Buzzworthy??? Or Not???

Who: Those Dancing Days
Location: Stockholm, SE
elbo.ws Ranking: #39
Thoughts: I think we have reached the point where we are relying too heavily on the Swedish pop music. Like foreign oil, the sweet sounds of Swedish pop is killing our economy by forcing our bands into early retirement and sticking in our heads until we spend all of our rent money on their albums. It's getting ridiculous and the latest of the huge influx of bands is a little all-girl group known as Those Dancing Days. Like everything else hailing from the northern European nation, this is infectious indie pop. It makes you want to move your feet and bob your head like one of those inane dances the Peanuts gang used to do. It is just that kind of music, lots of synths, lots of little noises, lots of harmonies, and sticky beats, it has everything that Sweden is known for and makes it work for them. Basically, the Swedes are attacking us by distracting our brains with their songs and they are going to doom our society! We must end our dependency on Swedish pop music! Well, maybe after one more listen...
Verdict: Buzzworthy!!!
Listen: Those Dancing Days - "Falling in Fall"
Those Dancing Days - "Duet Under Waters"
Since its original release as a limited edition vinyl pressing back in March, Vivian Girls' self-titled debut album has been the talk of the town. Whether the talk has been about the crazy good lo-fi punk found within or the fact that the vinyl copies were getting bids in the hundreds of dollars up on eBay, it has led to some substantial buzz over this all girl, Brooklyn band. Not all the buzz has been positive as the backlash came almost as quickly as the buzz began, but unless your heart is made of concrete you cannot deny the soul found on these ten, insanely fast tracks.

With a penchant for romanticism, Cassie, Katy, and Ali have put out an album that is loaded with songs of love and of chasing after Mr. Right that are packed with hard hitting riffs, steady drumming, and just the right amount of vocal harmonies. It's an album that seems so simple and low tech on first listen and generally stays in that neighborhood as the girls explore their lyrics and their abilities alike. The album is over in a blur, clocking in at just over 20-minutes, but in that time we hear some of the freshest simple tunes to come around in good while. The music is hard hitting, passionate, not quite perfect but endearingly so.

You get a sense for where the album is going to take you right from the start with the addictive "All the Time", a song that talks of seeing a love interest all the time and from there the girls prove that they are a bit guy crazy, but are having fun and generally fawning over the opposite sex by their own rules. The album is packed with songs that grab you in under 2-minutes and never quite leave your head even after you're done listening. It's like good old fashioned punk rock, a couple hard hitting chords, lyrics we can relate to and sing along with, and a steady beat that lodges itself in between your ears. Songs like "Tell the World" and "Where Do You Run To" are fantastic in their simplicity, and most of the rest follow suit.

This is one of my favorite debuts of the year, even if I don't own a copy of the limited edition vinyl I am still loving every moment of it. I'm just glad I can finally own it on a disc instead of a shitty web rip.
Vivian Girls - "All the Time"
Vivian Girls - "Tell the World"
Vivian Girls - "No"


Also Released Today:

Monday's Leaky Faucet

Who: Megapuss
Title: Surfing
Release Date: October 7th
Label: Vapor
Thoughts: Megapuss is the very definition of a super group featuring Devendra Banhart, Greg Rogove (Priestbird), Fabrizio Moretti (The Strokes), Noah Georgeson, and Aziz Ansari (comedian, Human Giant), they all have big time projects that have propelled them to be able to take on a pet project such as Megapuss. The funny thing is that I normally dislike their leader's (Banhart) music but for some reason I'm really drawn into this Megapuss album. On the band's debut Surfing, they debut some of Banhart's freak-folk history, but for the most part this is a far more rocking album then anything I've ever listened to from him. Perhaps it's the use of all the other musicians who are generally a bit more rock sensible. For the majority of the album there are loads of hard rocking riffs, pounding percussions, and an overall feeling of a psycahdelic nature. Okay, the psychadelic part definitely fits Banhart but aside from that there are only a couple of tunes - most prominently the title track, "Surfing" - that show off the freak-folk. It makes for an easier listen and something that you can flat out rock too. I'm thoroughly surprised by this album and I think most of you will be as well.
Listen: Megapuss - "Crop Circle Jerk '94"
Megapuss - "A Gun On His Hip and a Rose On His Chest"

Who: Antony & the Johnsons
Title: Another World
Release Date: October 7th
Label: Secretly Canadian
Thoughts: It's been three years since we've heard new music from Antony & the Johnsons, and I don't know about you but I've been missing the beautiful voice and the carefully crafted arrangements in that span of time. Lucky for us that the band are about to start pushing a lot of new stuff on us beginning with this brand new EP and going to next year's LP release. But let's start with what we've heard so far. On their five song EP, Another World, it seems like Anotony & the Johnsons are just preparing us for what is to come next. For the duration of the album most of the instruments are subtle and pushed to the background while Antony's voice soars into the spotlight where it belongs. It creates almost a hushed tone to the entire EP, but it also gives us a sense of darkness and forboding within these emotional songs. Lead and title track, "Another World", is a melancholy tune about the death of this plant known as Earth and the need for Antony to find a new home. Before he leaves he recites a list of the places he will miss, it's simple but it's also thoroughly breathtaking when sung in Antony's gorgeous voice. And the other 4-songs on the album mostly follow suit, generally with gentle piano and light percussion. It's a stark, minimalist album that puts all of its power in the pipe of Antony. After listening to this I hope they continue in this manner for the LP due early next year.
Listen: Antony & the Johnsons - "Another World"
Antony & the Johnsons - "Shake That Devil"
Monday: The Dodos + Au @ Spiegeltent 10pm $20
For most of this year I have spent a decent amount of my commuting time getting lost in The Dodos' wonderful debut The Visiter. It's a remarkable, lush album with just two musicians blistering through some of the finest blending of Americana, folk, and some prog rock onto one record. I've only seen two performances from the band so far this year and though that might seem like a lot one was a festival shortened set and the other was a packed in-store so I'm looking forward to a headlining set from these guys. Also excited to check out Au for the first time.
The Dodos - "Walking"
Au - "RR vs D"

Tuesday: Miles Benjamin Anthony Robinson @ Mercury Lounge 7pm $10
If you haven't heard the name Miles Benjamin Anthony Robinson then you probably don't read the same publications I do, which means you probably don't read this, which means I am writing this sentence to no one in particular. It also means that the folks that are reading this need little reminding who MBAR is and already have tickets or plans to attend this show. Am I right?
Miles Benjamin Anthony Robinson - "Who's Laughing"

Wednesday: Boston Spaceships @ Highline Ballroom 7pm $16
Robert Pollard does not take time off from song writing and the latest proof of that fact is a little band called Boston Spaceships. Basically an indie super group with John Moen of The Decemberists and Chris Slusarenko of Guided By Voices and Takeovers joining Pollard on stage, Boston Spaceships released a pretty solid album a couple of weeks ago. I'm sure that if you're a fan of solo Pollard or GBV you'll make sure to be at this show, if you're not you probably don't have much of a reason to attend.
Boston Spaceships - "Go for the Exit"

Thursday: Fiasco + Pterodactyl @ Death By Audio 8pm $6
Last Tuesday I went to see My Bloody Valentine and a bunch of people have asked me if it was the loudest show I've ever seen and to each one I've answered no. When I saw Pterodactyl at Glasslands last year they deafened me for a good week. The music was overwhelming at certain points and many people stepped outside, but I was mesmerized by the power of it all. I'm sure you'll see that on display again this evening and you get the double bonus of seeing the super rocking youngsters of Fiasco as well! Good lineup, just make sure you bring some ear plugs.
Fiasco - "Oh, You Horny Monster!"
Pterodactyl - "Esses"

Friday: Dark Meat + Vivian Girls @ Rocks Off Concert Cruise 8pm $20
Two super hyped buzz bands of 2008 set sail Friday night with a couple hundred hipsters aboard, that could make for some insane antics and craziness but it's more likely that if you go you'll wind up drunk with two new favorite bands. These bands definitely deserve all the hype they've been getting.
Dark Meat - "Well Fuck You Then"
Vivian Girls - "Tell the World"

Saturday: Extra Life + Dan Friel @ Less Artists More Condos 9pm $7
I was a bit envious when I saw pictures of the first show held at this venue featuring Lightning Bolt a few weeks ago. It seemed like a truly amazing experience and I wish I had gone. I will not be making the same mistake twice! Besides both of these bands have been well represented on this site so obviously I love them both very much.
Extra Life - "Blackmail Blues"
Dan Friel - "Ghost Town (Part 1)"

Sunday: Catfish Haven @ Union Hall 9pm $10
It's a bit of a week Sunday evening here in New York but with Dexter and Mad Men and The Simpsons and football on television I'm sure not too many of us will notice the light evening. That said, if you're really desperate to get off of the couch and go rocking go check out Catfish Haven who are sure to play some tunes of their brand new album which is pretty damn solid even if I haven't written about it yet.
Catfish Haven - "Are You Ready"

This Week's Tour News

Who: El Guincho
When: December 12th
Where: (le) poisson rouge
More Dates
Thoughts: It was supposed to be a lovely Friday night at the Seaport seeing El Guincho, but word came that the tour had been canceled and the man had returned to Spain. Sigh. This time around he'll play the still new (le) poisson rouge, which is cool and all, but telling me enjoying his music wouldn't have been fun outside on a summer night.
Listen: El Guincho - "Abejitas"


Who: Zach Hill
When: November 18th
Where: Knitting Factory
More Dates
Thoughts: I have a feeling that Zach Hill's solo show here will turn into the type of event where just about every New York person who is in a cool band will turn up. Not that that should be the reason for you to go to this, you should go to see Hill's legendary drum work and to rock out to some killer fucking tunes. Checking out Marnie Stern and all of Hill's other high profile friends should just be a bonus.
Listen: Zach Hill - "Hindsight Is Nowhere"


Who: The Shaky Hands
When: November 8th
Where: Mercury Lounge
More Dates
Thoughts: Since the controversy over the name Shaky Hands last year I still have a difficult time remembering which band kept the name and which one change it, but this is the American one from Portland I believe and based on the new tune below they are going to be rocking you indie style all night long.
Listen: The Shaky Hands - "We Are Young"


Who: Smashing Pumpkins
When: November 6th + 7th
Where: United Palace Theater
More Dates
Thoughts: It's a light week so I decided to include the Pumpkins tour dates which have been everywhere for a couple of days now. These tickets are going to be ridiculously expensive and since the band wasn't that great live in their heyday I think I'm gonna take a pass on this one.
Listen: Smashing Pumpkins - "Mellon Collie and the Infinite Sadness"
I was all excited about the singles series from The Decemberists, three 7" filled with the latest from one of my favorite bands. Then today I saw that all three had leaked to the internet and I just couldn't help myself! Now I don't get that joy of opening the vinyl discs and placing them on the turn table and excitedly listening to it right then. Instead I am listening on my computer just like you guys will do as soon as you get your hands on the mp3's. Sigh, the internet has its benefits but it certainly has some serious draw backs as well. That of course is not the point, the point is that I'm sitting here right now listening to some brand new Decemberist songs and loving every minute of it. A tune about Valerie Plame, genius. More wordy lyrics and thoughtful tales from Colin Meloy, wonderful. And of course lush arrangements of strings, percussion, horns, choral groups, this stuff has everything! It is exactly what you would expect of The Decemberists, with no filler at all.
The Decemberists - "Valerie Plame"
The Decemberists - "Raincoat Song"

Jenny Lewis has had her fair share of musical triumphs with Rilo Kiley and on her own. But her most recent Rilo Kiley album was met with harsh criticism and after only a couple of listens to her new solo album Acid Tongue I don't think this is gonna fair much better. Granted this does go as far from Rilo Kiley as you can possibly get, bringing back the sound that got her some of her greatest praise on Rabbit Fur Coat, with tunes that are a bit country, a bit folk, and a bit rock, but it never comes close to the endearing level her solo debut reached. Instead this album reeks of camp with twangy numbers that switch styles a bit too freely for my tastes. This album is very weak from track to track in just about everyway and really shouldn't be listened to for anything more then curiosity's sake.
Jenny Lewis - "Godspeed"
Jenny Lewis - "Pretty Bird"

Beat Radio seem like they have been in the studio for forever since they released the awesome The Great Big Sea, but here they are releasing a 3-song EP to help whet our appetites in anticipation of their follow-up. The EP, though far too short to fulfill my Beat Radio jones, is straight forward solid Beat Radio. Led by frontman Brian Sendrowitz' heartfelt lyrics and straight delivery, the music is a bit fuzzy at times but it fits the band beautifully. There's sadness and happiness in each of these songs as they drop you down and lift you up and allow the listener to span an emotional spectrum. I only wish this was the full length that I've been yearning for for ages! I've been guaranteed that something longer is on the way so this will have to fill the gap in between, but I am really looking forward to the big picture.
Download it here!


Friday, September 26th:
  • The Forms @ Music Hall of Williamsburg [tix]
    The Forms - "Bones"
  • Built to Spill @ Terminal 5 [tix](this may be sold out)
    Built to Spill - "Goin' Against Your Mind"
  • Chairlift @ Open Road Rooftop [tix]
    Chairlift - "Bruises"

    Saturday, September 27th:
  • They Might Be Giants @ (le) poisson rouge [tix]
    They Might Be Giants - "New York City"
  • BAM Takeover! @ Brooklyn Academy of Music [tix]
    St. Vincent - "Now. Now."
    The Budos Band - "Deep in the Sand"
  • Oxford Collapse @ Mercury Lounge [tix]
    Oxford Collapse - "For the Winter Coats"
  • Marnie Stern + Screaming Females @ Silent Barn [info]
    Marnie Stern - "Transformer"
    Screaming Females - "Starve the Beat"

    Sunday, September 28th;
  • These Are Powers + Dinowalrus @ Knitting Factory [info]
    These Are Powers - "Cockles"
    Dinowalrus - "I Hate Numbers"
  • Pissed Jeans + Crystal Stilts @ Market Hotel [info]
    Pissed Jeans - "People Person"
    Crystal Stilts - "Shattered Shine"
  • Thursday's Track Reviews

    The Good:
    Antony & the Johnsons - "Shake That Devil"; Antony & the Johnsons are finally returning with their first release since 2005's beautiful, I Am a Bird Now. Like last time Antony is the centerpiece with his beautiful voice lifting everything around it up, but it also has some fantastic arrangements on this tune. Can't wait for the full album, which won't drop until 2009, but I'll settle for the EP!
    Grade: B+

    Creaky Boards - "Brooklyn"; After spending his summer comparing himself to Coldplay, the Creaky Boards' Andrew Hoepfner has finally gotten around to releasing some new music. This tune named after the borough Hoepfner calls home is an excellent tribute to some truly old timey music. A bit vaudevillian, a bit circus like, but basically just solid pop music, this is a good sound and it doesn't sound at all like Coldplay.
    Grade: B

    Malik Yusef (feat. Kanye West & Adam Levine) - "Promised Land"; So Barack Obama is charging people $30 an album to hear some songs some famous people made about him. Sounds far, after all he has an election to win, but just in case Senator Obama hasn't been visiting the land of the internets lately you can easily download most of the album. This track is by far the best piece of music on the entire compilation and is a must download if I've ever heard of one!
    Grade: B+

    The Shaky Hands - "We Are Young"; Straight forward, solid indie rock for the Portland band. There really isn't much more to say about it so just start listening and enjoying.
    Grade: B

    Wild Sweet Orange - "Either/Or"; I'm on the fence on this one, it could have fallen into the "Bad" section but for now I'll leave it right here. This is okay indie stuff, the kind of stuff that would be acceptable if it drew a new listener into some of the better stuff out there. In other words for those getting ready to take the SAT's, Wild Sweet Orange is to indie music as Stone Temple Pilots is to grunge.
    Grade: B-

    Amadou et Miriam - "Sabali"; Considering for the briefest of moments that I don't understand a word that Amadou et Miriam sing I find it a little bit surprising that I am so into their music. That said, good music truly has no language barriers. I can dance to this just as well as I can dance to any American music. The only difference is I don't know if there singing about love or World War III, and maybe in this case ignorance is truly bliss.
    Grade: B+

    The Bad:
    T.I. (feat. Justin Timberlake) - "Dead & Gone"; When T.I. starts the song saying he's "gonna kick it to us not on some gansta shit but on some real shit" you might think you're finally going to get a revelatory song complete with a solid chorus from Justin Timberlake, instead what you get is the result of "gansta shit" with an understated and overused chorus from Justin Timberlake. It's basic rap shit, on the level of some old school Bone Thugs n' Harmony or something of that nature and the beat, if not Timbaland's, was ripped straight from one of his tracks. This is pretty lame, but would we expect anything more from T.I. at this point? Nah.
    Grade: C

    The Killers - "Human"; One thing you can count on from The Killers is that they are going to release music that will be stuck in your head for days! But whether you want that crap stuck in your head is yet to be truly decided. This song is pretty lame, from its weak lyrics to its over produced sheen, but I know it's going to be lodged in my head till at least the weekend from just a couple of listens.
    Grade: C-

    Tobacco - "Truck Sweat"; Black Moth Super Rainbow's front man Tobacco is branching off on his own for an album and the result is a song that is practically unlistenable. Now I know I'm not the biggest fan of his band but I can at least tolerate them as an opening act for a band I like. If I were subjected to this in the same situation I might start asking people about a refund.
    Grade: D


    Track of the Week:
    Vampire Weekend - "Ottoman"; Though I'm not quite leading it, I am firmly planted on the bandwagon of Vampire Weekend haters. I have despised their Paul Simon rip off sound since it was first released on some shitty blue CD-R, but this song is pretty goddamn good. Sigh. It's got what sounds like a little bit of mandolin and some violin given it a medieval feel to it at times, but also keeping with the Afro-funk sound that has brought Vampire Weekend to the upper echelon of today's indie bands. I'm shocked that I like this, but maybe just maybe I am finally ready to give Vampire Weekend a second chance and join their other bandwagon of die hard lovers. I'm a bit scared about that prospect though.
    Grade: A

    Old School Track of the Week:

    The Temptations - "My Girl"; On Saturday evening my lovely girlfriend Rachael will be spinning tunes during the happy hour at Arrow Bar! It's gonna be a good time, drinks are 2-for-1, and she does at least an hour of old school Motown tunes each time she spins, hence the tune from The Temptations! If you're around and looking for cheap-ish place to drink on Saturday stop by and say hello!
    Grade: A+

    Video of the Week:

    Ponytail - "Beg Waves"; As children we are told not to stare at the sun, but that advice doesn't effect Ponytail at all. The band pointed their kaleidoscopes directly at the shimmering star of our solar system and the camera didn't blink once. You may find yourself blinking a lot during the video, but ultimately this is a very pretty video and it fits the song very well.
    Grade: B+
    I got an e-mail from my recently relocated buddy Bryan telling me about one of the bands from around his new way. Seems the band really made an impression and since I am very trusting of his taste in music I gave a listen and what I heard was some of the best cutesy indie folk I've heard in quite some time. Lady Lamb and the Beekeeper hail from a place called Brunswick, Maine, which I am sure is small and barely populated and so it makes sense that music like this would hail from such a small town.

    My first impression lent me images of Fiery Furnaces and Moldy Peaches, but of course that's just lazy association thanks to the fact that they are all duos that feature a boy and a girl, they all have gentle acoustic guitars, and they are all too cute for their own good. What separates Lady Lamb and the Beekeeper from the other duos is their ability to revel in the good nature of small town folk, to craft music that is happy and devoid of sarcasm, yet is still intellectually stimulating. Call it the best of both worlds if you want, but this folksy pop music is just the right amount of sweet without any fear of aural cavities. Plus, it's pretty damn catchy stuff as well.

    Now I know I am basing this off half a dozen songs but this band is definitely fit for multiple listens from anyone who likes to smile when they're listening to music. It may be difficult to separate yourself from all the evils in the world and revel in joyous songs for just a bit, but give it a try and you might find you like it. Best of all the band will be in town playing a show at Spike Hill on October 2nd (though you could probably see that in the flyer above)! So check 'em out on Myspace and then check 'em out live!
    Lady Lamb the Beekeeper - "Until I Am Bones"
    Lady Lamb the Beekeeper - "Walrus"
    Lady Lamb the Beekeeper - "Mary Jude"
    Lady Lamb the Beekeeper on Myspace

    Questionable Corner: Mason Proper

    Yesterday the brand new record from Mason Proper finally hit store shelves! As I told you guys on Friday, Olly Oxen Free is a straight up solid rock album from top to bottom that could wind up being your new favorite record. I know it's been on constant rotation on my iPod and I'm pretty sure once you get hold of it you'll feel the same. I had a chance to sit down with Mason Proper's front man Jonathan Visger to chat about the record and their upcoming tour plans.

    PTST: So the new album is finally ready to reach the ears of your fans, how did you guys settle on the title Olly Oxen Free? Is there any significant meaning behind it?
    JV: We pored over the lyrics looking for a title that felt right...Olly Oxen Free was it. If someone wants to, there are many different ways you can look at it as potentially significant to the band, to our listeners, to anybody. We thought about a few of those, but it is more interesting if people think about it on their own than if we spell out the ones we've come up with.

    In a more general sense, it makes us nostalgic for our childhoods, and appeals to our love of things that sound like nonsense, but aren't.It even seems to inspire many people to research the murky origins of the phrase.

    PTST: What are your feelings on finally getting to see the fruits of your labor with the release of the album?
    JV: We really got to see the fruits of our labor when the advance copies arrived and we could hold it in our hands, and hear what it sounded like mastered and sequenced, in order. You sweat the minutiae so much that it's really something when you finally get to step back after not hearing it for a while and listen to it as a completed, flowing thing. That said, we're really happy that people other than our closest friends will be able to do that as well now!

    PTST: Are you guys happy with the final result?
    JV: Absolutely, 100%. Out of all things I've been a part of in my life, making this album is the thing I am most proud of so far. If it's not someone's thing, they just have different music taste than we do, which is completely fine.

    PTST: I know it's tough for a band to pick their favorite song but which of these tracks is your favorite and why?
    JV: My personal favorite is "Shiny." I think it's one of the strangest songs on the album, but definitely one of the most fun. It surprises me when I listen to it. "Fog" is probably the song I'm most proud of though.

    PTST: How was the overall recording process for the album? Any fun studio stories?
    JV: We had a situation where we realized that if we were going to put the album out this September instead of next January, we had to get it completely done in 30 days. I had been holed away writing a ton of song options for us to choose from as a group, but many of them we
    chose weren't even finished being written. We committed right then and there to getting it completely done within that 30 day span, rented an empty house the next day, and just started working, working, working. It was an insane month.

    We had to make decisions fast, and if something wasn't working, we just threw it out immediately because we couldn't waste time on it. Even when I flew out to meet up with Chris Coady for the mixing in Connecticut (on the same board the Pixies did Dolittle on), he would
    be working on a mix while I was in another room frantically editing and doing touch ups to the next song, and I would just run in and listen and make a few comments, and run back out and keep working. The last two days of mixing we only slept about 3 hours, trying to finish on time, and we still dropped one song. Which was a blessing in disguise because I personally believe it made the album stronger as a whole without that song.

    PTST: Do you find it difficult to finish a record and then have to wait to see what people think? Is there a lot of nervousness between wrapping the album and the release date?
    JV: We've been showing it to our friends since it's completion, so we didn't have to wait to see what the people closest to us thought. That said, there's a ton of anticipation for the actual release date. This month in particular, I've been having trouble sleeping, maybe a little out of nervousness, but mostly I just feel like a kid waiting for Christmas. You just want to KNOW what's inside, but there's no box you can shake to help you make guesses about what the future
    holds.

    PTST: How does Olly Oxen Free compare to your past works? Was there anything you tried to do differently from what you've done in the past?
    JV: We took the very opposite approach to what we've done before... In general, on most of our previous releases, if something wasn't working, we'd add more and more things until it started happening. We made it work for us, but it resulted in a very dense sound, and definitely one that is more... harsh. Especially when you crank it up to 11 at a show. On the new album, if something wasn't immediately working, we just thought hard and removed whatever the culprit was, even if it was just a suspect. Gone. We thought about what we notice at shows as being painful, and removed those things.

    PTST: Now that it's out there are there big tour plans in the works?
    JV: We've got some things planned, most notably our East Coast leg with Cloud Cult, and are always looking for other worthwhile treks. We are giving these things more thought than before, quality over quantity.

    PTST: How do you think your fans are going to react to the new stuff in the live setting?
    JV: It's much more inviting, tonally, and a little less ramshackle, in a good way. We're finding the new stuff sounds better in more rooms and more situations. I also think people will have an easier time knowing when the songs are over! We never resolved any of our old songs because we thought it was cheesy, but we've realized the importance of it being clear. The reactions so far have been great.

    PTST: Where does Mason Proper go from here?
    JV: More tours, more albums! West Coast? Europe? Hopefully less broken
    vans! Producing other bands in the off season???

    Mason Proper - "Lock and Key"
    Mason Proper on Myspace
    Pearl Jam is one of those bands that people just love. Right from the release of their classic debut Ten people went ape shit for this band, and why wouldn't they? The songs are immediately powerful, loaded with emotion and darkness, and buoyed by the rawness of the overall sound of the band. Yet for some reason, as much as I enjoyed Ten and Vs, the band never really clicked with me until they expanded their sound to include more raw punk sounds and the occassional ballad on Vitalogy.

    It must have clicked with a lot of other people as well as this was the second fastest selling album in history at the time, behind only Vs. It was of course catapulted by some very strong singles, but the overall feeling of the album - from the packaging to the songs - is a thing of beauty. I remember my brother bringing this home back in '94 and being awed by the beauty of its simple cardboard packaging, the beautfiul book that came with it, and the smell, something like a melted crayon that oozed from it. It's one of those moments in my musical life that won't ever forget and that was before I ever listened to a single note on the album.

    Kicking off with "Spin the Black Circle", Vitalogy is probably the most complete album in the Pearl Jam catalog. Among infighting and the growing fame of front man Eddie Vedder, the band somehow pushed out an album rife with emtion and energy. It clicks immediately with the opening track and goes pummeling through a huge array of sound never before heard from Pearl Jam. Fuzzed out punk segments, arching romantic ballads, and the crunchy grunge riffs live everywhere on this album.

    Listening to Vitalogy is by far the mst rewarding experience of all the albums in the Pearl Jam catalog. This has stood as my favorite for some time, yet it seems a lot of people under value you it opting for the stadium sized anthems of Ten. As good as their debut was Vitalogy is the album that showed growth and the ability to change with the times, allowing Pearl Jam to go from being a grunge band to one of the best, longest running bands in the world.
    Pearl Jam - "Spin the Black Circle"
    Pearl Jam - "Nothingman"
    Pearl Jam - "Corduroy"
    Pearl Jam - "Bugs"
    Pearl Jam - "Better Man"

    Buzzworthy??? Or Not???

    Who: Friendly Fires
    Location: St. Albans, UK
    elbo.ws Ranking: N/A
    Thoughts: With nearly a million Myspace hits it's difficult to argue that Friendly Fires aren't a buzzworthy band, but once you get listen you can hear one of two things; you can hear a hypnotic dance band or you can hear a band that almost rips off acts like Hot Chip and Professor Murder. Personally, I'm having difficulty separating the number of sounds that seem so familiar from those that are actually unique on Friendly Fires' self-titled debut album. But if you continue to listen there are certainly merits to music of this sort. It is infectious, there is not a chance of you listening to this album and not having it lodged in your head, but there's also an emotional undercurrent in all of the band's songs that definitely helps to set them apart from bands that sound very similar. There's lots of blips, bleeps, and whistles, loads of percussion, and more then a hint of cowbell, yet for some reason as much as I wanna scream that these guys are rip-off artists I just can't get enough of the band's album! It's almost virus-like in it's ability to spread through my body and get my limbs moving in time to the music. Friendly Fires is a very good record and something tells me that the pure, hypnotic effect of this album will more then propel the band into the stream of consciousness very soon. Heck, the permeation has already begun with those million hits of theirs.
    Verdict: Buzzworthy!
    Listen: Friendly Fires - "Jump in the Pool"
    Friendly Fires - "Lovesick"
    I believe the general majority of people that listen to TV on the Radio wouldn't consider them the type of band to find a home on a major label, but there last release proved not only that they could be placed on one (Interscope) but that they could thrive there and live life by their own rules. On Return to Cookie Mountain the band defied major label convention by throwing caution to the wind and recording an album that was teeming with strange funk sounds and lacking anything resembling mainstream pop music. But somehow the experiment worked with the album landing on most critical year end lists and by catapulting the band into the upper stratosphere of the rock echelon. Now on the highly anticipated follow-up TV on the Radio are once again doing things differently, but this time the changes actually move the music more towards the pop spectrum then they have ever been before.

    That's not to say that this album is going to be Top-40 (though it probably could crack the list), sugar coated (hell no), pop music, it's just saying that the album is far more immediate and accessible then anything the band has recorded before. Moving ever so slightly away from their funk roots by adding hand claps, horns, and an overall brighter sound, the music on this album makes for a thoroughly pleasant and almost uplifting listen, but once you take a listen a little bit deeper it becomes clear that once again the band has made a record on their own terms.

    Lyrically this is the sharpest and darkest TV on the Radio has ever been. They seem obsessed with death, covering every angle they can for the duration of the album's 12-songs and giving the whole thing an eerie, ominous air about it. Of course this paired with the lighter music makes for stark differences but somehow they are well balanced and both parts shine through brightly.

    With Tunde and Kyp sharing fronting duties and a truly sharp Dave Sitek providing impressive production the band is at the top of it's form in all its elements on this album. Right from the first listen it grabs you like no TV on the Radio album has before, bringing an in your face feeling to the whole shimmering electronic sound of the album. Tracks like the lead single, "Golden Age", have all the feeling of an LCD Soundsystem song yet it also incorporates a lot of elements that are uniquely TV on the Radio from the horn section to the Afro-funk feel that permeates much of the record.

    There is a reason TV on the Radio have risen to the heights they have and why this album was looked upon with so much excitement and anticipation, it's because every element of this band is as good if not better then the same elements for every other band. They have consistently gone against the grain while creating a new line in the sand for others to follow. Now they shift ever so slightly to a world where they come perilously close to crashing into the mainstream and they may yet shatter that glass ceiling when this one starts being passed around. This is immediately one of, if not the, best records of the year. There's little use arguing this even if it's not necessarily your thing.
    TV on the Radio - "Halfway Home"
    TV on the Radio - "Family Tree"
    TV on the Radio - "Lover's Day"


    Monday's Leaky Faucet

    Who: Oasis
    Title: Dig Out Your Soul
    Release date: October 7th
    Label: Big Brother
    Thoughts: For their first album in three years, I really had no expectations of the new Oasis album. But after listening there is definitely a lot to get excited about on this record. It seems like Noel has returned to a realm of songwriting that he hasn't been in for quite some time and the band seems reinvigorated thanks to it. The opening four song sequence of "Bag It Up", "The Turning", "Waiting for the Rapture", and "The Shock of the Lightning" is as strong as anything that has previously been released by the band, and considering their history that's saying a lot. The only missteps on the album seem to be the songs written by Liam. Now I'm not gonna get into the whole which Gallagher is better debate, but his songs sound weak and out of place whenever they crop up on the album, while Noel's soar. I know I kind of trashed the single a little while back, but after a while it grew on me and listening to it along with the rest of this album has sat right with me for the past few days. This is by far the best Oasis album in a good long time.
    Listen: Oasis - "Waiting for the Rapture"
    Oasis - "The Shock of the Lightning"

    Who: Marnie Stern
    Title: This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That
    Release date: October 7th
    Label: Kill Rock Stars
    Thoughts: The finger tapping goddess known as Marnie Stern is back! After the triumph that was last year's debut album, In Advance of the Broken Arm, Stern brings back her layered fingered tapping and looped vocals once again an an awfully titled sophomore album. If you think I'm typing that album title again, you're freakin' nuts! Album title aside, there is nothing bad about this album. The tapping is wicked and precise throughout the album, Stern's cutesy vocals are back in boat loads, and the drumming (courtesy of Zach Hill) are bombastic once again. It's pretty much the perfect follow-up, developing a little bit with the addition of bass and keyboards (from John-Reed Thompson), but her sound remains intact and as vibrant as it was on her debut. Fans of the first one will once again love it, folks that hated the original will probably hate this. I'm of course a big fan and I'm loving this album #2 even if it's title is unwieldy.
    Listen: Marnie Stern - "Shea Stadium"
    Marnie Stern - "The Package Is Wrapped"

    Who: I'm from Barcelona
    Title: Who Killed Harry Houdini?
    Release date: October 14th
    Label: Mute Records
    Thoughts: On their first album, Let Me Introduce My Friends, Emanuel Lundgren and his 28-friend band crafted a twee masterpiece. Rife with joyous harmonies, silly lyrics, tons of odd instruments, and an overall sense of good times the album wound up on many year end lists and most people had a happy, fun time listening to the album. Yet on their sophomore release Who Killed Harry Houdini? the band go away from all that crafting something darker, filled with the idea of death and destruction. The expansiveness of the sound is still here with huge harmonies and choral arrangements and a plethora of instruments, but gone is the fun feeling that seemed like the perfect identity for a 29-member band. I think this darkness actually saps a lot of the life from the music on Who Killed Harry Houdini?, but despite that it's still a pretty deep and solid record. It's nowhere near as immediate as their first offering but after a couple of listens the music wins you over and you realize that you're enjoying it even if you're not having fun doing so.
    Listen: I'm from Barcelona - "Music Killed Me"
    I'm from Barcelona - "Paper Planes"
    Monday: Friction @ Cake Shop 8pm $7
    For this month's installment of Friction the super hip party has chosen Cake Shop as its location and booked a solid lineup that features two on the cusp bands. Both Lissy Trullie and Apse are on the verge of being your new favorite bands and both are being highly touted as we go into the CMJ Marathon. Why wait to see them when you can cram your butts into Cake Shop for what is sure ot be a jam packed, sweaty affair!
    Lissy Trullie - "Self Taught Learner"
    Apse - "Shade of the Moor"

    Tuesday: My Bloody Valentine @ Roseland Ballroom 7pm $52
    Finally we get to see My Bloody Valentine! I don't think I have to tell any of you that my excitment is already sky high for this one, my only worry is how long the ringing in my ears will last after this one!
    My Bloody Valentine - "When You Sleep"

    Wednesday: Black Mountain @ Music Hall of Williamsburg 8pm $16
    Black Mountain is one of those bands that have been high on my list of bands to see for ages, yet I have not once made it to one of their shows. It doesn't look like I'll be able to make it this time around, but hopefully some of you folks can make it out for what is sure to be another awesome show from a truly awesome band.
    Black Mountain - "Druganaut"

    Thursday: Built to Spill @ Terminal 5 6:30pm $32
    You have to love the fact that following this past weekend's ATP show most of the bands playing the three day affair have headed to New York City to bring their tunes to the masses that couldn't make it up to Monticello. Tonight it's Built to Spill kicking off their two night stand playing one of the finest indie rock records ever - Perfect From Now On! This is a must see show.
    Built to Spill - "Goin' Against Your Mind"

    Friday: Chairlift @ Open Road Rooftop 8:30pm $9
    Chairlift have recently blown the fuck up thanks to the placement of their song "Bruises" in the new iPod commercial. Before that the band was just playing every venue in town to rave reviews and winning over fans and critics alike with their buzzing, dance rock sound. I'd highly suggest seeing them here, if you can get in of course.
    Chairlift - "Bruises"

    Saturday: Marnie Stern + Screaming Females @ Silent Barn 7pm $7
    It's ladies night at the Silent Barn as the amazing, finger tapping Marnie Stern and the polarizing Marissa P of Screaming Females hit the stage here. Both of these acts are draw dropping displays of estrogen powered rock! Both of these bands are flat out amazing and are not to be missed!
    Marnie Stern - "Transformer"
    Screaming Females - "Starve the Beat"

    Sunday: Pissed Jeans + Crystal Stilts @ Market Hotel 8pm $8
    It seems to me that the buzz over Pissed Jeans has died down considerably and that's a damn shame because this band is freakin' great! If it's been a while since you listened pick up the album again and I guarantee you'll want to hit this show after listening to the music all week long!
    Pissed Jeans - "People Person"
    Crystal Stilts - "Shattered Shine"

    Oppenheimer @ Union Hall 9/19


    A night with the Irish electronic duo known as Oppenheimer is quite an experience. It goes way beyond the music to the point where it always seems like you are at a party with a bunch of your old friends. That's the bonding that is formed thanks to Rocky and Shaun, their ability to get to know their fans, and to introduce their fans to each other. It's never more apparent that these boys have some pretty die hard fans then when they take over Union Hall as they did last night. The band meets and greets everyone shaking hands, chatting, drinking, and the seem to love doing every moment of it. That energy, the close knit atmosphere of it all rubs off when the duo hit the stage to perform their soulful, electric pop tunes.

    As Shaun drums and Rocky twiddles and strums the fans dance and sing along and dance, while between songs they joke with each other and the funs feel comfortable enough to interact with the band too. It's a fun, laid back atmosphere, the type of thing these small club shows should be about instead of all the posturing and acting cool that they normally have going on. But of course, as fun as it all is, it's all made possible by the Oppenheimer sound and songs. A perfect melding of electronic, rock, and pop music by just two guys and a shit ton of equipment (though it has been streamlined over the last couple of years). Rocky has this ridiculous flying V style guitar, complete with three lights and bats, not too mention the keyboard, the vocoder, the moog synthesizer, and all the pedals that are on stage with him. But he uses them all and creates a whirlwind of sounds that's all kept together by the steady drumming of Shaun. It's an excellent, danceable, fun sound that more bands could certainly learn fun.

    Once they come off the stage the band goes right back to party mode doing shots of Jaeger, hanging with friends and fans, and smiling ear to ear thankful that they get to do this for a living. It's a really fun night and if you missed you can rest assured that the band will back soon enough and probably will be making a stop at Union Hall their home away from home.

    This Week's Tour News

    Who: Danielson
    When: October 31st
    Where: Knitting Factory
    More Dates
    Thoughts: Before the posting of a new(old) single yesterday, it had been ages since we had last heard from Danielson! I believe it was last year's Seaport kick-off with Animal Collective (which I missed) was their last New York show though I could be wrong about that. Anyway, Danielson always put on a fantastic, color coordinated show so make sure you get your tickets now because this is sure to be a jam packed crowd. Also, come up with a good costume!
    Listen: Danielson - "Did I Step On Your Trumpet"


    Who: Flipper
    When: November 15th
    Where: Knitting Factory
    More Dates
    Thoughts: I was unaware that Krist Novaselic (yes, the one from Nirvana) had joined on with Flipper but I find that to be awesome news. Not that the band didn't merit mentioning on their own, they are only one of the pioneers of that whole California version of punk rock we all know and love. But yeah, this show has the potential to be an insane affair that will rival and live experience you've had this year. I belive tickets are on sale so jump on that.
    Listen: Flipper - "Sex Bomb"


    Who: MSTRKRFT
    When: October 10th
    Where: Webster Hall
    More Dates
    Thoughts: I enjoy MSTRKRFT's music well enough, but what I'd really like is some new Death from Above 1979! Can we get some of that guys? No, you're going on tour again. Ah I see. Well that's cool, have a good trip and I guess I'll see ya' if I see ya'.
    Listen: MSTRKRFT - "VUVUVU"


    Who: Dan Friel
    When: September 30th + October 4th
    Where: Death By Audio + Less Artists More Condos
    More Dates
    Thoughts: Dan Friel is probably better known by his membership in the Brooklyn band known as Parts & Labor, but if you've heard his awesome new album Ghost Town you'd realize that he's certainly just as worthy of note as a solo artist as he is with his band! This is some amazing stuff, and though I've yet to catch him live I'm sure it's mind melting being in the presence of such awesome music being performed live.
    Listen: Dan Friel - "Desert Song"


    Who: Hercules & Love Affair
    When: November 1st
    Where: Hammerstein Ballroom
    More Dates
    Thoughts: I missed Hercules & Love Affair their first trip through the States and boy am I regretting it now with them already jumping up to Hammerstein Ballroom level. Geez, that was awfully quick guys and considering the awfulness of the venue I think I'm just gonna have to take a pass on seeing them this time around. Serves me right for finding something better to do the last time they were in town though!
    Listen: Hercules & Love Affair - "Blind"
    Considering the amount of time spent talking about Land of Talk you might be led to believe that they have been mainstays on this whole strange world known as the indie rock world for ages, but you'd be very very wrong on that front. Instead the band is just preparing for the release of their debut album Some Are Lakes and after a few early listens I must say I am thoroughly impressed with everything I am hearing. Liz Powell sounds as good as she has ever sounded throughout the duration of the album, the guitars are sharp and piercing, even the rhythm section takes it up a notch on this album from where they were on the EP. Best of all, this being a full album and all we get a little more time with Land of Talk each time we put the darn thing on! I can't wait to get a true copy of this in my hands, I'm gonna wear the damn thing out!
    Land of Talk - "Some Are Lakes"
    Land of Talk - "It's Okay"

    Being a "blog" band doesn't typically have a good shelf life. Generally, by the time your second record comes out you are already old news and people are ready to tear you down bit by bit. Somehow, Mason Proper has stood up to this whole world of "what have you done for me 30-seconds from now" and laughed at the whole sordid arrangement by making a solid rock album. Now I know the words solid and rock aren't typically used by the blogosphere who prefer to rant or rave in over hyped hyperbolics just to drive the point home that they listened to your band on their iPod three minutes ago and liked that cover song you did, but here I'm going to state the obvious Mason Proper know how to write a pop song, put a rocking sound to it, and allow their listeners the chance to stand up and sing-a-long or just chill while listening to the tunes. They have honed their craft through diligence and touring and the releasing of a few superb EP's, and now it's all coming to a head on an album that just shines from it's very core with some straight forward rock and roll! There's no gimmicks here, no remixes or guest appearances, no blips or squeaks, just guitars, bass, drums, and vocals and a whole lot of the right kind of rock attitude. This is a refreshing record that should be heard many, many times by true rock loyalists.
    Mason Proper - "Lock and Key"
    Mason Proper - "Downpour"

    Like Mason Proper up above, Birdmonster has been lumped in with the growing stockades of "blog" bands and seem to have survived past their first album. I honestly didn't think it would happen for them, mostly because for as much love poured forth for their self-titled debut, there were just as many that hated the record. I was somewhere in the middle, adoring their live show but not too thrilled with the whole record and so I was left doubting their return and scoffing at the idea that anything would change for Birdmonster. Well I was entirely wrong on From the Mountain to the Sea, Birdmonster have honed their rocking sound into a fine tuned, well oiled rock n' roll machine. This is straight up sing-a-long stadium rock at it's finest, though of course you can still see this band in smaller clubs throughout the U.S. when they hit the road. The songs here are so much better then what they had the first time around, with an extra emphasis put on the songwriting. The music continues to grow as the band seemingly improves their skills each and every time they pick up an instrument. I'm kind of blown away by this album, not that it's my favorite of the year, but it may make the list and I had terribly low expectations for it which adds up to my awed reaction. This is a damn solid rock record just take a listen and leave all the naysayers to twiddle with their Vampire Weekends and Fleet Foxes.
    Birdmonster - "Lost At Sea"
    Birdmonster - "The Iditarod"


    Friday, September 19th:
  • Awesome Color + Vivian Girls @ Cake Shop [info]
    Awesome Color - "Outside Tonight"
    Vivian Girls - "Damaged"
  • Basia Bulat @ Highline Ballroom [tix]
    Basia Bulat - "Snakes and Ladders"
  • ATP NY @ Kutshers Country Club [tix]
    My Bloody Valentine - "To Here Knows When"
    Built to Spill - "Carry the Zero"
    Mogwai - "The Sun Smells Too Loud"
  • Mount Eerie + Julie Doiron @ Lutheran Church of the Messiah [info]
    Mount Eerie - "Voice In Headphones"

    Saturday, September 20th:
  • The Stills @ Bowery Ballroom [tix]
    The Stills - "Don't Talk Down"
  • Motel Motel @ Lit [info]
    Motel Motel - "Coffee"
  • Creaky Boards + Drink Up Buttercup @ Pianos [info]
    Creaky Boards - "The Songs I Didn't Write"
    Drink Up Buttercup - "Young Ladies"

    Sunday, September 21st:
  • The Feelies @ Bowery Ballroom [tix]
    The Feelies - "It's Only Life"
  • Cut Copy + The Presets @ Webster Hall [tix]
    Cut Copy - "So Haunted"
    The Presets - "Kicking and Screaming"
  • Passion Pit @ Mercury Lounge 9/17



    Out of all the bands I was seeing last night I must admit I was most excited to see Passion Pit. I was supposed to see them last month when they did their month long residence at Pianos but I totally flaked on that and regretted it from the moment it happened. Luckily I didn't have to wait long to get a chance at redemption and to finally glimpse a band that is burning with the amount of buzz behind them. This show started off with a half-full Mercury Lounge but by the second song it was nearing the capacity and a few people in the front were even bobbing along with the music. And let me tell you the music was tight all night long! It's amazing that such a new band can be that tight with so many different types of equipment but they were. Sure, there were a few little mistakes but nothing too noticeable and nothing that wasn't over compensated for by the songs themselves.

    I was thoroughly impressed by the band last night and I fully believe that they are the band to see if you are coming to CMJ 2008. Be prepared you are going to be hearing the name Passion Pit a lot in the coming months. Oh, and did I mention they released an album on Tuesday? Go get it now!

    Listen: Passion Pit - "I've Got Your Number"






    Last night the joyously titled The End of the World began a night of earnest rock and pop tunes sung to an almost silent Mercury Lounge (more on that later). The band, who were name checked as being buzzworthy earlier in the week, quickly proved that I was correct in my labeling with their variation of Americana-indie-rock. At times it sounds like some of the more subtle tunes from The Walkmen (even more so live), at others there's a distinct middle America vibe to it, but all in all it pretty much calmly rocks you around the room. The songs are driven by drummer/lead singer Stefan Marolachakis, who somehow pulls off the whole Phil Collins singing and drumming thing (while thankfully not sounding, looking, or resembling Phil Collins in any way) while drawing in the audience's attention to his every sung lyrics. It's impressive to be sure, but I was way more impressed by the use of steel guitar for a couple of songs and some rocking riffs. This band should be much bigger then they are, but I have a feeling they may blow up when their new album gets released in November.

    Listen: The End of the World - "Jody"





    (Editor's Note: Sorry about the tardiness of this post!)
    The Good:
    Danielson - "Animal In Every Corner (Version)"; So this is on an upcoming album of B-sides and outtakes and other stuff, and amazingly this doesn't sound like it should have been any of those! Instead this is just another solid Danielson song and it's been a while since we've heard one of those so I think we should all get excited about it!
    Grade: B

    Jadakiss (feat. Jay-Z) - "Who Run This?"; My boy Lenny has been saying for months that the album to look forward to in hip-hop is the new Jadakiss album. Well judging by this track it's definitely something to get excited about (though now we have a new Kanye album to get amped about too). Jadakiss has always had a solid delivery but for some reason I don't think he's ever approached the level he deserves. Maybe this album, combined with a weaker year for rap, will help to boost him to the Kanye, Lil' Wayne level of MC's.
    Grade: B

    Juana Molina - "Un Dia"; Juana Molina has mastered the art of repetition in music, and this track is yet another glowing example of it. While the music chimes in and out, looping over and over her vocals shift all over the place, warbling too and fro and never sitting still. I have no clue as to what she's saying but it makes for a very cool listen.
    Grade: B+

    Love Is All - "Big Bangs, Black Holes, Meteorites"; Fans of Love Is All's Nine Times the Same Song should be able to swing right back into their love affair with this band after hearing this tune. It is just as fast and hard hitting as anything on the last album and it is ferocious in its approach. And I love that hard hitting drum bit in the middle to death!
    Grade: A

    People Under the Stairs - "The Swan Fever"; I'm not sure if the static, record player sound found on this track is purposely there or part of a poor download and if it's purposely there then I'd probably say it's not necessary, but the rest of this track is the shit for sure! This is like some old school Jurassic 5 stuff right here and there's nothing wrong with that. Full band sounds in hip-hop will never get old!
    Grade: A

    Track of the Week:
    DeVotchKa - "Clockwise Witness" (The Field remix); Loyal readers know of my disdain for remixes, but for the first time in a long while I have found one I thoroughly enjoy! I am not surprised when you look and see that it's The Field that has remixed the song but I am a bit surprised that it would be a remixed DeVotchKa song that drew my admiration. I'm not the biggest fan of their music, but the toy piano and subtle sound of this song give it an atmosphere almost like that of a lullaby. It's absolutely beautiful and soothing and thoroughly enjoyable!
    Grade: A

    Old School Track of the Week:
    R.E.M. - "It's the End of the World As We Know It (And I Feel Fine)"; This week the wonderful music blog, Pop Songs 07-08, finished it's goal of writing about each and ever song R.E.M. has ever written and recorded (Accelerate excluded). The blog was a wonderful read each day, giving insight and thought into each song by the legendary band, it even made you second guess your hatred of Monster! It wrapped up with the classic and appropriately titled track above, always one of my favorite R.E.M. songs and I'm sure it's one of yours. Anyway, just wanted to pay tribute to one of my favorite blogs this week.
    Grade: A+

    The Bad:
    Keri Hilson (feat. Lil' Wayne) - "Turn Off"; I know this is not a dedicated Lil' Wayne track but it just goes to show that not everything he touches is gold. Hopefully he got paid a lot to appear on this weak ass track.
    Grade: C-

    Video of the Week:

    Vivian Girls - "Tell the World"; This is more or less a pretty simple, though definitely cute, video. But this time around it's more the song that is driving the video to be the best of the week not so much the visuals. I absolutely love this tune, but then you probably knew that already. Anyhow, enjoy the video too.
    Grade: B+
    With the summer coming to a true end (unlike that bogus Labor Day end of summer crap) this weekend I find it fitting that I come across some of the most summer like indie-pop I have heard all year! Timing, they say, is everything after all. But never mind the poor timing on my hearing this lovely, heartfelt, sugary sweet music, it is a blessing that I have heard it at all as these Swedes have yet to go the way of their country folk and blow the fuck up. Like fellow their fellow Swedes though, Heart-Sick Groans (terrible band name, yikes) craft absolutely blissful indie-pop melodies, a perfect blend of folk's soulfulness, just a hint of country, and well fitting bits of violin and hand claps . It's a combination that cannot be under estimated, this is the formula for creating an indie-pop classic! The Swedish trio have recently released a four song EP called Oh, I Can Do A Number of Things which is available for purchase on their Myspace page and which I highly recommend.
    Heart-Sick Groans - "A Bell of Bronze"
    Heart-Sick Groans - "I Pray Sir Can You Read"
    Heart-Sick Groans - "Suddenly Molly"
    Heart-Sick Groans on Myspace

    Questionable Corner: Oppenheimer

    My favorite Irish, synth-rock, duo Oppenheimer are returning to New York this week for a gig at the Mercury Lounge on Thursday night (that's tomorrow!!!) and one at Union Hall on Friday night, so I thought it would be a good time for us to catch up with the band and see how they spent their summer vacation and what they are currently up to. Rocky took time out of his always busy day to answer some questions for us and give you a little insight in to what's going on in the world of Oppenheimer! If you have a chance check out the band tomorrow night, they take the stage at 9:30pm sharp!

    PTST: Hey guys, long time since we've had a chance to chat what have you been up to in the
    mean time?
    Rocky: Loads! After touring around the states in March, we toured Ireland, England, Scotland and France with Bob Mould, did an Irish headline tour, released a 7" single and of course released Take The Whole Midrange And Boost It. We played festivals at home over the summer as well as shows with The Flaming Lips and Mercury Rev!

    PTST: So your second record is done and has been released, how do you think the final product
    turned out? Is it everything you had hoped for from it?
    Rocky: Yeah, I think we tucked ourselves away and made an album that I feel flows together really well, I love all the sounds we achieved and the different drum rooms we explored. I think it kicks pretty hard and it's amazing to have musicians who we love from Belfast and further afield on there. Having them into the studio to do strings or brass or backing vocals or bass or guitar was exciting, it was nice to play different bits to friends and musicians we respect so much.

    PTST: What's the biggest change from the self-titled debut to Take the Whole Midrange and Boost It? How have your fans taken to the changes? And how have you adapted to the sound changes in your live shows?
    Rocky: I think the songs are harder, more densely layered, with stronger melodies and arrangements, I'm also really proud of the production. Live we've had more distortion! Also over the summer in Ireland we played some tracks like "Before & After The Quake", "Take The Whole Midrange And Boost It", and a couple of others with two extra Oppenheimers, dubbed The Mega-Team. It's been so exciting to blast out a show for 40 minutes and then have this injection of energy and musical talent in the form of Hornby and Angie McCrisken, it turns a two man idiot parade into a full on non-stop party - so that's been really fun and the crowds in Europe have been really into it. Of course there's been one or two people protesting it, who probably cried when Dylan plugged in, but you know getting the chance to expand the ideas of the second record and bring more enjoyment to a room full of people is the reason we drive around in a van for 16 hours a day!

    PTST: Last we chatted you told me about this big communal space in Ireland that you were knee deep in, how has that turned out?
    Rocky: The space is still there, I've opened up a recording studio that's been there for nearly a year now. It's going really well, we've had artists like Sharon Corr, Duke Special, Foy Vance, The Tings Tings, Holy Fuck, Blood Red Shoes all passing through, as well as getting to work with some of Ireland's best new and exciting bands, people like In Case Of Fire, And So I Watch You From Afar, Robyn G Shiels, General Fiasco, Cutaways... bands who want to make great albums and develop their sound and who love experimenting, I think we've set up a really unique experience for this in Belfast.

    PTST: You're coming back to the States and specifically New York again this week, has the
    novelty of traveling abroad to play music worn off yet or is something you still find pretty
    exciting?
    Rocky: The novelty of travel, like sitting in airports, being cramped on a plane has certainly lost it's entertainment value. Even this time driving into NYC didn't fill me with the excitement it usually does. But that all changes the second we play the first show of a tour. This hasn't been our biggest tour numbers wise, but it's been by far the one I've put most effort into making sure that everyone who does come out has the best night out! It's such an amazing thing getting the chance to play your own music to new faces night after night, thousands of miles from home, the minute that's not exciting is the minute you should be asking yourself why you are in a band at all.

    PTST: Is there anything or any place you haven't been to or done that you plan on doing this
    visit?
    Rocky: Charlottesville was new, we played a lovely venue called Gravity Lounge and met some nice folks called Bill & Andy there, it was a really fun night. We're also going to Albany for the first time too. It's been amazing to revisit some places and meet people who are becoming good friends. It's a short trip sadly, so no time for crazy road trips!

    PTST: So aside from recording and touring, how have you guys been spending your summer?
    Are you looking forward to the fall?
    Rocky: We've been stocking up on confetti and air horns and generally having a laugh, making a lot of video clips for our website/myspace and wondering around. I took my first vacation in over three years, which was amazing - I turned my phone off, went to London and just walked around, asked my girlfriend Angie to marry me - and she said YES! which was certainly the highlight of the summer. I'm having a great time this tour and I'm really looking forward to the Irish dates we have coming up in October and whatever else this crazy year has left to bring!

    PTST: I know it seems so soon since the release of the new album, but what comes next for
    Oppenheimer?
    Rocky: Well we'll tour until we owe some people $100,000 again and then we'll think about how to steal some more cash! We've started talking about the next album already, it may be a concept album! but we'll hold it together. I'm starting to get excited about the prospect of getting into the studio and making something new again!

    PTST: What have you been listening to on the road this time around?
    I'm still listening to Happy Hollow by Cursive every single day. David & The Citizens, an Irish band called Cutaways, Edgar "Jones" Jones, The Promise Ring and Beaujolais have also been on heavy rotation.

    PTST: So why should people come see you when you you guys hit there town?
    Rocky: Well, we're having more fun than ever before, so hopefully everyone else will too.
    Expect fun times, loud music to dance to and you can also be a star in one of our tour videos!

    Oppenheimer - "Take the Whole Midrange and Boost It"
    Oppenheimer - "Cate Blanchett"
    If the Chris Cornell from the days of Superunknown met today's Audioslave'd version of himself he would probably kick his own ass. I really wanted to go with Badmotofinger for that sentence but I couldn't find my copy and so here we are with the legendary grunge band's second best record (in my humble opinion). But of course most of you know, if not own, a copy of Superunknown that helped fuel your love of grunge back in the early 90's and I don't think anyone would be ashamed of owning such a hard rocking album.

    Lumped in with the likes of Nirvana and Pearl Jam, Soundgarden never quite fit into that category like the other bands and copycats that got lumped there. They were always harder, always better musicians, and were led by the powerful pipe of Cornell, all of which set them apart from the rest of the grunge bands. For better or for worse they were lumped into this genre thanks to their location (Seattle) and the darkness which most of their music reveled in. So even though their first two albums, Ultramega OK and Louder Than Love, pre-date the grunge era they still got to share the billing. I guess it's not the worst thing that could have happened to the band, they could have gotten lumped in with a hair metal band from the late 90's thanks to Kim Thayil's and Cornell's longer hair or god knows maybe something even worse. Anyhow, I think Soundgarden flew under the radar before Superunknown, I know they flew under my own radar (which was pretty much nonexistent in those days) until their video for "Black Hole Sun" landed on MTV. I was obviously late to the party on the whole Soundgarden thing. Not only was this the band's fourth album but "Black Hole Sun" was the album's 3rd single! Ouch! But yes, like a lot of my favorite bands from bygone days, Soundgarden was learned of through the power of the music video.

    This video is sick with it's surreal images and weird coloring and it sunk into my brain leading to the purchase of the album and a devouring of all things Soundgarden. Listening to this album back in the day was a pretty powerful experience. The songs hit with such power that it was impossible to ignore anything in the song and Cornell's voice was beyond anything else in punk or gurnge music in those days. The guy could flat out sing unlike most of his peers, and the things he sung about were insane, end times, death, insanity, it was all so new to my closeted teenage ears and it served as an eye opening experience for sure.

    From here I back tracked to the rest of the Soundgarden catalog landing on some really good tunes and one of my favorite albums of all-time Badmotofinger (I really need to find my copy!), all from the strength of one beautifully filmed video. That was all it took to get me into this type of music. It's pretty amazing when I step back and look at the road that led me from newbie to geeked out music blogger, but shit without those music videos I wouldn't have ever listened to anything. Crazy.
    Soundgarden - "Fell On Black Days"
    Soundgarden - "Superunknown"
    Soundgarden - "Black Hole Sun"
    Soundgarden - "Spoonman"
    Soundgarden - "The Day I Tried to Live"

    Buzzworthy??? Or Not???

    Who: The End of the World
    Location: Brooklyn, NY
    elbo.ws Ranking: N/A
    Thoughts: Having been around since 2003 and made their way through 14 different bass players I don't know think The End of the World are your typical "buzz" band. True they do hail from Brooklyn and they have been named "Band of the Week" on more then a few blogs over the years, but for some reason they have never quite held it together long enough to let the steam roll along for them. That's all about to change thanks to a couple of high profile gigs, including tomorrow's opening slot for Sunset Rubdown, and a brand new album from Flameshovel Records. The album is probably the most prominent part of what I suspect will be a quick rise through the Hype Machine charts, as it shows a side of The End of the World that I hasn't really been shown yet. Sounding a bit like The Walkmen, French Exit is a rollicking good time of a record but of course I've only heard about half of it so far so I'm just going on that. It's enough to woo me over to their corner and I'll be front and center when they hit the Mercury Lounge stage tomorrow. This band is meant for big things, lets just hope it all pans out for them this time around!
    Verdict: Buzzworthy!!!
    Listen: The End of the World - "Show Your Age"
    The End of the World - "Jody"
    People have made a lot out of the fact that Passion Pit's debut EP was originally made as a belated Valentine's Day gift for Michael Angelakos' (the band's brain child) girlfriend. Well, honestly I've given a lot of romantic, creative type gifts and never once did it make me the buzz of the internet music heads or get me a record contract. That just reeks of indignity to me, but then I've never recorded something so wonderfully catch as the Chunk of Change EP in my life let alone as a gift. So maybe Angelakos and his band mates deserve this new found fame that has been thrust onto them.

    For the duration of this, never really romantic despite its intentions, album you can find some addictive electro-rock jams that sound deliciously simple and will have your booty shaking in no time flat. It's the type of album that reminds us of the times we live in where a bedroom sound, some synths, and a recorder are all people need to craft some truly interesting sounds, yet no matter how many times we see it happen we are always impressed by the simplicities and the intricacies of the music being made. This album is no different as it has some songs that are definite winners in the bunch. Tunes like "Better Things" and "I've Got Your Number" are some of the better songs that have been heard this year and as an overly album the 6-songs work brilliantly together.

    The only problem with Passion Pit's Chunk of Change EP is that it sets an awfully high bar for boyfriends all over the place this coming Valentine's Day. I mean seriously there are gonna be ladies everywhere looking to have an album made for them that they can then sell to some hip indie label! It's gonna be a tough going in February but at least for now we have these excellent tunes to make us happy till our girlfriends dump us!
    Passion Pit - "I've Got Your Number"
    Passion Pit - "Live To Tell the Tale"


    Monday's Leaky Faucet

    Who: Cold War Kids
    Title: Loyalty to Loyalty
    Release Date: September 23rd
    Label: Downtown Records
    Thoughts: When buzz built over the first two EP's released by Cold War Kids I have to say I got swept up in it. The music was sharp and catchy, but the lyrics were a bit inane at times no matter how passionately they were delivered. This time around the lyrics are a lot less inane making for some interesting word play, but the music takes a sharp turn downward making for a far less catchy and ultimately a far less enjoyable listen. For the better part of this album, with the possible exception of the single "Somthing Is Not Right With Me", the music is ho-hum and boring. It's the kind of record that could put you to sleep in only a couple of tracks. Listening more intently is a difficult thing to do even with the improved lyrics being something you could try to pay attention to. This is a very weak album and may ultimately kill whatever buzz crest this band once rode.
    Listen: Cold War Kids - "Something Is Not Right With Me"
    Cold War Kids - "Relief"

    Who: Los Campesinos!
    Title: We Are Beautiful, We Are Doomed
    Release Date: November 11th
    Label: Arts & Crafts
    Thoughts: Twee music has never really been known for it's evolving nature. Bands make it or break it on the strength of their songwriting and their abilities to incorpoarte certain catchy elements into their music. On their extremely quick follow-up to their full length debut, Los Campesinos! continue the twee trend of not evolving but they also lose a lot of what made their first EP and album so damn catchy. It's still littered with the dark humor that has been a hallmark of the band since they burst onto the scene, but that may be the only redeeming factor. This just sounds so similar to everything they did the first time out that it's hard to differentiate save for the fact that it's not nearly as catchy as the first go. Maybe the band should have taken a bit more time with this and tried some different things, but hindsight is always 20/20 and this album wasn't entirely necessary so quickly.
    Listen: Los Campesinos! - "Miserabilia"
    Los Campesinos! - "You Need Those Fingers for Crossing"
    Monday: Human Highway + Becky Stark @ Cake Shop 8pm $8
    The names of these two performers may not be immediately familiar to most of you but I assure you that you should have at least heard of what they are a part of or the names of their other projects. Opening act, Becky Stark, is the front woman for the wonderful Lavender Diamond. Her stage presence is a beautiful thing to behold and her voice might just charm the pants off of you! As for Human Highway well this is another Nick Thornburn side project. You know Nick Thornburn, of Islands or Unicorns or about a dozen other bands. This should be pretty noteworthy and definitely worth checking out.
    Human Highway - "Sleep Talking"
    Lavender Diamond - "You Broke My Heart"

    Tuesday: Dan Friel + Dinowalrus @ Cake Shop 8pm $7
    Back-to-back nights at the cramped confines of Cake Shop may not be your cup of tea but following Monday's sweet lineup this Dinowalrus curated show is another gem! There's two other bands on the bill but Dan Friel (of Parts & Labor fame) and Dinowalrus are the real draws to me. Check 'em out!
    Dan Friel - "Ghost Town (Part 1)"
    Dinowalrus - "I Hate Numbers"

    Wednesday: Sunset Rubdown, Passion Pit, + The End of the World @ Mercury Lounge 7:30pm SOLD OUT
    I am sorry to recommend a show that is sold out, but sometimes you just can't help being excited about a particular show regardless of it's ticketing possibilities. I'll be in attendance on Wednesday when this excellent triple bill hits the stage and hopefully most of my readers knew enough to get tickets in advance. I'll have more on The End of the World tomorrow and you should definitely already know all you need to know about Sunset Rubdown and Passion Pit!
    Sunset Rubdown - "Stadium and Shrines II"
    Passion Pit - "Cuddle Fuddle"
    The End of the World - "Show Your Age"

    Thursday: Oppenheimer @ Mercury Lounge 9:30pm $10
    The Irish duo known as Oppenheimer is once again invading our shores making for another excellent reason to hit Mercury Lounge. I know some of you may be headed to that free Hold Steady show but make sure you pop in here for the electric rock of Oppenheimer before you head to the free show.
    Oppenheimer - "Steven McCauley for President"

    Friday: Mount Eerie @ Lutheran Church of the Messiah 8pm $8
    Mount Eerie is one of those bands that push the envelope with every bit of music they release. This fall they'll be releasing two excellent albums (that I've been meaning to write more about and should soon) that are worth your attention and their live show is usually better then most other shows you might choose to see. Check it out.
    Mount Eerie - "Voice In Headphones"

    Saturday: Motel Motel @ Lit 8:30pm $6
    I'm really digging the tunes from Motel Motel, a band that I think will make a serious push for your attentions in the coming months. Tonight they hit Lit and that means I think you should be there to acquaint yourself with this rising band before they are too big to care about their fans!
    Motel Motel - "Coffee"

    Sunday: The Feelies @ Bowery Ballroom 8pm $25
    The Feelies were excellent opening for Sonic Youth at their 4th of July concert and tonight the band continues to stay away from hibernation with a show that doesn't fall on a holiday! That alone is pretty noteworthy but their live show is definitely something you shouldn't miss!!!
    The Feelies - "It's Only Life"

    This Week's Tour News

    Who: Jay Reatard
    When: October 23rd, 24th, 25th, + 26th
    Where: Maxwell's (CMJ), Bowery Ballroom (CMJ), Glasslands (CMJ), Santo's Party House
    More Dates
    Thoughts: Having finally gotten to see Jay Reatard at Pitchfork I can say that I am now a true believer in the power of this man and his band. The music is enthralling and it rips right down to the very fiber of my being and makes me want to smash my head into something if it means I'll be able to absorb his music more fully. Yes, it is that kind of experience and I suggest you see all of his appearances in New York.
    Listen: Jay Reatard - "See/Saw"


    Who: Parenthetical Girls
    When: Sepetmber 16th + October 2nd
    Where: Music Hall of Williamsburg + Cake Shop
    More Dates
    Thoughts: I'm really into the new album from the Parenthetical Girls. It's smart, spacious, and ethereal without being obstinate. It's the kid of album that could develop into an obsession if not watched carefully and I haven't been watching at all as it has racked up play after play on my iPod. Their show at Cake Shop is definitely on my "must see" list for October and should be high up on yours as well.
    Listen: Parenthetical Girls - "Avenue of Trees"


    Who: Vampire Weekend
    When: December 3rd
    Where: Terminal 5
    More Dates
    Thoughts: I have listened to the album, I have seen the band live, I have read testament after testament to why this band is great and yet for some reason I cannot wrap my head around how this band has gotten so big and why so many people enjoy them. The music is catchy I give it that, but for every catchy chrous there is something completely inane about what Vampire Weekend are doing. It is a complete rip off of so many different things that it doesn't have an original though left in it. This is intelligently designed pop music for the masses, something we here at Pop Tarts Suck Toasted generally scoff at. Enjoy the covernous confines of Terminal 5 you bandwagon lovers.
    Listen: Vampire Weekend - "Oxford Comma"


    Who: Brightblack Morning Light
    When: November 17th + 18th
    Where: LPR + Southpaw
    More Dates
    Thoughts: Normally the drugged out sounds of Brightblack Morning Light are not something I'm into, yet for some reason I find myself strngely allured by it's drunken atmosphere. It's calming in a way and certainly a great sound to just chill to. Not sure how it would play out in person with a lot of people surrounding you but I'd be down to give it a shot.
    Listen: Brightblack Morning Light - "Oppressions Each"


    Who: Health
    When: November 7th
    Where: Knitting Factory
    More Dates
    Thoughts: I've written about Health so many times that I was thanked in their liner notes on the remix album. Granted I was one of about 40 or 50 bloggers, but hey that was one of those classic "High Fidelity" moments that make doing this site so worthwhile (lord knows I ain't in it for any sort of money, unless you're willing to throw me some!). Health has become one of the bands that has broken out of that L.A. scene that is all the rage right now and they continue to be a band that is super worthy of your hard earned dollars to see live. If you've yet to take my recommendation and go see them do it now!
    Listen: Health - "Crimewave"


    Who: Nada Surf
    When: November 9th, December 6th, 7th, + 8th
    Where: Living Room, Bowery Ballroom, Webster Hall, Maxwell's
    More Dates
    Thoughts: Whether you catch their acoustic, small show at the Living Room or one of the bigger, louder shows at the other venues it does not matter you know you are going to get one solid show from Nada Surf. Such is the way with a band that has worked as a one-hit wonder for ages despite releasing a slew of fantastic, critically acclaimed albums. This band is terrific live so get out and see them.
    Listen: Nada Surf - "Popular"


    Who: AC/DC
    When: November 12th + 13th
    Where: Madison Square Garden
    More Dates
    Thoughts: If I wind up at one of these two Garden shows it will be totally just to check off AC/DC on my list of bands that I've seen. They are way passed their heyday and they were way before my time, but they have made so much fantastic music that it would probably be fun to go sit in the noise bleeds and sing-a-long to tunes like "Back In Black" and "Dirty Deeds". That said I'm sure the cost will single handedly out weigh any pro's of seeing this Aussie band do their thing on the big stage.
    Listen: AC/DC - "Rock 'n Roll Train"
    Listening to the new Stars EP, Sad Robots, is like enduring a long day of work with absolutely nothing to do, you waste some time on Myspace, you go outside to smoke, hell you do anything but work and when you listen to this EP you do anything but listen to this EP. It's because listening to this album is boring and there's really nothing to it. It's stretched far too thin, there's too little of Amy Milan's precious voice, and there's almost nothing interesting here whatsoever. I enjoy Stars from time to time (true, I didn't like the last album very much) but this EP does nothing for me and I doubt it would do much for any conscious listeners. Sorry guys.
    Stars - "A Thread Cut with a Carving Knife"
    Stars - "Undertow"

    Chad VanGaalen doesn't really follow the definition of the term "folk artist". While he mostly sticks to the tried and true singer/songwriter tag he often incorporates different elements that stray away from the whole folk genre, yet somehow he stays firmly attached. With elements of funky dance sounds and an ability to tell a story through his songs VanGaalen somehow manages to straddle an invisible line between what is folk and what is, hmmm I don't know, indie pop maybe. It's an impressive trick for sure and his latest offering, Soft Airplane, pushes that line to it's furthest reaches before coming back to the more traditional folk artists we know and love. I'm not sure if I love this album or just like it, but I'm thinking a few more listens should clear the picture up.
    Chad VanGaalen - "Bones of Man"
    Chad VanGaalen - "Rabid Bits of Time"

    Expectations are nothing when you're referring to the musical conundrum known as Rafter. The man makes music that spans genres and defies classification and on his latest output, the quickly released EP Sweaty Magic, he once again defies all expectation eschewing the sounds he worked so hard to hone on Sex Death Cassette for an album that sounds a bit more like Justin Timberlake than anything that could ever come from the Asthmatic Kitty record pool. This album is a booty shaking romp of a good time, it's brief but you'll be so sweaty by the time it's done that you'll be glad for the breather. This is a really fun album, something absolutely unique and different that it defies my conventional sense of music. I thought this was the label that bred Sufjan Stevens and My Brightest Diamond, not a DFA clone!
    Rafter - "Magic"
    Rafter - "Sassy"


    Friday, September 12th:
  • Extra Life @ Dead Herring [info]
    Extra Life - "Blackmail Blues"
  • Tom Verlaine, Thurston Moore, J. Mascis, Nels Cline, + more @ Knitting Factory [tix]
  • Maps and Atlases @ Southpaw [tix]
    Maps and Atlases - "You and Me and the Mountain"

    Saturday, September 13th:
  • Lightning Bolt @ 979 Broadway Backyard [info]
    Lightning Bolt - "Assassins"
  • Marissa Nadler @ Old American Can Factory [info]
    Marissa Nadler - "Turqoise"

    Sunday, September 14th:
  • Apollo Sunshine @ Sound Fix Records [FREE]
    Apollo Sunshine - "Breeze"
  • Thursday's Track Reviews

    The Good:
    Deerhoof - "Offend Maggie"; The first track off of Deerhoof's latest offering pretty much follows suit to what you may expect from this band. It's rocking, it features those quirky vocals, and the drums are to die for, that and it's pretty damn short as well. This is a prototypical Deerhoof song and no matter how many of those there are I just can't get over them!
    Grade: B

    Deerhoof - "GUT Symmetries" (Parenthetical Girls cover); In order to promote the new Parenthetical Girls album (which shouldn't need any extra promoting, you should just buy it!), a few bands have gone and recorded covers of Parenthetical Girls songs and given them to the beast known as the interwebs. This one goes against everything Deerhoof has done before, eschewing the vocals of its leading lady and going with male vocals. That alone makes this track noteworthy, but the fact that the three piece band manage to somehow craft something deeply fulfilling from an orchestral pop band is mesmerizing! This is a track that wowed me from the get go.
    Grade: B+

    M.I.A. - "Hit That"; So M.I.A. has gone an pulled a Brett Favre thanks to the success of her tune as used in the Pineapple Express trailer. Thanks Judd and Seth for saving music (and making a solid buddy comedy)! This tune is new but it is definitely some trademarked M.I.A. with it's bells and whistles and perfectly sampled tracks. If this song doesn't get that ass shaking very little will!
    Grade: A-

    The Mountain Goats (w/ Khaki King) - "Thank You Mario But Our Princess Is In Another Castle"; A few months ago John Darnielle wrote on his blog about his admiration for the artist known as Khaki King, apparently he admired her so much he went and got her to lay down a track with him and the pair make this song outstanding. I've been enjoying a lot of the bigger fuller stuff Darnielle has been doing lately and this is no exception to that. Really a good song all around.
    Grade: B

    Vic Chesnutt, Elf Power, & the Amorphous Strums - "And How"; It seems like forever since I last heard from Vic Chestnutt but that's probably more due to my own neglect rather then him not continuing his normally prolific output. Anyhow, I was sent this tune by a publicist and it is the rare breed that I not only don't delete but also enjoy thoroughly. It's a fairly simple tune, but its execution is flawless. Fans of any of the three working parts of the song should enjoy this immensely.
    Grade: B+

    Brightblack Morning Light - "Opressions Each"; Earlier today my buddy Bob over at Gimme Tinnitus posted this tune from Brightblack Morning Light described this song as "I am sick of Mazzy Star and need something to play late and night when I am slightly drunk and overtired" music and I really can't improve on that description. But I can assign it an arbitrary letter grade!!!
    Grade: B

    Annuals - "Confessor"; I was not a fan of the Annuals side project known as Sunfold that reared its ugly head this summer, but luckily on this tune the Carolinans have gotten back to their basics recording a tune that is peaceful and calm but also a bit frantic at times. I like the dichotomy of the Annuals sound and this tune fits their sound beautifully.
    Grade: B-

    Track of the Week:
    Kanye West - "Love Lockdown"; I've heard a lot of nay saying about Kanye West's performance at Sunday's VMA's, but the tune he played that night was absolutely fantastic. Now that it's hit the internets as a bonafide recorded ditty I think people will be a bit more apt to appreciate what just may be on of the best songs of the year. No, Kanye doesn't rap on this track for a second, instead he (maybe) uses a bit of auto tune and goes to town singing a thoughtful and well written song. This isn't Kanye the rap star this is Kanye the pop idol! This is one of the best songs I've heard all year and you can guarantee that it's going on my year end list at some spot and pretty high.
    Grade: A+

    The Bad:
    One for the Team - "Apples"; There are some songs that vividly remind me of the sound of nails scratching their way across a chalk board and the sound of these guys and their vocal harmonies is eerily close to that sound. Not actually, just in the way my body reacts to the sound of it.
    Grade: D-

    Video of the Week:

    El Guincho - "Palmitos Park"; While the world over has been raving about El Guincho all summer long, his album is only just coming out here in the States. I'm sure you've already heard it and fallen in love with his Panda Bear-like tunes but this video is pretty sweet. Yes it's a bit simple, but overall it's a fun video that plays nicely with the song.
    Grade: B
    Apparently there is a burgeoning music scene located in the land of yuppies and commuters that is known as Connecticut. Personally I didn't know there was much of anything save for the occasional truck stop located in that state, but who am I to judge the merits of a whole state? No one that's who. Anyhow, I got the good ole fashioned Myspace friend request from a band located in Hartford and I decided to take a listen 'cause that's the kind of guy I am. Well after a couple of successive listens to their tunes I can say that this band is definitely pointed in the right direction.

    Branding themselves as an "indie/pop/experimental" band, The Inclined Plane craft a perfect lo-fi pop sound to fit the current landscape of indie rock. Not as noisy as say a Times New Viking, but certainly not too too far away (they're a bit far away) the band actually reminds me of a different bunch of Ohioans namely Guided By Voices. Now I know that comparison is a pretty huge label to bestow on a band, and no their songwriting prowess is nowhere near that of Robert Pollard's, but the band definitely has that simplistic approach to pop rock that made GBV so freakin' awesome.

    The Inclined Plane currently have a slew of EP's available over that their Myspace page as well as a solid amount of listening material on the page itself. This is a band you should check out ASAP, and now I'm gonna go back to listening to them!
    The Inclined Plane - "Gestalt Pump"
    The Inclined Plane - "Show Us Yr Monsters"
    The Inclined Plane on Myspace
    I think it's time we took a serious look at Pennywise, a band that probably straddles the line between pop-punk and actual punk as any band in history and who gets praised and derided almost equally for straddling that line. Back in 1989 when they released their two EP's back-to-back I was not listening to them, I was barely breaking into the punk rock scene thanks to my Dad's copies of The Ramones and The Clash but I was starting to see the allure of listening to faster paced, hook driven music with lyrics that truly spoke to me as a pretty awkward adolescent. By the time the two EP's were paired together and released as one in 1992 I was starting to really fall for the punk style of music and then Green Day struck and I was hooked.

    So yes, it took Green Day's Dookie for me to ever pick up Wildcard/A Word from the Wise but I think that's okay because I once I found it I was hooked for life. The songs were so fast paced and hook driven that it was difficult not to find yourself addicted to the songs. Tunes like "Wildcard" and "Final Chapters" just hooked me from the get go, but it was definitely the cover of Ben E. King's "Stand By Me" that hooked me the hardest. Starting off with the soft sing of the famed song and suddenly launching into a fast version of it with furioous guitars and a couple of "fucks" thrown around was all it took for a teenaged kid to like this stuff and that has sort of held true to this day. I still adore punk covers of classic songs and this one definitely ranks towards the top of the list. Anyway, the 8-songs packaged together was the perfect welcoming to the Pennywise world it was short, hit hard, and definitely stuck inside your skull. Even listening to the songs today you'll probably find yourself singing some of the choruses for the next few days after listening (you have been warned).

    I know some of you will be apt to say that this is sugar coated punk rock that couldn't hold a torch to the original bands of the genre, but lighten up folks it's punk rock music not life and death we're talking about here. This music is good regardless of if it might be better then The Clash or Black Flag (its not) or not. Take a listen to the tunes below, dust off your copy, and start listening and see if these quicky ditties don't make it right back into your brain as soon as you turn it off.
    Pennywise - "Final Chapters"
    Pennywise - "No Way Out"
    Pennywise - "Wildcard"
    Pennywise - "Stand By Me"

    Buzzworthy??? Or Not???


    Who: Hawnay Troof
    Location: Oakland, CA
    elbo.ws Rank: N/A
    Thoughts: In his years as a musician Hawnay Troof has collaborated with a shit load of your favorite artists. People like No Age and High Places and BARR and Mika Miko and way more then I feel like listing at this moment. That type of artistic association alone makes Hawnay Troof noteworthy, but does it make him buzzworthy? The simple answer to that of course is no, no matter how cool your friends are you are not a worthy artist just because someone is willing to appear on a track with you. You could have deep pockets and be paying them a shitload of money for all we know (see Diddy). No, what makes Hawnay Troof an actual buzzworthy artist is his ability to turn a synthetic beat into something that you can't avoid dancing to. This is the type of music that has people on the subway dancing without care of who sees them. This is the shit that makes white people forget they can't dance. This is the shit right here. His rhymes can sometimes be a little reminiscent of some old school Beastie Boys lines, but there is nothing wrong with that, and he sets himself apart with all the weird electronic sounds and beats, all the instrumental appearances from his popular friends, and with some truly quirky lyrics. All of it adds up to an artist that should have been buzzworthy three or four years ago, but is finally getting his time in the sun thanks to an upcoming album of new material and an album of remixes. This is hot shit. Fo' realz.
    Verdict: Buzzworthy!!!!
    Listen: Hawnay Troof (feat. Mika Miko) - "This Is Our Invite"
    High Places - "Head Spinz (Hawnay Troof Remix)"
    As far as album sequels go we don't have too large a list to go compare Okkervil River's The Stand Ins to. This is the musical follow-up to last year's brilliant The Stage Names an album that was beautifully written by Will Sheff about the world of fame and celebrity and all it's potential pratfalls big and small. The Stand Ins continues along those lines with songs covering everything from the emptiness of a life spent standing on stage to the view of those performers from the cheap seats. It's an honest and revealing look at celebrity but it's also aided by Sheff's amazing ability to turn a phrase and his band's ability to back it all with sounds that fit.

    Like The Stage Names, The Stand Ins is a full sounding album buoyed by its wide breadth of instruments and a remarkable penchant for those tools of the trade. And also like it's predecessor, The Stand Ins shows Will Sheff at the height of his song writing abilities, never afraid to let himself pour out onto the page and delivering poignant verse after poignant verse. This is a fantastic album whether it stands alone or is pair with The Stage Names, but when you play the two back-to-back you get the full picture of what Sheff had intended by all this.

    Some would say that The Stand Ins serves more as a second act rather then a sequel, but terminology is a fickle beast so we'll continue to use the sequel tag that Okkervil River applied to it. No matter what it's called the album is another beautiful record from Okkervil River a band who has jumped into this world of indie music and given us a slew of fantastic records over the last few years. This one isn't their best, I'd reserve that label for their breakthrough album Black Sheep Boy, but it definitely showcases every strength they have developed in the time they've been around.

    The Stand Ins is a rare beast as an album sequel, but it's music can be taken on it's own and that allows it to shine through as a fantastic record on it's own. If Okkervil River continue to write and record with such an undeniable ability as they have shown they will soon be regarded as one of the better bands around, if they aren't already. This is definitely a record that should be in your collection.
    Okkervil River - "Lost Coastlines"
    Okkervil River - "Calling And Not Calling My Ex"
    Okkervil River - "Bruce Wayne Campbell Interviewed on the Roof of the Chelsea Hotel, 1979"


    Also Released Today:

    Monday's Leaky Faucet

    Who: TV On the Radio
    Title: Dear Science,
    Release Date: September 23rd
    Label: Interscope
    Thoughts: I have had only one listen to TV On the Radio's newest album Dear Science, so you'll have to forgive me that this is not an in depth analysis of the new album but just a collection of my initial thoughts. On first listen I'm going to have to say that this is a slightly weaker album then Return to Cookie Mountain was, but then I said the same thing about Return compared with Desperate Youth, Blood Thirsty Babes and that opinion has certainly changed since then. This is a more immediate and accessible record then anything the band has done before, using synths and beats to create something a little more pop oriented and immediately satisfying. I don't know if that's going to work as an asset on future listens or not, but if I've learned anything about TV On the Radio it's that their greatness is in the details, the finely tuned little bits to each song that hold them together and make them shine. I definitely haven't had the chance to truly enjoy that just yet but I'm sure I will in the coming days and I'm sure this will be a standout album just like everything else TV On the Radio has done.
    Listen: TV On the Radio - "Golden Age"
    TV On the Radio - "Lover's Day"

    Who: Metallica
    Title: Death Magnetic
    Release Date: September 12th
    Label: Warner Bros.
    Thoughts: For all the talk of a revived, reborn Metallica we have all been pretty realistic in what to expect from the first album from the metal legends in 4-years. We know we will never see another Master of Puppets from this band, that energy and power died ages ago and wasn't nearly as financially lucrative as the brand of alterna-metal they developed in the 90's. But this album does bring back some of what we expected of Metallica back in the days. The album is littered with songs that are never shorter then 5-minutes long and songs that are definitely heavier then what the band has been pushing for more then a decade. But it may just be too little too late for Metallica, because honestly even the metal they were making has morphed into something completely alien to this band. There are moments where you think the band may just have revived themselves (like the opening to "Broken, Beat, & Scarred") only to be let down by some of the weakest drumming in Lars Ulrich's life or by ridiculous lyrics, or one of the many other flaws found here. That said this is their strongest release since their self-titled black album, but even with that vote of confidence it only manages to be slightly above average. Maybe I just have unfair expectations from a band that released Ride the Lightning, but that is what I'd like to hear from them and this doesn't quite hit with that kind of ferocity. There are times when it comes close, but it never quites get there.
    Listen: Metallica - "The Unforgiven III"
    Metallica - "My Apocalypse"

    Who: Peter, Bjorn & John
    Title: Seaside Rock
    Release Date: September 23rd
    Label: Almost Gold
    Thoughts: Following the triumphant success of their debut album Writer's Block, Peter, Bjorn & John have returned with an album out of left field. Where Writer's Block was awash in sing-a-long lyrics and skillful harmonies, their new album Seaside Rock is utterly devoid of those concepts as it's an instrumental album. The shock of this is something that hopefully will wear off, because the music on the new album is as beautiful as anything on their previous album and should be appreciated just as much as that album is. There are a few select moments of vocals, all of which are monologues spoken in Swedish by people that reside in the three different towns that Peter, Bjorn, and John reside in. I don't understand a word of those monologues, but behind them there is this beautiful pop music playing and that I understand fairly well. It sounds glorious, not too spacious, not too pretentious, just a pretty album with lovely work on guitars, drums, keyboards, and a host of other different instruments. This is a really good pop record, despite not having any vocals, and though it may be a risk to their musical careers I think they'll come out better for having tried something unique. Definitely give this a listen as soon as you can.
    Listen: Peter, Bjorn & John - "Say Something (Mukiya)"
    Peter, Bjorn & John - "School Of Kraut"

    Who: Blitzen Trapper
    Title: Furr
    Release Date: September 23rd
    Label: Sub Pop
    Thoughts: Last year Blitzen Trapper broke out with the release of their widely acclaimed album Wild Mountain Nation, personally I wasn't a big fan of their blending of traditional and modern elements of folk but I can't deny their ability to pen a song. On their follow-up and Sub Pop debut Blitzen Trapper are once again blending those elements together, but this time around there is also a bit more of a rocking vibe to everything they put down. They are still excellent song writers that know how to pen a tune, but the music is a lot less murky this time and a bit more straight forward. Those slight changes make this an immediately more accessible album, and in my opinion one that's a lot better then their three self-released predecessors. It's still not something I would listen to great deal but at least this time around there's something I can latch onto a bit more.
    Listen: Blizten Trapper - "Furr"
    Blitzen Trapper - "War On Machines"
    Monday: Silver Jews @ Maxwell's 8pm $25
    If anyone had a chance to see the Silver Jews over the weekend at Bowery Ballroom they could tell you better then I could why you should go see them. But the fact that they are now playing the much smaller and much more intimate Maxwell's should be all the incentive you need to go, well that and the whole David Berman is one of the best song writers alive argument.
    Silver Jews - "I'm Getting Back Into Getting Into You"

    Tuesday: Deerhunter @ (le) poisson rouge 10pm $15
    Apparently (le)poisson rouge has a fish tank suspended from it's ceiling. I did not know this until the other day, but I may finally get a chance to see the new venue when Deerhunter hits it's stage. Of course I'll probably be more focused on watching the spectacle that is Bradford Cox on stage, but the I'm sure the fish will amuse before they go on.
    Deerhunter - "Game of Diamonds"

    Wednesday: Maps and Atlases + The Subjects @ Mercury Lounge 8:30pm $10
    Two very solid, very buzzworthy bands will be hitting the same stage on Wednesday night and you probably won't want to be missing it. Both, Maps and Atlases and The Subjects, are indie rock darlings that are quickly growing reputations for excellent music and terrific live shows so chance are that they'll be playing a much larger venue next time through the area. Go see them now so you can be the guy that says they were so much better when they were smaller.
    Maps and Atlases - "You and Me and the Mountain"
    The Subjects - "The Hounds of War"

    Thursday: Land of Talk @ Mercury Lounge 6:30pm $12
    Seeing Lizzie Powell on stage with Broken Social Scene revived my memory of how excellent Land of Talk are just in time for this show. Of course Land of Talk aren't quite BSS, but they are a damn good band in their own right and this should be an excellent show. I'm a little curious about the early start time though.
    Land of Talk - "Some Are Lakes"

    Friday: Tom Verlaine, Thurston Moore, Nels Cline, & J. Macis @ Knitting Factory 7pm $20
    Is there a better way to spend a Friday night then having a few beers and watching a bunch of legendary guitarists work their magic with their 6-strings? Possibly, but I can't really think of any off the top of my head. This is some primo talent all taking the same stage and you can bet that there will probably be more then a few pairings of these living legends.
    Tom Verlaine of Television - "See No Evil"
    Thurston Moore of Sonic Youth - "Teenage Riot"
    Nels Cline of Wilco - "You Are My Face"
    J. Macis of Dinosaur Jr. - "Been There All the Time"

    Saturday: Lightning Bolt @ 979 Broadway Backyard ?pm $10
    This show is supposed to be in the afternoon but I have no idea what time it actually starts. That said, make sure you don't miss Lightning Bolt one of the most amazing bands around! Get there for noon and just wait till they play and it'll all be worth it!
    Lightning Bolt - "Assassins"

    Sunday: Apollo Sunshine @ Sound Fix Records 6pm FREE
    McCarren may be over and done with but that doesn't mean there won't still be some free shows in Brooklyn on Sundays, it just means they will most likely be indoors at the cafe behind Sound Fix. This weekend you get Apollo Sunshine a solid band doing their thing for free. Of course Sound Fix doesn't have nearly the capacity McCarren did so make sure you get there early and stake out a sweet spot.
    Apollo Sunshine - "Breeze"

    Pattern Is Movement @ NYU 9/4 (video) Part 2

    Pattern Is Movement @ NYU 9/4 - Pop Tarts Suck Toasted
    ...and more from Pattern Is Movement! This song's called "Bird", I think it's lovely!
    Broken Social Scene @ NYU 9/4 - Pop Tarts Suck Toasted
    Here's the promised second video from Broken Social Scene's set at NYU on Thursday night. The tune is "Anthems for Seventeen-Year Old Girl" and it sounded pretty damn good Thursday night!

    Broken Social Scene @ NYU 9/4 (video)

    Broken Social Scene @ NYU (9/4) - Pop Tarts Suck Toasted
    Headlining the semester opening 'Mystery Concert' at NYU last night was the legendary Broken Social Scene, not totally intact but able to produce up to 11-members for any given song! Their set was absolutely wonderful culling songs from all over the BSS map, including the two latest Broken Social Scene presents... albums. It was an awesome set, highlighted by the back-to-back playing of "7/4 (Shoreline)" and "Fire Eye'd Boy" with Elizabeth Powell of Land of Talk filling in for Emily Haines and Amy Millan. The video above is of "7/4 (Shoreline)" and it is awesome! (I also have video of the band doing "Anthems of a Seventeen Year Old Girl" which will be posted at some point this weekend!)
    So earlier in the week we got the leak of the first of the two EP's coming from Final Fantasy. That one featured the members of Beirut and was a big orchestral album. Now to end the week we have the leak of the other EP, Plays to Please! This one is a little bit different from the first, at times it can be almost show tune like and is certainly very cinematic in it's scope. Of course all the tunes on this second EP are in fact covers of Alex Lukashevsky’s with a full 35-piece orchestra, so suffice it to say this is pretty expansive too. I haven't had too much time with this second EP so I hope you'll pardon my brevity on the subject. Take a listen to the tracks below I think you'll like what you hear.
    Final Fantasy - "Horsetail Feathers"
    Final Fantasy - "Ultimatum"

    A month ago today Oxford Collapse released their highly anticipated album Bits, and yet I have barely even begun to scrape the surface of the album's depths. I have neglected it here on the site, pushed it to the back of my necessary listening, and pretty much ignored it's existence since it's release. What kind of an Oxford Collapse fan have I become? I a shit one, that's for damn sure! But no more my friends because I have visited this powerful vestige of indie rock and I am once again firmly planted on the bandwagon with both feet! Oh hi I've missed you Oxford Collapse and you're instantly catchy, sing-a-long anthems! How I've loathed the days that have passed since I last heard new guitar riffage and thundering rhythms! You guys have treated me well in the past and I have not returned the favor with anything more then a mere mention here, well you're new(-ish) album absolutely rocks guys, my bad on not picking up on it earlier then now! Better late then never? Probably not, but at least I've opened my ears to it's awesomeness now!
    Oxford Collapse - "Young Love Delivers"
    Oxford Collapse - "A Wedding"
    Oxford Collapse - "Men & Their Ideas"


    Friday, September 5th:
    Titus Andronicus + Chairlift @ Lit
    Titus Andronicus - "My Time Outside the Womb"
    Chairlift - "Evident Utensil"

    Saturday, September 6th:
    East Village Radio Music Fest @ South Street Seaport [FREE]
    Boris - "Laser Beam"
    Awesome Color - "Outside Tonight"
    High Places - "From Stardust to Sentience"
    Vivian Girls - "Damaged"
    Crystal Stilts - "Crippled Croon"

    Sunday, September 7th:
    Silver Jews + Monotonix @ Bowery Ballroom [tix]
    Silver Jews - "Suffering Jukebox"
    Monotonix - "Body Language"
    Pattern Is Movement @ NYU (9/4) - Pop Tarts Suck Toasted
    Pattern Is Movement opened up last night's 'Mystery Concert' at NYU. The Philadelphia natives sounded beautiful in the Skriball Center last night, the acoustives were perfect and the band was positively magnetic, jovial, and on point all night long. This is a video of them doing "Jenny Ono", a tune I've begged them to play in the past and which has now been added to their growing setlist!

    Thursday's Track Reviews

    The Good:
    Fucked Up - "Twice Born"; This track should be the new standard bearer for whatever is left of the hardcore scene. The throaty, empassioned growl of Pink Eye is so intense on this song that I can practically feel the effects in my own throat. There is no way I could ever even try to capture the power of these vocals and I doubt this will ever show up at karaoke, but it is a kicking track that should be noticed.
    Grade: B

    Ingrid Michaelson - "Be OK"; You gotta respect an artist that works her way up like Ingrid Michaelson has and then starts to give back. With "Be OK", the title track from her forthcoming album, Ingird has decided to donate all the proceeds to Stand Up to Cancer, and the song will be broadcast as part of the huge event on Friday. If that weren't good enough the song itself is another shinning example of pristine, overly catchy pop music. This will probably wind up in a comercial or on Grey's Anatomy in the very near future!
    Grade: B+

    Starfucker - "German Love"; I don't know if I'm just confused by the utter repetition and catchiness of this song or if the song is actually good, but for now I will lean toward the latter while I ponder the possibility of the former. Take a listen and see what you think, this band could be huge or they could suck. Which will it be? I'm thinking huge.
    Grade: B

    The Present - "World I See"; As the producer behind Panda Bear and Animal Collective, you have no doubt enjoyed the work of Rusty Santos, but now it is time forRusty to step out from behind the board and into the limelight with his new creating as The Present. On the title track from his debut album Santos proves that he has the ability to cop the style of the folks he produces with a track that is sprawling and seemingly improvisational. It's a cool track without a doubt, but not quite at the level of Panda Bear or Animal Collective.
    Grade: B+

    The Streets - "The Escapist"; The survival of The Streets is dependent upon his ability to turn a phrase and lay down a rhyme better then anyone else, and once again Mike Skinner is proving his ability to do just that. The beat on this tune isn't anything spectacular, but it does allow the lyrics to shine through as the true star of the song. If you expected anything less from The Streets then you were sorely mistaken.
    Grade: B

    Jay Reatard - "Trapped Here"; Jay Reatard conitinues his year of singles with another release which will lead to the release of his collection of singles some time in the near future. For now we have another album with three solid tracks headlined by this one right here. If you've liked the others you'll like this and you may love the B-sides.
    Grade: A-

    Track of the Week:
    Times New Viking - "Call and Respond"; Times New Viking is definitely pushing their towards being crowned band of the year in my book. Not only have they released on of my favorite albums of the year, but they recently announced another EP to be released before the ball drops! Yeah, I'm excited but I'm even more excited after hearing this first track off of it. It kicks ass! Once again the Ohians are making themselves all noisy and lo-fi, but we all know that there are some super sweet pop songs buried beanth all that feedback and fuzz! This is another fantastic tune from probably the best band of the year.
    Grade: A

    Old School Track of the Week:
    Nirvana - "The Man Who Sold the World"; I heard this at a BBQ on Monday and it's been stuck in my head since. It's amazing that this fairly obscure David Bowie track remains such a memorable piece of an amazing collection of songs. MTV Unplugged was a good show, but it was never as great as it was when Nirvana did it.
    Grade: A+

    The Bad:
    Hospital Grade - "Empty Ambulance Grade"; This a not pretty, overly long, emo tune that I just can't bear to listen to again in order to give it a proper breakdown. Please, don't force me to listen to this stuff any more guys.
    Grade: D+

    Tokyo Police Club - "Juno (Ra Ra Riot/Andrew Maury Remix)"; Over the time we have spent together as blogger and blog reader I have made my aversion to remixes abundantly clear, yet for some reason hundreds of them arrive in my inbox each month. Sigh, I thought this one might be different since it features a pair of my favorite acts, but alas no it has no cohesiveness whatsoever and should be discarded in favor of the original 100 times out of 100.
    Grade: D-

    Oh Captain My Captain - "On My Mind"; Sounds like a shitty My Chemical Romance with a terrible band name taken from a pretty great Robin Williams movie.
    Grade: C-

    Video of the Week:

    Fiasco - "Oh, You Horny Monster"; Okay, so maybe this isn't the greatest video in the history of the world, but listen to the freakin' music that goes with it! This is some crazy, hard hitting, insane shit, and it is the music of a trio of teenaged dudes that obviously just wanna rock! So forgive them if they don't wanna sit through hours of filming when there are riffs to played and tunes to written, they have more important things to do then picking a director! Instead they have a collage of images that are creepy, though not to creepy and fit well with the overall sound of the music. Nice forray into the world of video making dudes. I like it.
    Grade: B
    Brooklyn's Motel Motel isn't quite what you'd expect from a resident New York band. Where most bands here come up with some sort of shtick or a sound that they believe to be new, Motel Motel instead toils in the realm of indie rock, perfecting their craft, and using superb songwriting to drill the point home. They are not flashy or showboats and they certainly don't use shtick, they just allow their music to make the point that they are here to rock.

    Maybe rock isn't the most appropriate word. Their new album, New Denver, features an array of sound ranging from the obvious indie rock to realms of folk and Americana that can be found in any of a number of bands. In truth Motel Motel are definitely similar to a host of other well known indie acts. Cold War Kids, Two Gallants, and their New York brethren the White Rabbits immediately spring to mind, but of course for as many similarities as there are there are also a ton of differences. There's plenty of twang to go 'round on this album but it's the serious guitar riffs that have me truly hooked on this album. They are powerful and strong throughout the album, and the have to be when the album features only two songs under 4-minutes long!

    This is an album that caught me by surprise and one that will probably still be catching my attention months from now. It isn't a new sound or anything flashy, it's just pure indie rock at it's finest and I'm loving every minute of it!
    Motel Motel - "Harlem"
    Motel Motel - "River"
    Motel Motel - "Coffee"
    Motel Motel on Myspace

    Questionable Corner: Vivian Girls

    If you haven't heard yet, Vivian Girls are all the rage right now! This trio of ladies are putting out some of the most intense garage rock, punk, riot grrrl, music out there these days and because of it they have been rewarded with a slew of high profile shows around town including this Saturday's huge East Village Radio Music Fest happening at the Seaport! Their record will be re-dropping in October so be prepared for that and make sure you check out these fine ladies of rock as soon as they hit your town!!!

    PTST: You guys seem to be playing a show in New York practically every night, how do you guys keep it fresh and exciting so that the audience keeps coming back? Do you ever turn down a show?
    Ali: Every show is different, I think a giant part of shows being fresh and exciting or not has to do with the audience. When an audience is into it we feed off of it and vice versa and it's a blast.
    Cassie: I'd say we turn down about half the shows we're offered. We just get offered a ton of rad shows, and it's like, why not live it up man?

    PTST: In the span of a week you will be playing the last ever show at McCarren Park, Death By
    Audio, and East Village Radio Festival, is there one that you're more excited to play then the
    other? What would you tell people to get them to attend all three of these shows?
    Ali: I think we're all pretty excited any time we're gonna play a show. That's one of the best parts of being in a band! Playing with Sonic Youth is a dream come true of course. All of these shows are of a very different nature, so I'd leave it up to the audience to decide what sort of atmosphere is most appealing to them; a gigantic once in a lifetime show at McCarren pool, a fun DIY party at Death By Audio, or an all day festival with a ton of awesome guests at the South Street Seaport. I don't think any of those are too shabby.

    PTST: After that the rest of the year seems to have you on the road playing a ton of shows, how
    do you get yourselves psyched up to play a show every night?
    Cassie: We love playing shows, so it's very rarely that we're not excited to play one. Drinking coffee before a show always helps, though.
    Ali: Once you get to a venue and there are people there to see your band, even one person, I think it's hard not to get psyched up.

    PTST: How do you fit writing and recording into a schedule as chock-full as yours is?
    Ali: It's tough but Cassie constantly writes songs whether she's in a band or not, so when we all get together to write we usually have a bunch of things just waiting to be worked out or we come up with it on the spot. We're all friends so finding time to get together isn't that difficult. Band practice is equal parts business and party.
    Cassie: Like yesterday we did a live recording session for WFMU and while they were setting up mics and equipment and stuff we took that half hour to start practicing a new song we've never all played together before.

    PTST: Are there any plans to record a follow-up to your self-titled release?
    Ali: Of course!
    Cassie: Yes! We already have about half of a second album written. We want to write the rest and record it as soon as we have time.

    PTST: Speaking of the self-titled album, it's about to be re-released on In the Red. How's your
    experience being on a label been so far? Is there going to be anything different on the label
    release that wasn't on the original?
    Ali: It's been amazing, we really lucked out. Everyone we've worked with is very genuine and hardworking.
    Cassie: Nothing too different. I fixed a few things with the cover art and the album was re-mastered for the ITR pressing, so it might look and sound a little better, but not by much.

    PTST: It seems like Vivian Girls have grown at a very fast pace, how have you handled becoming a buzz band? Are there any draw backs to having the spotlight on you like you do right
    now?
    Ali: It's definitely odd but it's great and I think I speak on behalf of us as a whole when I say that we're really grateful that so many people are paying attention to us.

    PTST: Last year when you guys started this band, did you ever think to yourselves that in a year you'd be opening for Sonic Youth, touring the world, and releasing a record on a label? How
    do you top what you've done this year for the next year?
    Cassie: The only thing we wanted when we first started out was to play Brooklyn house shows with our friends bands, go on tour, and put out an album. Those were literally our only goals. I feel so lucky with all that's happened to us, it's unbelievable. The thing we're most excited about right now is recording and releasing a 7" ourselves. We're putting together these packages which include a 7", t-shirt, and some postcards and buttons, limited to 1,000. We're also silk-screening everything ourselves. So stoked.


    Vivian Girls - "Tell the World"
    Vivian Girls - "Where Do You Run To?"
    Vivian Girls on Myspace
    Upcoming Tour Dates:
    09-06 New York, NY - South Street Seaport
    09-12 Swarthmore, PA - Swarthmore College
    09-19 New York, NY - Cake Shop
    09-20 Princeton, NJ - Terrace Club
    09-21 Philadelphia, PA - Danger Danger Gallery
    09-24 Nashville, TN - Exit/In
    09-26 Memphis, TN - Hi-Tone (Goner Fest)
    09-29 Knoxville, TN - Pilot Light
    10-01 Baltimore, MD - Ottobar
    10-03 New York, NY - Rocks Off Concert Cruise
    10-12 Boston, MA - Great Scott
    10-13 Danbury, CT - Heirloom Arts Theatre
    10-15 New York, NY - Bowery Ballroom
    10-16 Brooklyn, NY - Market Hotel
    10-17 Baltimore, MD - Sonar
    10-18 Philadelphia, PA - The Barbary
    10-19 Washington, DC - Rock and Roll Hotel
    10-21 to 10-24 CMJ Music Marathon
    11-08 New York, NY - Bowery Ballroom
    11-10 Boston, MA - Paradise
    Twelve years since it was first released Beck's Odelay is widely considered one of the best record of the 90's and one of the landmark albums of all-time. It is in short a record with such a diverse style that it's appeal is enormous in scope but it also maintains simple pop aesthetics by taking a melody and jamming it into that thick skull of yours. The songs on Beck's Odelay are near perfect blends of pop, funk, hip-hop, alternative, and folk and they are so easy to get down to and sing-a-long with that they create the perfect comfort zone for any listener. But honestly who could have seen this coming?

    Back in 1996 Beck was surviving on the reputation of a lone single that was already 2-years old. "Loser" turned him into a star, but his independent follow-up, One Foot In the Grave, was mostly ignored due to the strength of the one song off of Mellow Gold. Then Beck opted to switch producers after recording three songs. switching from Tom Rothrock and Bob Schnapf to the Dust Brothers. It must have been a bit disconcerting to his label at the time and you could only guess all the frantic phone calls that were exchanged during the recording of Odelay. At the time few people could have imagined that the album would spawn 5-singles and over 2 million records sold, and personally I probably wouldn't have known Beck unless you mentioned "Loser" in the same sentence.

    Then all of a sudden Odelay hits and it was one of those rare albums that was immediately welcomed by both the press and the mainstream public making it an overnight success. Of course Beck wasn't an overnight success, but it sure seemed that way by how much attention this album garnered. The songs were all over the radio, videos were played constantly on MTV, and it seemed nearly every publication was tapping the album as one of the year's best.

    It's still hard to argue against this album, it is so perfectly pieced together with samples and instruments and lyrics that there are few albums that could be properly compared to it. And since it's release Beck hasn't quite matched what he did on this one. But that's okay, few artists give us more then one masterpiece in a lifetime and this is certainly that. Odelay has been one of my favorite records for a long time, I wasn't immediately head-over-heels for it but after it worked it's magic inside my brain I was pretty easily hooked. I put the album on the other day after downloading the deluxe edition (which came out in June for anyone who's keeping tabs) and was shocked at how many of the lyrics I remembered and how fresh it still sounds today. This is one of those albums that easily spans time and could be just as good if it were released today as it was back in '96 when it actually hit store shelves. If it's been a while since you listened maybe it's time you took another listen!
    Beck - "Devil's Haircut"
    Beck - "The New Pollution"
    Beck - "Jack-Ass"
    Beck - "Where It's At"
    Beck - "High 5 (Rock the Catskills)"

    Fall Record Preview

    September:
    Tuesday, September 9th:
    Who: Okkervil River
    Title: The Stand Ins
    What to Expect: Okkervil River have become one of those bands that do not sit still very well. When they're not recording they're touring and when they're not touring they seem to be recording, and amazingly enough all the output from the band has not watered down the material at all. This is just as solid as anything the bands has released previously, if not completely better then anything they've done in the past. Front man and songwriter Will Sheff has absolutely mastered his craft creating songs that tell stories and show lives through his music. He has become an excellent storyteller and a brilliant songwriter up there with the rest of the best today. The band has benefited from his songwriting and from the constant stream of dates the band always seems to be on with tighter music and much harder compositions. This is one that could show up on a lot of year end lists.
    Anticipation Factor: 8.2
    Listen: Okkervil River - "Lost Coastlines"

    Who: Metallica
    Title: Death Magnetic
    What to Expect: The band has been trumpeting as a return the group's early days, the days of Ride the Lightning and Master of Puppets, but for some strange reason I'm having a hard time believing that they're going to go this route. I mean this is the band that hasn't released a semi-decent album since their self-titled one and a band that has more of less run the gamut of their career. Based on the what we've already heard (which is not much since it seems like this thing is being guarded really well) the band does have some elements of their old selves on this record, fast, heavy, very powerful guitars, but certain aspects leave a lot to be desired namely Lars Ulrich's drums. Still, I'm sure most every metal head in the world will be in line for this album and it should be one of the bigger releases of the fall.
    Anticipation Factor: 3.5
    Listen: Metallica - "My Apocalypse"
    Also Released Today:
    Bound Stems The Family Afloat
    Celaxico Carried to Dust
    Kimya Dawson Alphabutt
    Parenthetical Girls Entanglements
    Rafter Sweaty Magic EP
    Fujiya & Miyagi Lightbulbs
    Growing All the Way
    Chad VanGaalen Soft Airplane

    Tuesday, September 16th:
    Who: Passion Pit
    Title: Chunk of Change EP
    What to Expect: Passion Pit have grown in leaps and bounds in just a short time. Since starting out as a Valentine's Day gift for a girlfriend, the Chunk of Change EP has sold out of it's initial pressing and is now going to be re-released on Frenchkiss Records. That's quite a jump for a band less then a year old but when you listen to the electro-pop sounds on the album you'll see why they've grown so much so fast. This is a terrific album and it's gonna be great to actually get myself a real copy of it.
    Anticipation Factor: 7.6
    Listen: Passion Pit - "Sleepy Head"
    Also Released Today:
    Physics of Meaning Smoke Charmer & Destiny at the Stroke of Midnight
    Ruby Isle Night Shot
    Simian Mobile Disco Fabriclive 41

    Tuesday, September 23rd:
    Who: TV On the Radio
    Title: Dear Science,
    What to Expect: After hearing the first two tracks from TV On the Radio's highly anticipated new album I can honestly say that what I thought we would be expecting and what we expect now are two completely different things. The tracks show a considerable shift to something a little more pop oriented then what we've seen from the band in the past, but certainly no less exceptional then anything off their first two critically acclaimed albums. The pop shift actually makes TV On the Radio more accessible then they have ever been, yet they maintain their indie appeal through their shear musicianship and the ability to write a song that will undoubtedly stick into your head. The two leaked tracks leave me wanting a lot more and considering Return to Cookie Mountain was my favorite album of that year I believe this will definitiely be giving this year's title a run for it's money.
    Anticipation Factor: 9.5
    Listen: TV On the Radio - "Golden Age"

    Who: Peter, Bjorn, & John
    Title: Seaside Rock
    What to Expect: Initially it was hinted that the new PB&J album would be entirely instrumental but that has apparently changed since it was first hinted at. Now the album apparently also features three monologues from three people that live in the hometowns of Peter, Bjorn, and John. Wow, what a stark contrast to the initial idea of an all instrumental album! It now sounds like something the Fiery Furnaces would release, completely eschewing the music of the band's past and going for something totally different. Hopefully these Swedes will be able to maintain their popularity like the Furnaces have by releasing something equally interesting and compelling to their initial forray Writer's Block. No matter what though, the fact that we still have the sounds of "Young Folks" ringing in our ears makes this one of the most anticipated albums of the year and I for one couldn't be more excited to hear it.
    Aniticpation Factor: 8.9
    Listen: Peter, Bjorn, & John - "Inland Empire"

    Who: High Places
    Title: High Places
    What to Expect: Those with an internet connection and an interest in High Places music have probably already heard the beauty of their self-titled, true debut but for those without this is going to be an album that will blow you away! It won't blow you away in the sense of loudness or in it's initial catchiness, instead the sounds, the hushed tones of the album will make it something that you have to work at listening to but once you do you will truly learn to love this sound. If I hadn't heard it already I would be wetting myself in anticipation, instead I'm just anxious to own a hard copy of my own, but the rest of you should be chewing your nails with anxious energy over it's impending release.
    Anticipation Factor: 9.1
    Listen: High Places - "From Stardust to Sentience"
    Also Released Today:
    Cold War Kids Loyalty to Loyalty
    Kings of Leon Only By the Night
    The Pretenders Break Up the Concrete
    Mogwai The Hawk Is Howling
    Blitzen Trapper Fur
    Casiotone for the Painfully Alone Town Topic
    Friendly Fires Friendly Fires

    Tuesday, September 30th:
    Who: Vivian Girls
    Title: Vivian Girls
    What to Expect: I know this album is just being re-released under a new record label but considering the chances that you actually own this album are slim to none, that makes it an anticiapted release in itself. Beyond that this may be one of the best new and exciting bands from New York to pop up in a long time. Their music beautifully blends elements of Riot Grrrl, punk, and modern aesthetics making a sound that sounds familiar but new at the same time. I've been listening to this a lot lately and I truly believe that this is one of those bands that are going to be on the tip of everyone's tongues from now till the end of the year. You've been warned so be prepared for it!
    Anticipation Factor: 8.0
    Listen: Vivian Girls - "Tell the World"

    Who: T.I.
    Title: Paper Trail
    What to Expect: Since taking the world by storm with the release of King, T.I. has drifted away while acts like Kanye West and Lil' Wayne have taken the throne away from him. His more recent releases have paled in comparison to what he once was and even though he'll be telling you this is his best record I think deep down he knows that to be not true. This album finds T.I. as a shell of his former self, grasping at straws to reclaim what he once had, but amid weak rhymes and worse beats T.I. has finally reached the pont where he has ceased to matter in the world of rap music. Unfortunately it seems a lot of rappers just hit this point where they get too big and too rich to really relate to the people that listen to the music and they become almost parodies of themselves that no one takes seriously. This is not going to be a good album at all.
    Anticipation Factor: 2.1
    Listen: T.I. (feat. Rihanna) - "Live Your Life"
    Also Released Today:
    Ben Folds Way to Normal
    Mercury Rev Snowflake Midnight

    October:
    Tuesday, October 7th:
    Who: Of Montreal
    Title: Skeletal Lamping
    What to Expect: Of Montreal has been going for quite some time, but with Hissing Fauna they seemed to finally break through. It was then that their psychadelic pop music seemed to finally impress itself upon a wider audience and it's because of that that Skeletal Lamping comes in with a huge amount of anticipation and lot of expectations as well. After listening to the album I can say that it doesn't quite hit the same level that Hissing Fauna did but it's definitely close and certainly worth your attention. I've never been too big a fan of the band but the past two albums have at least forced me to acknowledge their musical abilities and to take note of what they are doing. This is a very good album, like their last was, and I think a lot of people will be going ape shit for this like they did for the last one.
    Anticipation Factor: 7.5
    Listen: Of Montreal - "Id Engager"

    Who: Oasis
    Title: Dig Out Your Soul
    What to Expect: I generally don't think of myself as a nostaligic person, so forgive me if I seem a bit cynical, but I really don't see this new Oasis album measuring up to what the old stuff is. I know a lot of people are talking that is sounds like the Gallagher's have cleaned up their act and remembered how to sing and how to write a song but I just don't see it happening. The first song is definitely not a terible song, but it doesn't come close to touching on all the huge singles they had through the 90's. I haven't heard the full album yet, but I'm definitely not expecting anything above average from a band that lost touch with it's fan base nearly a decade ago.
    Anticipation Factor: 5.2
    Listen: Oasis - "Shock of the Lightning"
    Also Released Today:
    Annuals Such Fun
    Margot and the Nuclear So & So's Not Animal!
    Antony & the Johnsons Another World
    Department of Eagles In Ear Park
    El Guincho Alegranza
    Fucked Up The Chemistry of Common Life
    Hot Lava Lavaology
    Jay Reatard Matador Singles '08
    Mt. Eerie Lost Wisdom
    Spinto Band Moonwink
    Women Women

    Tuesday, October 14th:
    Also Released:
    Q-Tip The Renaissance
    The Cure Dream 4.13
    Secret Machines Secret Machines

    Tuesday, October 21st:
    Who: Parts & Labor
    Title: Receivers
    What to Expect: Part & Labor seem to extraordinarily adept at adapting their sound to fit the time and to fit what they feel like doing. For their new album, Receivers, a lot has changed but instead of sounding like something that was horribly out of place it sounds like a band that has apdapted to new technologies and embraced sounds that aren't normally thought of as conventional. This album is every bit as good as their last effort but it expands upong it with some twitchier sounds courtey of Dan Friel and new guitarist Sarah Noveller. These combined parts may make things a bit less nosy and a lot more pop but that doesn't mean they should be frowned upon, instead the band's fans should be able to adapt along with the band to a sound that's not entirely different but certainly isn't a copy of everything they have done before.
    Anticipation Factor: 8.4
    Listen: Parts & Labor - "Nowhere's Nigh"
    Also Released:
    +/- Xs on Your Eyes
    Anni Rossi After
    Gang Gang Dance Saint Dympha
    Pit Er Pat High Time
    Sea and Cake Car Alarm

    Tuesday, October 28th:
    Who: Deerhunter
    Title: Microcastle
    What to Expect: Deerhunter's Micorcastle leaked ages ago, which is why it's placement on this preview may be a bit surprising to people. But no the album is not actually in stores yet just on servers from here to Thailand and all the way back. Chances are you've already heard the album and are starting to chalk it up as one of the best listens of the year, but it's still more then a month away from a release so who knows how much it could change in that time. Anyway, from where we stand now this is a fucking kick ass record and should be cherished, not just in the digital form you have now but playing from that fancy hi-fi you have collecting dust in the corner. I won't jump on the ledge and say I like this better then Cryptograms but it is at least as good as that record and that record was outstanding.
    Anticipation Factor: 8.3
    Listen: Deerhunter - "Little Kids"
    Also Released:
    caUSE co-MOTION It's Time!
    Crystal Stilts Alight of Night
    O'Death Broken Hymns, Limbs and Skins
    Who: Fujiya & Miyagi
    Title: Lightbulbs
    Release Date: September 9th
    Label: Deaf, Dumb, and Blind
    Thoughts: For a dance band, Fujiya & Miyagi are pretty sedated. This music is as calming as it is propulsive and sometimes that's not necessarily a good thing. For most of their sophomore album the band seems to float along, stringing together synths and instruments and mostly inane lyrics. It's a bit weak in all honesty, where their debut album had us all hooked with catchy songs that couldn't help but stick in your brain this album has nothing remotely close to that. There are a few solid tracks like the almost catchy "Pussyfooting", opening track "Knickerbocker" and the instrumental closer "Hundreds & Thousands", but for the most part this seems to be an album that is stuck in it's quietness almost as if the band has sedated themselves. That's not a good thing, but their is some good music to be had here so long as you don't fall asleep waiting for those parts.
    Listen: Fujiya & Miyagi - "Knickerbocker"
    Fujiya & Miyagi - "Pussyfooting"

    Who: Mogwai
    Title: The Hawk Is Howling
    Release Date: September 22nd
    Label: Wall of Sound
    Thoughts: The new Mogwai is a pretty interesting listen. Throughout most of the album there are very few vocals, yet the music is so compelling with the way it swells within each song that it's difficult to not be an attentive listener to this record. The songs are well spaced out and like most Mogwai songs they are usually pretty long. But the length only allows the songs to rise and fall beautifully, building you up on instant and dropping you down the next. The analogy of the hawk is certainly pertinent on The Hawk Is Howling, this is a very violent album at times but is also very beautiful and very majestic at the same time. This is not the best Mogwai album ever, but it is damn good and a very nice listen.
    Listen: Mogwai - "The Day Ammy Lied"
    Mogwai - "The Hawk Is Howling
    "


    Who: Final Fantasy
    Title: Spectrum, 14th Century
    Release Date: September 30th
    Label: Block's Recording Club
    Thoughts: This fall Owen Pallett's Final Fantasy will be releasing two EP's which will lead up to the 2009 release of his next full length album. On the first of these two anticipated EP's, Pallett has taken recordings done with the band Beirut and crafted a sound that is at once his own but also traditional in it's arrangements and style. This has a truly classical feel, from it's sepia tinged album cover to the orchestral sound of expansive string sections and brass sections. For such a short album this is a huge album with a lot going on. The music is of course beautiful, but who would expect less from Pallett, the surprise is how cohesive the album sounds in such a short amount of time. I guess it's not all that surprising most of the Final Fantasy catalog does much of the same but I am always awed by a musician that is able to so effortlessly create music this heartfelt and powerful. I can't wait for the rest of his releases!
    Listen: Final Fantasy - "Oh, Spectrum"
    Final Fantasy - "The Butcher"
    Monday: Crystal Stilts @ Santo's Party House 10pm $10
    This is the last Monday before the NFL takes over your Monday nights so you might as well make it count! Buzz band, the Crystal Stilts, are playing Santo's and it's pretty cheap and I think in all likely hood there is not place that would entertain you as much as here on this particular evening. Seriously, get out before you settle in for Monday's with football and beer!
    Crystal Stilts - "The Sinking"

    Tuesday: Hawnay Troof, Vivian Girls, + Urxed @ Death By Audio 8pm $tba
    You know about Vivian Girls by now and even though I haven't written about them (I will soon) you should know about Hawnay Troof. But who is this Urxed person on this strange bill? Well Urxed is the name of the solo project from Rob of High Places! If that isn't enough to get you convinced to go then you must have far superior plans already.
    Hawnay Troof - "This Is Our Invite"
    Vivian Girls - "Tell the World"

    Wednesday: Does It Offend You, Yeah? @ Maxwell's 9pm $12
    I'm usually not in favor of taking the PATH, especially not on a school night, but Does It Offend You, Yeah? is a band that I have been really enjoying all year and I think it's definitely worth it to see them in a tiny, intimate setting. So if you're down for PATH trains and Jersians by all means head in for this one!
    Does It Offend You, Yeah? - "Epic Last Song"

    Thursday: Ellen Allien @ Highline Ballroom 9pm $15
    This show has been moved from the shuttered Studio B, but it should be no less of an event to put on those dancing shoes that have been collecting dust and let it all go. The Berlin-style minimalism is no reason to go all nihilist on us and hide in some corner feeling sorry for youself! Get out and enjoy the awesome sounds!
    Ellen Allien - "Caress"

    Friday: Titus Andronicus + Chairlift @ Lit 9pm $8
    Titus Andronicus cannot resist the draw of a New York audience! They seem to be here every week like clockwork and damn it if the first seven times I've seen them this year just weren't quite enough! Plus, they've added Chairlift onto the show and they were awesome at our After the Jump Fest this year, so this is a true 2-for-1 show if I've ever seen one!
    Titus Andronicus - "My Time Outside the Womb"
    Chairlift - "Evident Utensil"

    Saturday: East Village Radio Music Festival @ South Street Seaport 1pm FREE
    Last Friday may have been the final Friday night at the Seaport of the season, but the East Village Radio Fest marks the last time we'll be sitting outside for a show all year (unless something else pops up that hasn't been announced yet). So slather on the sunscreen one last time, don't put away that beach blanket, and head out for what may just wind up being the line-up of the year!
    Boris - "Laser Beam"
    Awesome Color - "Outside Tonight"
    High Places - "From Stardust to Sentience"
    Vivian Girls - "Damaged"
    Crystal Stilts - "Crippled Croon"

    Sunday: Silver Jews + Monotonix @ Bowery Ballroom 8pm $25
    I don't know what to say to get you to attend this show that you haven't already heard. You know Sonic Youth's Thurston Moore is a big fan of Monotonix right? You know that David Berman of the Silver Jews is tight with Malkmus right? Yeah you know all that stuff so why haven't you bought your tickets yet???
    Silver Jews - "Suffering Jukebox"
    Monotonix - "Body Language"
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