip-hop is undeniable. Of course the success of their debut set standards and expectations for everything the trio would do from then on, and because of these standards Paul's Boutique almost failed to become the highly regarded record it is today.

When Paul's Boutique droped in 1989 most people didn't know what to make of it. Gone were the easily accesible rhymes about girls and partying, all replaced with deeper, more meaningful lyrics. There was a lot more technicalities behind the songs too, with the Dust Brothers offering over a hundred samples of songs thrown together as beats instead of the straight forward rock sound that dominated Licensed to Ill. It was a harsh change to some people and it resulted in weakened sales which in turn led their label, Capitol Records, to pull the marketing funds from the album and push it to other projects. Luckily for us critics still ate it up and their peers looked at Paul's Boutique as a landmark for them to start using the sampling techniques of the Dust Brothers themselves.

Of course we wouldn't be talking about Paul's Boutique today if it were solely for influence and technique, no it had to have some sort of substance to it for us to latch on so thoroughly. Songs like "Johnny Ryall", "Sounds of Science", and "Shadrach" are sparkling examples of exactly what the Beastie Boys are capable of. These songs have some of the fiercest rhymes the boys have ever spit, as well some of the more creative uses of samples. There was "Hey Ladies", which was a fair sized hit when it was released and is probably responsible for more of the album's sales then any other song on it. I'm sure if you asked a dozen people what their favorite song off this album is, you would get a dozen different answers.

Paul's Boutique is an album that probably wouldn't be able to be made today. The use of samples in it are so prominent that it would have cost millions just to secure the rights to all of them, making it unworthy of the art that's realized within the songs. It seems a little crazy to me that an album so fantastic did poorly on its initial release and wouldn't be able to be made today. Could you imagine the world of music if Paul's Boutique didn't exist? How many artists owe their careers to the sounds that were crafted on this album? It's ridiculous to even think of, but it's absolutely true that it wouldn't exist in this day and age.
Beastie Boys - "Johnny Ryall"
Beastie Boys - "The Sounds of Science"
Beastie Boys - "Shadrach"

Buzzworthy??? Or Not ???

Who: Die! Die! Die!
Location: Dundelin, New Zealand
Thoughts: For the past couple of weeks I've been seeing Die! Die! Die!'s name pop-up here and there with comparisons to bands like Black Flag, The Pixies, and Wire and I thought "Hey, I should check this band out", but I didn't until their album, Promises Promises wound up in my mailbox. After only one listen I was pretty sure there was no truth in any of those comparisons. Instead of sounding like some awesome amalgamation of Black Flag, The Pixies, and Wire the band sounds like a dark and twisted pop-punk band, not necessarily a bad thing but in this case I'd have to say it's not a good place to be. There are elements that could take the band to this realm, but it's really a loose connection if any at all. Plain and simple, Promises Promises is a little light under the collar though there is some semblance of potential here. Unfortunately this band is not very buzzworthy.
Listen: Die! Die! Die! - "Sideways Here We Come"
Die! Die! Die! - "Blue Skies"
Growing up in my house the sound of arena rock was difficult to escape. Bands that had exploded over time; The Who, Led Zeppelin, and especially U2, were the dominant sounds that wafted through my home as a youth. I've, of course, assumed some of these traits, have paid ridiculous amounts of money to see U2, and have fully participated in the whole arean rock scene for some time. It's because of this that I feel an immediate kinship to British Sea Power's Do You Like Rock Music?.

Over the course of their first two albums, British Sea Power have obviously been working to reach this point. It's evident now, even though it may not have been as clear earlier. Their first album, The Decline of British Sea Power, was a huge word of mouth hit that had huge ambition and was expanded upon on their mostly derided follow-up Open Season. Now the band makes the logical next step and you can't help but feeling this is the album that will take them into the land of the giants.

Throughout Do You Like Rock Music? we are treated to a huge sound that attempts to eschew subgenres by the sheer size of it's sound. Powerful guitar riffs meet thunderous rhytms and the anthemic nature of the lyrics all create and undeniably powerful sound. Its obviously not your standard Brit-pop fare and its not meant to be either. Instead British Sea Power are attempting to revitalize the days of the 70's rock icons, and though they're not there yet they have taken a massive step in the right direction.

Do You Like Rock Music? has been criticized and applauded by so many already that it's difficult not to take all those words into account, but try listening to this as you would the rock of your parents days and you may just find something in there that stirs a feeling of nostalgia while also invigorating you for the present.
British Sea Power - "Waving Flags"
British Sea Power - "All In It"
British Sea Power - "Down On The Ground"

Also Released Today:

The Antlers + Square Wave Punch @ Piano's 2/8

My apolgies to the other bands coming out of New York. It seems I have little time to give to you folks no matter how deserved of it you are, and that is entirely the fault of one Peter Silberman and his wonderful band The Antlers. You see folks, they are really the best thing going right now, a perfect blend of folk, rock, psychadelica, pop goodness all served to you hot at live dates all over the place. It's amazing I haven't tired of Peter, or The Antlers, or any of their songs considering the amount of times I've seen them live (which I believe is at 1,420 and counting!), but they are so perfectly suited to my tastes that I can't help but wanting to see them every chance I get. Their like Ben & Jerry's ice cream, I know there are other flavors but if I see Chubby Hubby that's the one I'm going to want. Luckily for you other Manhattan and Brooklyn bands The Antlers usually play shows with other people, at least until they have enough material to fill up two to three hours themselves they do, so I get to see those bands though they do have to be compared to The Antlers then.

Square Wave Punch is a band I have been meaning to see. Well, I have seen their frontman Sean perform just never the band. I still haven't as the band was apparently battling some sort of flu on Friday night and were unable to make the performance (whatever happened to the show must go on guys?), but luckily Sean's quirky singing and guitaring were all we really needed to get ready for The Antlers. It was a subtle and sweet performance, with all sorts of oddities added into Sean's vocal quirk and quick plucking riffs coming from his six-string. It's a very cool sound, one I'm sure sounds even cooler with a full band to accentuate it, but whatever I'm cool with just Sean as Square Wave Punch.

The Antlers used to be that brand of music. It used to be just Peter displaying his amazingly gifted voice with a quiet brand of guitar and beautifully imaginative lyrics, but he has since evolved from that mold and put three excellently talented band members around him. But of course you all know this already because I've reviewed The Antlers nearly 1,500 times right? Anyway, Friday night Peter and The Antlers (um...new band name guys!) rocked out a semi-packed Piano's. Their set opened the same as it did at Knitting Factory just a week earlier (oops, never reviewed that one) with "In the Attic". It's an awesome opening, partly because its the lead track on their amazing LP, andpartly because of the way the song gradually builds through the first few minutes before hitting its climax with all instruments blarring at you from every direction. From there, it's all gorgeoous rhythms, perfect plucking, and of course Peter's lush, Buckley-esque voice dominating the stage. The band has added bits of shoegaze here and there with loads of feedback and reverb filtering in through the sound, and the addition of the banjo being played with a bow adds a haunting element to The Antlers' sometimes dark music.

However you slice it The Antlers are hands down the best band in New York right now. Few people make a sound like they do, and even fewer do it as well as they do. It's entertaining, imaginative, and intelligent all in the same breath and if you have failed to heed my repeated advice about this band you will surely feel you missed out when Peter blows up in a few months. Mark my words, this is a band you must see!!!!

(P.S. - My apologies to Bridges and Powerlines, I got a bit ill from something I ate earlier in the day and darted out of the venue as The Antlers played their last note. I'll do better next time.)
Who: Lykke Li
Title: Youth Novels
Release Date: March 4th
Label: LL Recordings
Thoughts: Some genius once said "Beauty is in the eye of the beholder", and obviously most people believe this to be true. I mean come on, how else can you explain folks like Starr Jones being married? But there are certain things that can be loved by all who behold them, and that's exactly what Lykke Li's new album Novels is. From the very get go we are treated to Lykke's beautiful voice, and like most of her Swedish brethren she backs her voice with quirky lyrics of love and music that melts your soul. I'd call her the female version of Jens Lekman, but lyrically I don't think she's matched him yet. The song "I'm Good. I'm Gone" is the best song I've heard so far this year (yes I realize it's February 11th) and has been on non-stop repeat for me all weekend long. I'm sure it can do the same sort of thing for you.
Listen: Lykke Li - "Let It Fall"
Lykke Li - "Complaint Department"
Lykke Li - "I'm Good. I'm Gone"

Who: Toumani Diabaté
Title: The Mandé Variations
Release Date: February 28th
Label: Nonesuch
Thoughts: I am trying to make a conscious effort to expand the types of music I listen to and so when I began hearing about Toumani Diabat´ and his kora I became intrigued and sought out some music from him. Now I realize Toumani Diabaté is not new in any meaning of the word, but he his new to me and the beauty of his instrument is something I am having difficulty putting into words. On The Mandé Variations, Diabaté uses a dynamic production style so that we get to hear every touch his fingers make to the strings of the kora. It's a wonderous beauty that certainly achieves my original goal of exploring new sounds, and invites me in even further then I had imagined I would want to go. It's good to get away from what you know from time to time and learn to appreciate something wholly different, and I think it's something I'll attempt to do more and more often as I go along.
Listen: Toumani Diabate - "Ismael Drame"

Who: Pattern Is Movement
Title: All Together
Release Date: Um I can't find a release date? Anyone?
Label: Hometapes
Thoughts: Back in October I bored witness to Pattern Is Movement when they opened for The Forms' record release show at Cake Shop. I was blown away by the two very, non-traditional musicians and their awe inspiring sound. Led by the vocals of keyboardist Andrew Thiboldeaux, the dynamic duo soars through some pretty interesting beats and sounds. Andrew soars with his operatic like voice and drummer Chris Ward keeps a mind boggling number of beats that I can't even begin to count out. It's an awesome record, one that will be on play for quite some time in these parts and maybe they should be in yours as well.
Listen: Pattern Is Movement - "Trolley Friend"
Pattern Is Movement - "Jenny Ono"

Pattern Is Movement - "Right Away"

Who: The Kills
Title: Midnight Boom
Release Date: March 10th
Label: Domino Records
Thoughts: The Kills have been crafting minimal fusions of blues and electronic rock music for nearly a decade, but never before has it sounded as full as it does on Midnight Boom. The album is a perfect blend of the above sounds, stretched out with more sounds then the duo have ever used on an album, and with lead singer Alison "VV" Mosshart sounding better then she ever has before. With the perfect rhythms of a dream machine blaring behind them, "VV" and Jamie "Hotel" Hince pile in found sounds and bluesy riffs to create some truly inspiring sounds. It's a cool record from top to bottom, and certainly the finest of The Kills splendid career.
Listen: The Kills - "Getting Down"
The Kills - "Sour Cherry"

Monday's Recupperative Links:
- You Ain't No Picasso interviews MGMT. They'll be in New York for some shows this week.
- Vegan has the Grammy Awards covered, as do about three billion other sources.
- Rabble interviews Dan Bejar of about seven bajillion bands. One of them, Hello, Blue Roses, plays at the way too small for an artist of this stature Glasslands this weekend.
- Pitchfork celebrates the 10th anniversary of the release of In the Aeroplane Over the Sea with an interview 10-years old.
You have until noon to enter the Basia Bulat contest! If you do e-mail me at poptartssucktoasted@gmail.com you will be entered to win a pair of tickets to Basia's show at Bowery on February 29th and a copy of her debut album Oh, My Darling. Enter now, or miss out!!!
Basia Bulat - "Into the Night"
I've seen Liars twice before Saturday night - once at a festival and once at an arean - and as good as those two times were it's obviously not the optimal way to see Liars do what they do. So I was looking forward to Saturday's show with a great deal of expectations, that were slightly tempered when news of Angus Andrews back injury broke. I was greatly disheartened by those reports fearing a cancellation or worse, a terrible show. Luckily for me and the slew of fans that turned out on Saturday neither one of those things would come to pass. Instead, both the Liars and opening act No Age handed us one of the finest all around shows I've seen in quite some time. With the crowd having endured an hour and a half wait from the time doors opened till the first notes of music from a live band, I think it is safe to assume we were ready for some rock and No Age was ready to deliver it to us.
The two-piece noise rockers from LA were an added bonus to me, I had once made an attempt to see them at a gallery openig but left before the band went on due to a swarming and smarmy crowd that I wanted no part of. So I was pretty grateful to be getting a second chance at seeing them live. The duo did not disappoint at all playing a wild show that was littered with songs from their two EP's and amazing full length Weirdo Rippers.

My head was stationed right next to the massive amplifiers and I got the full force of the pounding drums and wicked riffs being played on stage. Along with their awesome stock material, No Age rolled out a couple of new tunes that should be found on their upcoming Sub Pop debut and a cover of Operation Ivy's "Stranglehold" (a video of which I shot and can be found on CMJ.com) It was such a good performance I was once again striken with worry that the seated Angus Andrews wouldn't be able to match the ferocious tone the openers had set for him and his Liars, but fear not when Liars are on the bill for always there will be the rock!


With the usually mesmerizing Angus Andrews seated the fantastic sounds of the Liars were allowed to take center stage for the night. From the get go everyone in attendance could tell that the band would be on and that this would be a Liars show like every other rockin' Liars show. The band opened with "Leather Prowler" and tour through a set that included songs from each of their four albums and a couple of new tunes as well. The new tunes were exciting enough, but the few times Angus strayed from his seat were even more awe inspiring. As he paced back and forth across the stage, his massive, lanky body hovered over everyone and everything creating a deity like appearance. His size creates and imposing figure for sure, but the fury with which he expels his lyrics is almost frightening. The band can be scary good too, and tonight they were just that, playing by far the tightest set I've seen from them so far.

It was a truly awesome show, punctuated by scenes of Angus singing with the Polish flag and of songs that should be classics if they aren't already considered so. I think my friend Bryan summed it up best saying, "If I have to see one band for the rest of my life it might just be Liars".

Setlist @ Productshop NYC
Videos @ Punk Photo
My No Age Video & a Shorter Review @ CMJ
More Pics @ My Flickr
Better Pics @ Bryan's Flickr
Monday: No Age + High Places @ Market Hotel 9:30pm $8
I saw No Age on Saturday night and this band absolutely kicks ass! We already knew the same was true about High Places, and now they are being thrown together in a small venue to make the kids sweaty and happy! Effing sweet!
No Age - "Everybody's Down"
High Places - "Head Spins"

Tuesday: Foals @ Bowery Ballroom 7:30pm $13
I really loved the Foals live show at CMJ last October so I'm kind of excited to see them again, though I haven't grabbed a ticket for this yet. I'm not sure why I haven't done so yet, but don't follow my lead on this one go buy tickets now!
Foals - "Balloons"

Wednesday: Growing @ The Annex 7pm $tba
Sticking Growing in small-ish venues is a good way to promote hearing loss. Whatever, I've already lost enough hearing that a little more won't kill me. You may wanna bring ear plugs though.
Growing - "Lateral"

...or Foals @ Silent Barn 8pm $tba
So one night Foals are headlining Bowery Ballroom the next they are at the Silent Barn. That's just insane. Get there early to this one 'cause it's gonna be a mad house.
Foals - "Like Swimming"

Thursday: Yeasayer + MGMT @ Music Hall of Williamsburg 8pm $12
Yesayer and MGMT have both been riding an unbirdled wave of buzz through the ranks lately, and now that tide of success brings them back to where all the buzz begins. Should be cool seeing both bands in the heart of hipster-ville with all the "cool" kids watching with their arms crossed.
Yesayer - "Forgiveness"
MGMT - "Kids"

Friday: Gothamist's Moveable Hype @ Union Hall 8pm $10
For five years Gothamist has been a source of news and entertainment around New York City and tonight they celebrate those years with a stellar lineup of bands. I'm loving everything I'm hearing about Pattern Is Movment and loyal readers will hear lots more about them later today and into the future as well. The Forms are a solid rock band that bring their best to every stage they hit. Should make for a great party atmosphere and a fun Saturday night.
The Forms - "Knowledge In Hand"
Pattern Is Movement - "Jenny Ono"
Pattern Is Movement - "Right Away"

Saturday: Hello, Blue Roses @ Glasslands 8pm $tba
Wow, we are putting a Dan Bejar band in one of the smaller venues in the area. This show is gonna be packed to the rafters for sure! Should be fun to get a look at this act live though.
Hello, Blue Roses - "Shadow Falls"

Sunday: The Black Hollies @ Maxwell's 8:30pm $8
Don't know too much about The Black Hollies but it seems like their the best option for a quiet Sunday night.
The Black Hollies - "Paisley Pattern Ground"

Grammy Awards Preview: Music Videos

Best Short Form Music Video:
Johnny Cash - "God's Gonna Cut You Down"


Feist - "1234"


Gnarls Barkley - "Gone Daddy Gone"


Justice - "D.A.N.C.E."


Mute Math - "Typical"
With 109 different awards I can't go through every single category with every performer nominated, it's just way too much and I think everyone would get bored with that. That's why they don't televise them all. I'd just like to highlight a few people that are nominated this year that I hope will win in their category.

Best Traditional Folk Album: Levon Helm Dirt Farmer
Levon Helm - "False Hearted Lover Blues"
Best Americana Album: Tom Waits Orphans
Tom Waits - "Walk Away"
Best Traditional World Music Album: Konono N° 1 Live at Couleur Café
Best Contemporary World Music Album: Gilberto Gil Gil Luminoso
Gilberto Gil - "Rebento"
Best Comedy Album: Flight of the Conchords The Distant Future
Flight of the Conchords - "Business Time"
Best Soundtrack: Glen Hansard & Marketa Irglova Once
Glen Hansard & Marketa Irglova - "Falling Slowly"
So the 50th Annual Grammy Awards are being held on Sunday, and they will be telvised, and I will most likely end up watching. But before the show actually hits I think it's time this site takes a look at some of the nominees, 'cause lord knows I don't usually cover any of these acts, and let the reader's know who I'd vote for and who I think will win. Please feel free to leave your own predicitions in the comments.

Record of the Year:
Beyoncé - "Irreplaceable"
Foo Fighters - "The Pretender"
Rihanna (feat. Jay-Z) - "Umbrella"
Justin Timberlake - "What Goes Around...Comes Around"
Amy Winehouse - "Rehab"
My Vote: Amy Winehouse - "Rehab"; I think this is the best song of the bunch here, it's immediately catchy and fairly deep as well both musically and lyrically. That and everyone knows it.
Grammy Winner: Amy Winehouse - "Rehab"; Unless it goes to Rihanna I can't see anyone else winning the award this year. Shame she won't be there to accept it, maybe they can get Britney to accept it for her ('cause there so similar, ya know).

Album of the Year:
Foo Fighters Echoes, Silence, Patience & Grace
Foo Fighters - "Come Alive"
Vince Gill These Days
Herbie Hancock River: The Joni Letters
Herbie Hancock (feat. Corrine Bailey Rae) - "River"
Kanye West Graduation
Kanye West - "Stronger"
Amy Winehouse Back to Black
Amy Winehouse - "Back to Black"
My Vote: Kanye West Graduation; Out of all these albums this is the only one that I listen to with any regularity. It's not that the others are bad albums, they just aren't really my thing, so I'm hoping Kanye gets the little statue thing.
Grammy Winner: Vince Gill These Days; Did you know this album has four discs??? Jesus H Christ, that's a lot of mediocre music packed into one album, but I bet it wins.

Best New Artist:
Feist;
Feist - "1234"
Ledisi
Paramore;
Paramore - "That's What You Get"
Taylor Swift
Amy Winehouse;
Amy Winehouse - "You Know I'm No Good"
My Vote: Feist; I'd love to see Feist win this award, but you know she's not going to.
Grammy Winner: Amy Winehouse; This is the absolute biggest no-brainer of the night which means I will most likely be wrong with my pick.

Best Dance Recording:
The Chemical Brothers - "Do It Again"
Justice - "D.A.N.C.E."
Mika - "Love Today"
Rihanna - "Don't Stop the Music"
Justin Timberlake - "LoveStoned/I Think She Knows"
My Vote: Justice - "D.A.N.C.E."; I know the love for Justice has died done a bit, but that doesn't take away how great this freakin' song is. Just listen to it, it's mind blowin' really. Plus the rest of this crap couldn't hold a candle to this.
Grammy Winner: Mika - "Love Today"; If it's not Justice, I hope it's Justin and not this British bastard.

Best Dance Album:
The Chemical Brothers We Are the Night
Justice †
LCD Soundsystem Sound of Silver
Shiny Toy Guns We Are Pilots
Tiësto Elements of Life
My Vote: LCD Soundsystem Sound of Silver; As my #3 album of last year, this is the best album nominated for any awards this year. I hope it wins it.
Grammy Winner: LCD Soundsystem Sound of Silver; And I think it actually might.

Best Rock Song:
Lucinda Williams - "Come On"
The White Stripes - "Icky Thump"
Chris Daughtry - "It's Not Over"
Foo Fighters - "The Pretender"
Bruce Springsteen - "Radio Nowhere"
My Vote: Bruce Springsteen - "Radio Nowhere"; It's Springsteen.
Grammy Winner: Bruce Springsteen - "Radio Nowhere"; It's Springsteen.

Best Rock Album:
Daughtry Daughtry
John Fogerty Revival
Foo Fighters Echoes, Silence, Patience & Grace
Bruce Springsteen Magic
Wilco Sky Blue Sky
My Vote: Wilco Sky Blue Sky; I really don't think this Foo Fighters album merits all these award nods. It just seems like they are nominating them for longevity. Not that this is the best Wilco album ever, but it's better then these nominees.
Grammy Winner: Foo Fighters Echoes, Silence, Patience & Grace; Yes, the Grammy's do award people things to make up for past mistakes. Please be aware there's a chance Fogerty or Springsteen could win this, 'cause their older then Dave Grohl.

Best Alternative Album:
Lily Allen Alright, Still
Arcade Fire Neon Bible
Bjork Volta
The Shins Wincing the Night Away
The White Stripes Icky Thump
My Vote: Arcade Fire Neon Bible; Simply put this is truly the best album of the five nominees. Top to bottom it blows the other albums away.
Grammy Winner: The Shins Wincing the Night Away; Two words for why The Shins will win tonight: Garden State.

Best Rap Song:
50 Cent (f. Justin Timberlake & Timbaland) - "Ayo Technology"
T.I. - "Big Things Poppin' (Do It)"
Kanye West - "Can't Tell Me Nothing"
Soulja Boy - "Crank That"
Kanye West (f. T-Pain) - "Good Life"
My Vote: Kanye West (f. T-Pain) - "Good Life"; I'd honestly be torn between the two Kanye songs, which would split my vote, and give the award to...
Grammy Winner: Kanye West - "Can't Tell Me Nothing"; Kanye still, the rest are just crap.

Best Rap Album:
Common Finding Forever
Jay-Z Kingdom Come
Nas Hip Hop Is Dead
T.I. T.I. vs. T.I.P.
Kanye West Graduation
My Vote: Kanye West Graduation; If these nominees aren't proof that the people that select the nominees don't listen to any music I don't know what is. Where's UGK or Ghostface? They're fairly mainstream, but I guess they don't hit Billboard often enough. Kanye is a worthy winner though.
Grammy Winner: Kanye West Graduation; If anyone else wins in this category they better be ready for Kanye to jump on stage and bitch out the Grammy's. And rightfully so this time.

Basia Bulat Contest Extended

I am extending the Basia Bulat contest through the weekend. Anyone who has not entered yet and would like to win tickets to Basia's show on February 29th at Bowery Ballroom should e-mail me by Monday at Noon!!! The rest of the details are below...

Contest:
What: Win (1) pair of tickets to see Basia Bulat Feb. 29th @ Bowery Ballroom + a copy of her new CD Oh, My Darling
When: enter by Monday Feb. 11th at 12pm
Who: e-mail me, poptartssucktoasted@gmail.com, please put "Basia Bulat Contest" in the subject title.
Listen: Basia Bulat - "In the Night"
So this Sunday is the 50th Grammy Awards, and the Foo Fighters are up for a shitload of awards including Record of the Year and Album of the Year. Why am I telling you this? Well because Wakey! Wakey! covered probably my favorite Foo Fighters song ever "Everlong". It sounds great and I thought you folks would like to listen to it while you count down the time till the weekend. Enjoy!!!

Wakey! Wakey! - "Everlong" (Foo Fighters cover)
Who: Cloud Cult
When: April 18th
Where: Bowery Ballroom
More Dates
Listen: Cloud Cult - "Living Outside of Your Skin"
Thoughts: I honestly can't believe that I've never seen Cloud Cult live. Don't ask me how this has happened, it just has. It's sad, but I kind of feel like I'm never gonna see them. You know what I mean.

Who: Peter Moren
When: April 21st
Where: Mercury Lounge
More Dates
Listen: Peter Moren on Myspace
Thoughts: I've seen Peter solo, as good as it was I'd rather have the B+J with him.

Who: Feist
When: April 29th + April 30th
Where: Hammerstein Ballroom (booooo!!!)
More Dates
Listen: Feist - "1234"
Thoughts: I'd love to see Feist, but I don't think I'd do it at Hammerstein Ballroom.

Who: Tapes 'n Tapes + White Denim
When: April 18th + April 19th
Where: Irving Plaza + Music Hall of Williamsburg
More Dates
Listen: Tapes 'n Tapes - "Omaha"
White Denim - "Mess Your Hair Up"
Thoughts: I really, really hope Tapes 'n Tapes has improved as a live band. I really enjoyed The Loon, but the three times I saw them live I was never truly blown away by them. That said, I am probably going to give them another chance here.

Who: What Made Milwaukee Famous
When: March 14th
Where: Irving Plaza
More Dates
Listen: What Made Milwaukee Famous - "Resistance St."
Thoughts: These guys really impressed me live a while back but have since faded from my memory a bit. Perhaps it's time to revisit them.

Who: Mastodon
When: August 21st
Where: PNC Band Arts Center
More Dates
Listen: Mastodon - "Mother Puncher"
Thoughts: This would be awesome news except for the other bands on the bill; Slipknot and Distrubed. Wow.

Who: A Silver Mt. Zion
When: May 19th + May 20th
Where: Music Hall of Williamsburg + Bowery Ballroom
More Dates
Thoughts: Really liking the new album, hope to be in attendance for one of these dates!

Who: Monotonix
When: April 20th + April 25th
Where: Cake Shop + TBA
More Dates
Listen: Monotonix - "Body Language"
Thoughts: I haven't devoted too much time to Monotonix yet, but considering it's a Cake Shop show that'll cost about $7 to get in I think it'll be worth it to check it out.

Who: Shout Out Louds
When: March 11th
Where: Joe's Pub
More Dates
Listen: Shout Out Louds - "Suit Yourself"
Thoughts: Hate Joe's Pub.

Who: Jason Collett
When: April 9th, April 10th, + April 16th
Where: Mercury Lounge (x2) + Luna Lounge
More Dates
Listen: Jason Collett - "Out of Time"
Thoughts: Maybe.

Who: The Walkmen
When: March 4th
Where: Webster Hall
More Dates
Listen: The Walkmen - "Don't Forget Me"
Thoughts:

Who: Dead Meadow
When: April 18th
Where: Music Hall of Williamsburg
More Dates
Listen: Dead Meadow - "What Needs To Be"
Thoughts: Boring band. Really, they just do the same thing over and over again. I don't think I could stand there and witness an hour of that.

Who: The Breeders
When: June 10th
Where: Webster Hall
More Dates
Listen: The Breeders - "No Aloha"
Thoughts: I'd love to see The Breeders, you wanna come???

Who: Jay-Z + Mary J. Blige
When: March 27th + March 28th
Where: Nassau Coliseum + Izod Center
More Dates
Listen: Jay-Z - "Roc Boys (And the Winner Is...)"
Mary J. Blige (feat. Busta Rhymes) - "Work That"
Thoughts: I've never seen Hov live and I would love to, but I just can't justify spending $59.75 for the cheapest seat in the house. That's just ridiculous.
I have a lot of trouble keeping track of Boris albums so I have no idea what release this is or how many there have been all I know is there is a new Boris album and I couldn't be happier. Smile is a lot different from what we've come to expect from the band. Albums like Pink and Akuma no Uta set precedence for gloomy, droning metal, and though the band doesn't stray from that entirely they do add an element of pop and straight forwardness that has rarely been seen from this trio.

The first thing that stands out is the sheer amount of vocals found on Smile. Every track has 'em, and in some cases they are almost as prominent as the instruments, certainly a first from the Boris camp. But don't think the band is getting ready to try out for American Idol or anything anytime still, because as prominent as the vocals are they are still heavily shadowed by the largeness of the music. It's huge and epic and most metal lovers will be blown away by it.

Smile is definitely a lighter album then past Boris albums, but it is by no means light for anyone else. The guitars still have their heavy drone sound throughout the album, the drums still kick fiercly, and everything about the band is still kept in the dark, it's just a little bit brighter these days, like there's a full moon or something. Still, a great freakin' album though.

Boris - "BUZZ-IN"
Boris - "Next Saturn"

It's safe to say that the only reason I put this album on was because of the name of the band. Natalie Portman's Shave Head. It just shouts, "Listen to me!" Anyway, I'm glad the name caught me because the music found on Secret Curses EP are just as fetching as the name of the band. With a dance-punk style, NPSH creates some of the most amusing music I've heard in a while posing critiques on hipster cultre with attacks on everything from bandanas to side ponytails and beards. Well, maybe 'attacks' isn't the right word for it, but it's certainly close. The music itself won't change the world, but it will provide a nice soundtrack to a party or a few amusing minutes of listening pleasure.
Natalie Portman's Shaved Head - "Sophisticated Side Ponytail"
Natalie Portman's Shaved Head - "Beard Lust"

Listening to Born Ruffians' Red, Yellow, and Blue you can't help but feel like you've heard the album before. Maybe it's because it follows the indie rock handbook to the t, or maybe it's just because they've derived their sound from so many acts that it's hard to separate the sound. Either way, the familiarity found on the album leads to an easy listen all around. The lyrics are immediately accessible, the music even more so, and there's nothing even the least bit offensive about this album. In other words, look for these songs to show up on the next Zach Braff soundtrack coming to a theater near you.
Born Ruffians - "Hummingbird"
Born Ruffians - "Foxes Mate for Life"

Friday February 8th:
Nada Surf + Illinois @ Bowery Ballroom [SOLD OUT][mp3]
Apache Beat @ Galapagos [info]
Fountains of Wayne @ Highline Ballroom [tix][mp3]
Murder Mystery @ Mercury Lounge [tix][mp3]
Gallows @ Music Hall of Williamsburg [tix][mp3]
Cassettes Won't Listen @ Union Hall [tix][mp3]
The Antlers, Bridges & Powerlines, + Square Wave Punch @ Piano's [info][mp3]

Saturday February 9th:
Gallows @ Bowery Ballroom [tix]
Beat the Devil @ Europa [tix][mp3]
Sick of It All @ Highline Ballroom [tix][mp3]
Early Man @ Knitting Factory (Tap Bar) [tix][mp3]
Jukebox the Ghost + A Brief Smile @ Union Hall [tix][mp3] [mp3](Recommended)
The Teeth @ Union Pool [info][mp3]
Liars + No Age @ Warsaw [tix][mp3] (Highly Recommended)

Sunday February 10th:
High on Fire @ Europa [tix][mp3]
White Williams + Ecstatic Sunshine @ Studio B [tix][mp3](Recommended)

Band of the Week: The Measure (sa)

I'm trying hard right now to think of a punk band with guy/girl dueling vocals. I'm not having any luck, but hey I'm still thinking about it. The reason behind my wayward thoughts is that I've been listening to some tunes from New Brunswick's The Measure(sa), and that's exactly what they do - the whole guy/girl vocals thing, not wayward thoughts. It's pretty cool stuff, seriously.

If you would have told me before the year started that I would have shined my little flashlight (as opposed to a spotlight from bigger sources) on two bands from New Brunswick, NJ I would have thought you were a bit loopy. Hell, if you told me there would be one band from New Brunswick that would catch my attention I would have booked you in the Britney Spears suite but that's just they way this year is going. First we had Screaming Females now we've got The Measure(sa). New Brunswick has it going on.

I have to tell you I have no idea what the little (sa) at the end of their name means, but I do know that this band is rocking out the punk rock tunes. The dueling vocals is only the first intriguing part of the band, you continue on and yo'll notice that they are one of those tight, fast paced bands you and I just can't get enough of. This stuff kicks all over the place, quick skin tapping, furious three chord riffs, and of course those vocals I've already beaten your brain into mush about. Listen to it, see if you don't find yourself toe tapping along the whole time. It's tough not to do.
The Measure(sa) - "Little Things"
The Measure(sa) - "Sleep"
The Measure(sa) - "Letters"
The Measure(sa) - "Team Science"
The Measure(sa) on Myspace
The Measure(sa) Tour Dates:
March 6 - New Brunswick, NJ @ a basement somewhere
March 7 - Brooklyn, NY @ Lost and Found
March 8 - Philadelphia, PA @ Planet Mollie
March 9 - Richmond, VA @ Ramakin’s
March 10 - Gainesville, FL @ Wayward Council
March 11 - Tampa, FL @ Transitions Skate Park
March 12 - Atlanta, GA @ 141 Moreland
March 13 - Birmingham, AL @ the Bottletree
March 14 - Asheville, NC @ TBA
March 15 - Bluefield, WV @ the Rock-it Club
March 16 - Baltimore, MD @ Charm City Art Space
March 22 - New Brunswick, NJ @ The Court Tavern

Pop Report

Movies:
- With movies like Hannah Montana, Mad Money, and Rambo hogging up the big screens I opted not to take in any new movies this week and save myself the $12 it would have cost. I know we can still catch a lot of the Oscar nominated films but I don't really feel I need to see Michael Clayton or Atonement. Maybe I'll break down and see one of them this week, but I doubt it. Anyway, with the crappy winter films still rolling out, it looks like it might be a while before I return to the theaters.
- I finally sat down to watch the last two Bourne movies this weekend. I was dying to see these movies when they were out in theaters but never got out to see them. Now that I've seen them I completely regret not seeing them on the big screen, but at least I got to enjoy some of the best action flicks of the decade.
- I'm hoping this weekend's Netflix include Across the Universe!

TV:
- I was lying in bed the other night and I caught an episode of Boondocks. I forgot how much I loved that show and I immediately set the DVR to record every airing possible. I gots to be catchin' up on my Boondocks.
- It looks like the writer's strike will end any day now, so we should be getting back to good television very soon.

Sports:
- Hey folks remember when I predicted the Giants would beat the Patriots 38-35, well I got the score wrong but I got the team right and the point difference right so I think that earns me some points. I cannot wait to visit Yankee Stadium this summer with an 18-1 sign in my hands! Thanks Giants!
- Pitchers and catchers report in only 8 days!!! Thank god it's almost baseball season!!!
- Anyone interested in doing a fantasy baseball league??? I'm looking for one.

Politics:
- I spent a good amount of time watching the returns last night and I can't believe how close this Democratic race is. I mean, Hillary won the two biggest states in the nation last night and actually lost part of her lead in the race for delegates. I'm hoping Barack pulls it out, but there's no doubt this race is going to come down to the wire this year.
- John McCain pretty much won the Republican nomination last night. I think that's just a matter of time at this point.
- Also, watching the returns made me hate just about every pundit on tv. They are seriously worse then sports commentators.
Like most of the truly great albums from the 80's, my exposure to The Replacement's Let It Be came way too late for my liking. If I would have heard this record when I was ten or eleven, it still would have been too late but it really would have sped up the process of finding my musical path in life. But I didn't, I didn't really hear anything by The Replacements until some point in the 90's when one of the bands I like at the time probably name checked them in Spin or something like that. It's a shame I know, but the bigger shame was that I didn't really, really get into the band until I read Colin Meloy's 33 1/3 memoir about the album. Now that's just sad.

It's may be sad, but that's the way it was. Reading that book I got a picture of how Meloy got set on his musical path and I wished I had had someone like that in my life to guide me. Instead I had to do it mostly for myself, and I obviously didn't do a very good job for years and I'm still never fully sure if I'm listening to the best bands I can (as I'm sure my readers ponder why I'm listening to certain bands every day). One thing I can tell you is that I now listen to The Replacements with great regularity and none of their albums get more play then Let It Be, their first forray into an expanding sound that focused more on songwriting then about being fast and abbrassive as the punks were wont to do in those days.

Let It Be could almost be described as a big middle finger to the punk crowds of the early 80's. Those kids demanded their music fast and their musicians faster. They wanted their bands to be drunk on stage and to be just as bad-ass as they were, and for years The Replacements followed suit and upped the ante with every chord they played and every drunken show they played. Then came Let It Be with some slowed down tunes that included instruments like piano, mandolin, and the gaudy 12-string guitar. It was an affront to the punk of the day, even though it was actually twice as punk as the shit that all sounded the same. Songs like "Androgyonous" and "Answering Machine" were the paving stones for alternative bands that were about to explode through the ranks.

Sure, Let It Be still maintains a lot of the old punk aesthetics that we still hold dear, but it is so much more then just a punk record. While it still has songs that are machine gun fast and doesn't hesitate to take on the establishment with the ideals they hold to be true, it breaks from the mold and evolves. Like The Clash evolving from Television and Hüsker Dü evolving from The Clash, The Replacements were setting the table for the next slew of punk bands.

I'm pretty sure that if you gave me the choice between this album and, say, the original Let It Be I'd pick this one almost every time. Not that The Beatles one isn't great, it's just that this album adhered itself to my brain and my heart almost twenty years after it was released. That's saying something and it's a goddamn shame that I didn't really know about it prior to that. I hope you guys aren't getting your first taste of it from this, but if you are make sure you get out and buy the damn thing now so you can fall in love too. Oh, and I'd really suggest picking up Colin Meloy's book as well, it's a great read.
The Replacements - "Tommy Gets His Tonsils Out"
The Replacements - "Androgynous"
The Replacements - "Gary's Got A Boner"
The Replacements - "Answering Machine"
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Hump Day's Hump-tastic Links:
- Last year Rachael fell in love with Port O'Brien and named their album the best of the year. Today Daytrotter posted a session with the band making Rachael's day. I like it when my girlfriend is happy.
- My Old Kentucky Blog had a little sit down from some Q+A with What Made Milwaukee Famous.
- Fader Magazine has a hi-quality download of the Re-Up Gang's We Got It 4 Cheap Vol. 3 mixtape. It's sick. Download it. For real.
- The Music Slut gets all sassy with Peasant.
- Cole Alexander of the Black Lips and Bradford Cox of Deerhunter/Atlas Sound have decided to tighten up the already dangerously inbred Atlanta music scene by creating a joint project called Ghetto Crosses. No word on what the band will sound like or anything but I'm sure million Pitchfork loyalists just creamed their 501's. (via CMJ)
- In case you guys forgot I am giving away Basia Bulat tickets to her show at Bowery on February 29th! I think it may just be the best way to use the extra day the calendar gods give us this year.
2008 Bonnaroo Music and Arts Festival Confirmed Artists:
Led Zepplin Lez Zeppelin, Pearl Jam, Metallica, Jack Johnson, Kanye West, Robert Plant & Alison Krauss, Phil Lesh & Friends, My Morning Jacket, The Allman Brothers Band, The Raconteurs, Willie Nelson, Death Cab for Cutie, B.B. King, Sigur Ros, Levon Helm and the Ramble on the Road, Ben Folds, O.A.R., The Bluegrass Allstars Feat. Luke Bulla, Sam Bush, Jerry Douglas, Bela
Fleck, Edgar Meyer and Bryan Sutton, M.I.A., Umphrey's McGee, Iron & Wine, Yonder Mountain String Band, Swell Season, Talib Kweli, Derek Trucks & Susan Tedeschi’s Soul Stew Revival, Gogol Bordello, Broken Social Scene, Robert Randolph’s Revival, Rilo Kiley, Mastodon, Lupe Fiasco, Against Me!, Sharon Jones & the Dap Kings, Pat Green, Ozomatli, Tegan & Sara, Solomon Burke, Drive-By Truckers, !!!, The Avett Brothers, Israel Vibration, Abigail Washburn & the Sparrow Quartet featuring Bela Fleck, Phil Lesh / Larry Campbell / Jackie Greene, Aimee Mann, Ladytron, The Fiery Furnaces, Orchestra Baobab, Ghostland Observatory, Jose Gonzalez, Dark Star Orchestra, Minus the Bear, Donavon Frankenreiter, Lez Zeppelin, State Radio, Battles, Jakob Dylan, Two Gallants, The Sword, Vampire Weekend, Little Feat, Nicole Atkins, The Felice Brothers, Mason Jennings, MGMT, The Lee Boys, Black Kids, Serena Ryder, Steel Train, Grupo Fantasma, Back Door Slam

Bonnaroo Comedy:
Bonnaroo Late Night Chat About with: David Cross, Janeane Garofalo, Zach Galifianakis, Jim Norton, Brian Posehn, Mike Birbiglia, John Mulaney, Michelle Buteau

More acts will be announced in the coming weeks.

(Straight from the horses mouth!!!)
Who: Foals
Location: Oxford, England
Thoughts: I caught this riotous English band at one of the Brooklyn Vegan showcases during CMJ and was enrapt by the non-stop swarm of energy the group played with. Unlike many bands it wasn't just one member that was all over the place, they all were bouncing around and vibrant and this was at like 2pm in the afternoon on the last day of the marathon. That's pretty impressive, but I worry about bands that make this big of an impression live and how it will translate onto the recorded album. Well, Foals does not disappoint one bit on their debut LP Antidotes. Loaded with shimmering dance-punk anthems, the band manages to display that trademark energy even through a piece of plastic! It's awesome stuff and an early favorite for my best new artist here in 2008. Get to listening.
Listen: Foals - "Balloons"
Foals - "Like Swimming"
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Super Tuesday's Super Links:
- Lily Allen is becoming a cartoon! (via Prefix)
- Loudersoft let me know that NME will be announcing the headliners for Bonarroo at midnight EST tonight. That's cool. My guess is that it's a band.
- Muzzle of Bees interviews and reviews Ra Ra Riot at Club 770.
- Hard to Find a Friend posts a few bands and who they are voting for in today's primaries.
- CMJ shines its spotlight on the incomparable Times New Viking!
Wow, this is a bit eerie for me considering I opted to listen to Feist during my commute in rather then the couple dozen new albums currently swimming in my iPod. Anyway, congrats Feist!!!

Just in case you've forgotten Feist just beat out a shit load of great bands that were on all the year end lists a few months ago. Here's the list of who she beat; Arcade Fire, Burial, Justice, LCD Soundsystem, M.I.A., Spoon, Stars, Wilco and Working for a Nuclear Free City. My vote would have gone to LCD Soundsystem had I had one.

Feist - "1234"
It's been 8 months since Basia Bulat's sparkling Oh, My Darling was released internationally and now we are FINALLY getting a State-side release of the charming record. I thought this would be as good a time as ever to remind you guys of exactly what we've been missing here in the USA by not having this disc on our store's shelves.

On this album Basia shows off her remarkable voice, an ear for perfect melody, and a wonderful touch with the arrangement of her songs. It's a remarkable album from the Canadian songstress and it doesn't stray far from other notable Canadian indie sirens. It may just top some of them in the songwriting department though, as Basia has a way of penning perfectly aprapos lyrics.

Of course most of you too-hip for school kids have been listening to Oh, My Darling for months, but those that haven't really need to catch up on this one and pick it up like five minutes ago.
Basia Bulat - "In the Night"

Contest:
I have a pair of tickets to see Basia Bulat at Bowery Ballroom on February 29th and a copy of Oh My Darling to go with it for one lucky reader. All you need to do is e-mail me with your favorite record of January at poptartssucktoasted@gmail.com. Make sure you include youre address so I can send out the CD and your last name to put on the guest list. You have until Friday, February 8th at noon to enter. Thanks, and good luck!!!
When Hot Chip released The Warning way back in 2006 the sound seemed fresh and new, after all there were only a few dozen people doing the electronic dance thing well back then and now there is a non-stop string of people that are turning on synthesizers and putting vocals over it. It was a mind blowing ride The Warning, loaded with non-stop beats and synths propelling every person that heard it to stand up and move their feet a bit. But in this day and age it seems everyone is doing the exact same thing, making the release of their third album, Made in the Dark a bit of a daunting challenge. Luckily for us Hot Chip have no problem separating themselves from the pack.

Kicking off with the iresistable "Out at the Pictures", Made in the Dark isn't necessarily a non-stop dance extravaganza, instead the album relies on a bit of feeling and soul to accompany all the break neck beats and candy coated lyrics found on the album. It's not a departure, it's just an adjustment to the times we've been through. While The Warning almost never let us catch our breath, Made in the Dark opts to take a page out of the LCD Soundsystem handbook going for the occasional slower tempo song. It allows for moments like the title track and "In the Privacy of Our Love" which could be used for a nice slow dance with that girl you've been pouring sweat over for the last 40-minutes, or to grab yourself an ice cold glass of water. However you choose to use the time make sure you hurry back, because these slower moments don't last very long.

The majority of the album continues to pack the same punch we've come to expect from Hot Chip, pounding as many synths and beats into each second of song as it can take without seeming like a jumbled mess. Like The Warning, there are a few standout tracks that are just ahead of the rest of the album. The opening three tracks spring to mind immediately for me. "Out At the Pictures", "Shake A Fist", and "Ready for the Floor" are probably the stro